Interviews

A multidisciplinary artist and stage designer based in Quito, Ecuador, Irving Ramó recently shared his talents with us on his recent visit — sponsored by Somos Fuana — to New York City  To the delight of us street art aficionados, he painted alongside Colombian artists Guache and Praxis on a wall curated by Spread Art NYC.  While he was here, I had the opportunity to speak to him.

What brought you to NYC?

I traveled from Ecuador for an exhibit featuring my recent work — an investigation into my ancestor’s writings.

What spurred your interest into conducting that kind of research?

Curiosity! I’m obsessed with ancient civilizations that have disappeared.

And while you were here in NYC, I was introduced to you through your mural art! When did you first start painting on public spaces?

I started in Quito about five years ago.

And where else have you done public art?

I’ve also painted in Spain and here in the US in Miami and now in NYC.

Do you work with a sketch-in-hand when you paint on a public surface? Or do you just let it flow?

I often use a photo as a reference, and I have a rough sketch with me.

Are you generally satisfied with your finished piece?

I usually feel happy!

Do you prefer working alone or collaborating with other artists?

I can adapt to any kind of situation. I’m happy to have a chance to collaborate with others.

You are amazingly versatile. Do you have a formal art education?

I studied graphic and industrial design. But I am mostly self-taught.

How has your aesthetic evolved through the years?

It changes every day – depending on what I need to express at the time.

What do you see as the role of the artist in society?

It’s to give visual expression to ideas. To show people that ideas can be real.

Images:

1 In Bushwick, Brooklyn with Spread Art NYC, 2017

2 Exhibit at Martillo in Barcelona, Spain, 2016

3 Gargar Festival in the of village of Penelles, Spain, 2016

4 With La Suerte and Apitatan in Quito, 2017

5 Close-up from collaborative wall with La Suerte and Apitatan in Quito, 2017

Photos: 1 Karin du Maire, 2-5 courtesy of the artist; interview Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

While visiting San Francisco earlier this summer, I discovered Max Ehrman‘s aka Eon75 mesmerizing public artworks. Eager to find out more about the talented artist, I posed a few questions to him:

Where and when did you first paint on a public space?

The first wall that I painted was a legal wall of fame in Gainesville, Florida. I was in my early 20’s.

What inspired you at the time?

I was inspired by a memorial wall that Daim and Seemso had painted on that spot. It was amazing! I had never seen anything like it before — in terms of design, color, layout and balance.

What keeps you doing it? Painting in public spaces — in addition to your studio work? You are quite prolific!

Passion! It is something I love doing.

You’ve traveled quite a bit. Have you any favorite cities or specific sites where you like to paint? 

Anywhere that I can paint and sit on a beach is top on my list. So Barcelona, Puerto Rico, Naples, Florida and Thailand for sure.

What is your favorite medium when you work outdoors? 

Spraypaint — definitely!

What about your name? Eon 75?

A friend in Europe gave it to me. Extermination.of.reality — and 75 is the year I was born.

Have any particular artists or cultures inspired your aesthetic?

Mostly Mother Nature and the cosmos.

Do you prefer working alone — or collaborating with others? 

I love working with other artists…some of my favorite people to paint with are San Francisco-based Ian Ross and Ratur from France.

Have you a formal art education?

No, I went to school for architecture. When It comes to art, I’m self taught.

How has your work evolved through the years — since you first started painting back in Gainesville, Florida?

I would say it’s gotten more complex, and I love working in lots of diverse mediums which leads to changes in styles.

What’s ahead?

More traveling and painting. I’d like to paint more characters and get into sculpture.

Good luck! And it would be great to see your work here in NYC!

Images

1  Treasure Island Music Festival in San Francisco

2 Collaboration with Vance DNA in Bangkok, Thailand, close-up

3 Cooks Valley Campground in Piercy, California

4 Abandoned train in California

5 Collaboration with Ian Ross in San Francisco, close-up

6 Collaboration with Ratur on San Francisco rooftop

All photos courtesy the artist

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

While visiting the Bay Area earlier this summer, I met up with photojournalist, Juxtapoz Magazine contributor and fellow graffiti/street art enthusiast Iqvinder Singh. I was delighted to have the opportunity to interview him:

What is your first street art/graffiti-related memory?

My earliest memory goes back to the late 70’s/early 80’s in Northern India. I grew up in Rajisthan and Punjab, where it was normal there for people to express their opinions and feelings on the walls. Print and broadcasted media were still considered a luxury for the rich, and the city walls reflected the voices of the unheard. I would see people painting the walls during the daytime without any fear of the police or shop owners. The messages were written in Hindi, English, Punjabi, Gujrati, Urdu and other local dialects. It was something expected and normal in my surroundings. It was odd to see blank walls with no messages. Smaller villages were less political, but they too decorated their walls, though with cultural and religious symbolism. Geometric patterns inspired by the muhgals, swastikas, flowers of life and Hindu dieties were very common. Some farmers even branded their cows with similar symbols. Colorful walls made the cities and villages livelier and more welcoming.

What was your initial impression of the streets here?

When my mom and I moved to Oakland in 1982, I was introduced to different types of markings and monikers in the San Francisco Bay Area. Suburbia meant clean walls, and any kind of wall markings were only found in the “bad areas” of the city. At an early age, I learned to appreciate the intricate hand styles of the local graffiti artists and witnessed what was to come in the 90’s and into the new century.

Did any particular artists stand out? Inspire you?

Among my earliest inspirations were East Bay graffiti artists: Plato, Fresh Kid, Echo and Rocs. In the early 90s, I met the late Mike Francisco a.k.a. Dream at the College of Alameda. He was one of my greatest inspirations, not only from a graffiti perspective, but also because of his views and stance on social/civil rights issues. He was very vocal about police brutality and other injustices that plagued our communities. Many of us aspired to reach Mike’s style status. I also admired Dizny from the TPC crew. Dizny was from Berkeley and painted beautiful murals touching on local and global topics. Where Dream had mastered the letter form, Dizny told stories with characters and broke down complex politics for an average kid from Oakland. San Francisco also blessed us with inspiring artists like: Twist, Margaret Kilgallen, Dug 1, KR, Revyon, Caryone and UB40.

You’ve been documenting the Bay Area graffiti and street are scene for awhile now.

Yes! So many different styles came out of the San Francisco Bay Area, and I thought it was important to keep a record of it all. In 1997, I started a zine called Suitable 4 Framin’ which focused on underrepresented artists. I don’t think there were any other graffiti publications in Northern California at that time. I printed about 1000 copies of each issue and sold them at cost or traded them for other zines and magazines.  I want to capture it all. The piece on the wall, the artist painting it, and whatever else is brewing the neighborhood. I try to post stuff that others may have missed or capture it from a different angle. I try to catch the artists in action, and I try to understand their influences and histories. Bay Area has churned out so many great artists, and those same artists influenced hundreds of others. From the 80’s to today, it’s been an amazing experience to live through so much good art. Graffiti is definitely here to stay, and I hope to tell the story from my perspective.

With easy access to social media, there are so many people documenting the graff/street art scene in the Bay Area these days. It’s always interesting to meet the photographers behind their Flickr or Instagram pages. They all started at different stages, and they all have a certain focus. Some are focused strictly on selected crews, hand styles, freights, throw-ups, burners, trucks… Some are good photographers but don’t know the artists or the history, and others are seasoned veterans.

You’ve photographed thousands of images. Do any particular pieces of graffiti and street art in the Bay Area stand out?  

There are many. Whenever I see a piece by Lango, it’s always a treat. He is doing some next level painting with spraypaints. Stuff by Nychos and Aryz is always on a grand scale and their pieces always run for a while.

How has the Bay Area scene changed since you first became involved with it?

When I was active, your alias was very sacred. The goal was to be everywhere without anyone knowing who you were. Nowadays, graffiti/street artists hand you their business cards, links to their website, flyers and more. That mystery element is gone expect for the selected few. Graffiti/street art in general is a lot more acceptable. I remember when I did one of my first legal graffiti pieces in North Oakland in the late 80’s; it was a big thing at the time. Nowadays, most of the big productions are sponsored, and they are popping up everywhere, so people don’t get that excited. In the 80’s into 90’s, it was all about lettering, and there were many unique styles. Now, kids bring in characters, vegetables, clouds, animals, and other monikers as their tags. Work by guys like Ras Terms, Plantrees, and Broke speaks volume without any lettering. I personally prefer lettering, but I can still appreciate different trends. Paints are better, and there are even classes in graffiti.  It’s, also, definitely more commercialized. And with the advent of Internet, artists have a lot more resources now. Artists use graff to sell merchandise or as a stepping stone for other business endeavors. Graffiti for the sake of graffiti is gone. There’s nothing wrong with earning money from something you love, but don’t exploit the art form.

Besides your documentation of graffiti, you’ve also photographed life in many ethnic communities across the country.  

Yes, for some of my previous corporate gigs, I had the opportunity to travel over the country. I started documenting immigrant communities in my travels. I photographed Indians, Japanese, Mexicans, Chinese, Hmongs, and many others. It was a cultural experience to discover their roots and learn about their struggles to achieve that American experience. And, yet, I was most intrigued by the Chinese.

Your solo exhibit, Everything’s Fine in Chinatown, was  recently on view at the historic Throckmorton Theatre Gallery in Mill Valley. Have you any impressions of the graffiti you’ve encountered in the Chinatowns that you’ve visited? And what spurs your intense interest in Chinatowns?

Graffiti was one of the main reasons I used to go to Chinatowns. Chinatowns had some of the best trucks. I think the businesses learned that there was no point in painting over this stuff, as it wasn’t hurting their business. I’m intrigued by how the Chinese, particularly the ones living and working in Chinatowns, hold on to their cultural identity like no other ethnic group. Regardless of what goes in the world, there never seems to be any politics in Chinatown. It’s always business as usual. There’s a blend of old, new and hints of the future in Chinatown. It’s a mashup of everything you want in one place: restaurants, art galleries, temples/churches, schools… My goal with these photographs is to not only capture life as it exists today but also to document the changes that are brewing in the background.

Images

1 Iqvinder Singh at the “Out of Order” art show, Bay Area 

2 Political poster in India

Barry McGee aka Twist

Barry McGee aka Twist at Oakland Art Museum

Baer

6 Nychos  

7 Ras Terms & Leaf Leaver

8  from Iqvinder Singh‘s solo exhibit “Everything’s Fine in Chinatown”

All photos courtesy Iqvinder Singh

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

Home to a rotating range of vibrant murals by first-rate, often classic, graffiti writers, Hackensack’s Union Street Park is a treasure. While visiting on Wednesday, I had the opportunity to pose a few questions to its founder and curator, Darrius-Jabbar Sollas also known as Nasty Neo.

When did you first begin curating this spot?  It’s a graffiti-lover’s paradise. We’ve been returning regularly to check it out since we first discovered it — by chance — several years ago.

It’s ten years now. I began curating it in 2007. We are celebrating its 10th anniversary this year.

Congratulations! How did you discover such an ideal spot?  And how did you come to manage its walls?

I used to pass it every day as I took my kid to school.  And it looked like the perfect spot to showcase graffiti. As I went about locating the owners of the adjacent building to secure permission to use the walls, I discovered that a friend of mine was one of the building’s owners. I was given one huge wall.

What was the initial response to your transformation of this space? How did the community react?

The response was wonderfully enthusiastic. The town’s officials couldn’t have been more positive. And soon I was invited to curate the entire space, not just one wall.

Among the many artists who’ve painted here, do any in particular stand out?

Among them: Serve, Bates, Hef, Med, Tats Cru, Poem, Sade, T-Kid, Wane

What have been some of your challenges in managing this space?

The artists themselves! They can be pompous and arrogant. All of the walls are buffed for them, and too many still need to be catered to.

I notice that you guys are buffing the walls now. What’s ahead? Are you getting ready for anything special?

Yes! We have a birthday barbecue coming up Saturday for Roz…our fifth annual one.

Who are some of the artists who will be painting at the birthday barbecue?

FliteServeWore, Jew, Pase, Python, Rocky 184, Gem 13

It sounds great! Have fun! And thanks for bringing so much vibrancy to Bergen County!

Images

1  Union Street Park curator and artist Darrius-Jabbar Sollas aka Nasty Neo

2  Staten Island-based Goal

3  Classic writer Sound7TC5

4  Graffiti legend Part One

5  The masterful Sade TCM

6  Doe of the RTH crew

Photo credits: 1, 4-6 Dani Reyes Mozeson; 2-3 Lois Stavsky; interview conducted by Lois Stavsky

{ 0 comments }

Cairo-based artist Mohamed Radwan aka Sober recently completed a mural dedicated to female empowerment at Sahel’s Sea Hub compound on Egypt’s north coast. A brief interview with the artist follows:

When did you first paint in the public sphere? And what motivated you to do so?

During the Egyptian revolution and particularly starting 2012, I was motivated by opposition to the political status quo.  I started painting on the streets as a form of political expression of this opposition and solidarity with certain revolutionary figures and ideals.

Why did you choose to create a mural on the theme of “Women Empowerment?”

I believe that graffiti must serve a social purpose or advance a cause. For this particular mural — because of its location and high visibility — I felt that it was important to choose a topic that wouldn’t be divisive and would, also, get the huge exposure it deserves. In my mind, there was no topic more in need of  attention in the Egyptian community, in particular –and globally, as well — as women’s rights and  empowerment.

And why did you decide to feature Wonder Woman so prominently in your mural?

Because Wonder Woman has evolved into a symbol of women empowerment globally. She even had a brief run as a United Nations honorary ambassador. And with the release of the Wonder Woman movie this summer, she has achieved iconic status.

What were some of the challenges faced in creating this particular mural?

The first challenge was the size of it. The wall is 70m long and 5m high. I had never worked on such a large scale before. And that was a huge challenge to me. The second challenge was the very limited time for implementation. We had seven days to complete the mural — which meant spraying 10 meters a day. This, coupled with the hardships of the coastal weather in Egypt — which is extremely hot in the morning and very windy and humid at night — made it very hard for us artists to work continuously for seven days. And not only that, but the humidity and wind were also affecting the stencils on site. Thankfully, I was blessed with a crew of highly professional and highly committed artists and volunteers, who were intent on making this happen.

Have any objections arisen among the religiously and politically conservative elements in Egypt to your subject matter or portrayal of women in an outdoor setting?

Not at all. Women are commonly portrayed in public settings in Egypt — in commercials, billboards and such. It’s nudity that normally causes objections, and I don’t have that in this mural.

How has the local media responded to your mural?

So far the mural was well-received by both formal and social media. But we are seeking more exposure for the mural and contacting numerous media outlets.

All photos courtesy the artist; interview by Lois Stavsky

{ 1 comment }

Andrew-Frank-and-Fountain-House-mural-art

Run by the NYC Department of Health & Mental Hygiene, the New York City Mural Arts Project has brought two murals to the Bronx and one to Manhattan this past year.

“Art has the ability to profoundly change the way we think, feel, and even spark meaningful conversation to begin to break down the strongholds of isolation and stigma,” said First Lady Charlene McCray.”The Mural Arts Project is an important investment…in improving our city’s mental health infrastructure.”

Earlier this year, lead artist Andrew Frank Baer began collaborating with Fountain House Gallery and members of the Hell’s Kitchen community in designing and painting a huge two-segment mural. Many of the Mural Arts Project’s participants struggle with mental illness and/or substance abuse problems.The impressive artwork they created has since found a home on West 34th Street between 9th and 10th Avenues. After visiting the site, I spoke to Andrew Frank Baer.

I love the the collaborative nature of this project.  How would you describe the principal mission of the New York City Mural Arts Project?

Its principal aim is to integrate people with mental health issues into the community and to destigmatize mental illness.

outsider-art-mental-health-mural-close-up

Could you tell us something about the process? Its beginnings?

Yes! The Fountain House Gallery hosted workshops where its members actively designed and sketched the artworks. And as the local community is involved in all stages of the process, there is constant interaction among us all.

andrew-frank-baer-with-Hells-Kitchen-community-mural-art-nyc

What is it about the project that engages you?

I’ve worked with similar mural-making projects for a few years now. I love drawing, and I love listening. And I especially love working with others and serving people with mental health issues.

What were some of the challenges that this project has faced?

Deciding on a design that would work — one that people would respond to. And, then, getting to know everyone on a sincere level.

The site of the two mural segments is ideal. The two wide, highly visible spaces couldn’t be more perfect! And I think we can all relate to its message: Some days I have to push myself to go outside and walk to the park. Say hello! We can embrace ourselves and open doors together. How has the community responded to it all? 

The response has been overwhelmingly positive. We even had construction workers enthusiastically coming up to us while we were working on site!

Congratulations! I’m looking forward to future collaborations!

Photos by Lois Stavsky; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

kate-storch-and-za-one-graffiti-art

Continuing through this week at Avant Garde LES is Queens-based ZA ONE‘s exuberant solo exhibit, The Evolution of ZA ONE. While visiting last week, I had the chance to speak to its curator, Kate Storch.

ZA ONE is a style master; that is certainly evident here. And it was great fun watching him paint over at First Street Green Park last month. 

Yes! ZA ONE is a true artist. He is fearless in his determination to keep on pushing his craft further and further.  He spent the past two years working on these canvases.

zaone-graffiti-LES-NYC

When did ZA ONE first hit the streets?

He first hit the streets in the mid-eighties. And in 2012, he started going all-city. It was non-stop adrenalin. He is a street killer, as well as a masterful artist.

How did you meet ZA ONE

Jerms introduced us about two years ago. I feel like ZA ONE was a gift. And I love the way he involves his children in his art.  He is a dedicated father, as well as a dedicated artist.

How did the opening of the show go? I’ve heard great things about it!

Yes, it was amazing. There was so much love from other writers. And the exhibit attracted a wonderfully eclectic mix of people including fine artists and musicians.

What’s next for you?

I’ve been busily planning and promoting this coming Friday’s Summer Classics Block Party in honor of National Hip Hop Day.

What can folks who attend it expect?

It will feature live DJs and some of the best graffiti artists and muralists — a mix of both legendary classics and contemporary talents.

summer-classics-block-party-NYV

It sounds great! Good luck with it all!

Photos by Lois Stavsky; interview with Kate Storch conducted and edited by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

wc--bevan-with-mural-art

I first came upon WC Bevan‘s mesmerizing aesthetic at an exhibit — curated by Jason Mamarella aka d.w. krsna — that I attended back in 2013 at 17 Frost. I was delighted to rediscover it on the streets of Detroit during my recent trip, where I, also, had a chance to visit the artist’s studio and speak to him.

When and where did you first get up in a public space?

I was about 15 or 16 and living in Ohio. I had gotten my driver’s license, and in between delivering pizzas, I’d find walls under train bridges.

What ignited your interest back then in graffiti?

A punk named Gabe Razor gave me his half-filled black book. He wrote, but never disclosed who he was.

Had you any favorite surfaces to hit up back then?

Besides the walls under the train bridges, I liked abandoned spaces – of any kind — and the quarries.

WC-Bevan-street-art-detroit-michigan

These days — when you are out on the streets — would you rather work legally or illegally?

Both. 

Were you ever arrested?

Once in Memphis. I just had to repaint the wall and pose for a photo.

What’s the riskiest thing you’ve ever done while painting in the streets?

In Memphis, I painted a big, googly eyeball 26 stories above the ground while hanging off a bar.

Why did you?

It was fun! Why not? 

WC-Bevan-street-art-Detroit

Would you rather paint alone or collaborate with others?

I like collaborating with rich people who commission me to paint their walls!

Have you any thoughts about the graffiti/street art divide?

I don’t feel it much here in Detroit. We’ve all been through so much together.

What percentage of your time is devoted to art these days?

About 90%.

How does your family feel about what you are doing 

They love it. They’re cool! My father is a folk musician.

wc-bevan-street-art-mural-close-up-detroit

What are some of your other interests?

I record music as a hobby, and I bike.

How do you feel about the engagement of the corporate world with graffiti writers and street artists?

It depends on the nature and mission of the company or corporation. It’s okay as long as the artist is aware of the company’s agenda and can work with it.

What is the main source of your income?

Working on commissioned murals and selling my work privately. 

Have you shown your work in galleries?

Yes. I’ve been in lots of shows – both group exhibits and solo shows. When I was based in NYC, I showed at 17 Frost.

Wc-Bevan-fantasy street-art

Do you work with a sketch in hand or do you let it flow?

A loose sketch.

Are you generally satisfied with your finished work?

Yes. And, if not, I’ll fix it. So far, I’ve only painted over one piece.

Do you have a formal art education?

I attended the Memphis College of Art for almost two years.

Was it worth it?

It wasn’t the way I wanted to do it, but I did get a lot of art supplies out of it!

WC -Bevan-mural-art-close-up

Are there any particular cultures or movements that have influenced your aesthetic?

I’ve been influenced by South American art, the Renaissance and architectural designs.

How has your work evolved through the years?

With the space and time I’ve had since moving to Detroit, it has evolved quite a bit.  It’s tighter and bigger.

What inspires you these days?

Pure vision and free association.

Do any particular artists inspire you?

JJ Cromer, Martin Ramirez, Louise Nevelson, Kenny Sharf, R Crumb, Motohiro Hayakawa, Minnie Evans

WC-bevan-graphic

How do you feel about the role of the Internet and social media in all of this?

If a graffiti artist paints something and it doesn’t appear on Instagram, did it really happen?  My advice to graffiti artists is: Don’t show your face or location. But the Internet does make it easier for us to sell T-shirts!

What’s ahead?

Murals in the Market, a trip to Cuba and more painting!

What do you see as the role of the artist in society?

To provide meaning, encourage reflection, and offer people the possibility of seeing things differently.

Photo credits: 1, 5 & 6 courtesy of the artist; 2-4 & 7 Lois Stavsky; interview conducted by Lois Stavsky with Tara Murray

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }

Plasma-slug-A-colony-of-love

Portal, a thoroughly enticing exhibit of new artworks in a range of media by the legendary Brooklyn-based artist Plasma Slug, continues through tomorrow at ArtHelix, 289 Meserole Street in Bushwick. When I stopped by yesterday, I had the chance to pose a few questions to the artist.

This is so impressive! Can you tell us a bit about the title of this — your third solo exhibit?

Yes! The exhibit is a portal — an entrance — to another world. Viewers will step into something that will take them out of their routine and they will, hopefully, leave with their minds expanded.

plasma-slug-dna

These are all new works. About how many are in this exhibit? And how long have you been working on this particular body of work?

There are over 40 new pieces, and I’ve been preparing for this exhibit for the past four months.

How do the works on exhibit here differ from your previous ones?

I did not use spray paint to create these new pieces; after much soul-searching, I decided to paint with a brush.

plasma-slug-black-and-white-painting

And why is that?

It was a way for me to “cross over,” — to gain more respect as an artist. The tools we artists use are important as to how we are perceived.

Any other differences between these new works and your previous ones?

This is the first time I’m showing three-dimensional work.

plasma-slug-paiting

What prompted you to do that?

My son was flipping out over a 3-D chalk board he was using, and I liked the effect.

Everything here is so engaging, and your prices are so reasonable.  How can folks see the exhibit if they missed the opening or if they wish to see it again? I could spend hours here!

We’re open today and tomorrow, Sunday from 12-6.

plasma-slug-sticker-art

 Congratulations! It’s quite amazing!

Photos by Lois Stavsky; interview conducted and edited by Lois Stavsky

{ 0 comments }

Frank+Ape+-+Over+The+Rainbow

Opening tonight at Contra Galleries at 122 West 26th Street in Chelsea is Over the Rainbow, an exhibit of new works by Frank Ape, the iconic character created by Brandon Sines. Curious about Frank Ape? I was!

I’ve been a huge fan of Frank Ape since I first came upon him on our streets several years ago.  Just who is he?

Frank is a fun-loving Sasquatch who lives in NYC among us humans.  Always caring and positive, he is an ape that often takes the form of a cartoon.

4 Frank Ape - Maui - Brandon Sines

When and where was he born?

He was born in NYC in 2010 shortly after I moved here. He evolved from a mix of various mythological creatures, pop-icons and original characters that I’d used in my earlier artwork.

Can you tell us about the relationship between you, Brandon Sines, the artist and the lovable Frank Ape — whom we’ve come to associate with you?

I identify with Frank Ape on a highly personal level. He gives me an opportunity to be invisible — while, at the same time, present — in his work.

Frank -Ape-in-New- York- City

What can visitors to tonight’s opening expect to experience? 

From 6-10pm, visitors can expect to be taken on a magical adventure in the multi-roomed gallery through the eye of Frank Ape. They will be able to interact with several site-specific exhibitions, view new large-scale Frank paintings, scoop limited edition collectibles at the pop-up gift shop and dance through the night to some of Frank’s favorite songs. And they will have the opportunity to meet the real life Frank!

It all sounds great! What’s ahead?

On August 10th, a new exhibit at Contra Galleries will feature my non-Frank paintings, along with a launch of my book Lips and Drips.

Frank-Ape - Good- Morning - New -York -City - Brandon -Sines

Good luck with it all. It’s quite ambitious!

Photos courtesy Brandon Sines

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

en-play-badge 2

{ 0 comments }