urban art

This is the 14th in a series of occasional posts featuring the range of faces that have surfaced in NYC open spaces. The image featured above was painted by Fumero in Astoria, Queens for the Welling Court Mural Project, curated by Ad Hoc Art. Several more follow:

Danielle Mastrion  for Underhill Walls in Prospect Heights, curated by Jeff Beler

Nile Onyx for Underhill Walls in Prospect Heights, curated by Jeff Beler

Indie 184 on the Ridge Wall on the Lower East Side, curated by 212 Arts

Funqest for Underhill Walls in Prospect Heights, curated by Jeff Beler

Albertus Joseph for Underhill Walls in Prospect Heights, curated by Jeff Beler

Anthony Lister with the L.I.S.A Project NYC in Lower Manhattan

Photo credits: 1 Karin du Maire aka Street Art Nomad;  2 -7 Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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The following guest post is by Houda Lazrak

Earlier this year on a frisky afternoon, I met up with Noémi Nádudvari at a lively café in the 7th district of Budapest. A Budapest native and street art lover, Noémi, with the help of several like-minded individuals now known as the Colorful City Group, founded the Színes Város Festival (Color City Festival), the premiere large-scale public wall painting project in the country. Inspired by Hungarian painter Victor Vasarely’s vision that colors should play a vital role in city planning to make the world a more livable place, Noémi and her team have added over 70 murals to the facades of the Budapest City Center. I asked her a few questions about this project before she took me on a walking tour of the neighborhood.

It is a pleasure to meet you, Noémi. If I understand correctly, you work here at Café Dobrumba?

I do! I am the manager of Café Dobrumba. My team and I collaborate to create a rotating menu inspired from our travels abroad. Sadly, these are my last few weeks working here. I will be focusing my time and energy on the Színes Város Festival. It is impossible to have a full time job and, also, curate an expanding street art festival!

Yes, the Color City Festival! Tell us about this great initiative and how it all started.

The start of the festival was in 2014 with myself, my collaborator, Peter, and a super small group of people who were on board with the idea of creating an arts and culture initiative with murals by street artists at its center. We are now in our fifth edition. It is a little hard to believe sometimes. If six years ago someone had told me that I would be the curator of a city-wide street art festival, I would have laughed in their face! Today we produce around 8-10 murals each year, trying to find new wall spaces every cycle.

It sounds like you’ve come a long way. Was this festival your first experience curating? 

It was my first time curating a large-scale event. I studied aesthetics, philosophy of art and Latin in college, and then I worked in contemporary art galleries, auction houses, and was involved in the organization of festivals promoting young designers in Budapest. In 2011, I organized Urban Tactics, a one-day live painting event. It was the first-ever legal live painting in a public space in Hungary. We set up a series of panels on the street and presented an exhibition of work by six graffiti artists. That was my first real curating experience. At the time, we were struggling with money and permissions and did not think that something bigger would be possible.

Can you elaborate on the particular model of the festival in regards to the rotating themes and sponsors?

Because street art is so new in Hungary, we decided to collaborate with the city council and government to launch the project, along with sponsors who are keen on increasing the appreciation of street art in Budapest. Each year, we invite a sponsor to select a theme for the festival. It forces us to work within a certain framework. I then create a brief and reach out to local and international artists who may be interested in producing work around the topic. The mural painting then happens.

Can you tell us a bit about the topics that have been the focus of the festival?

In 2014, the topic was Let’s Start to Talk; in 2015, Hungaricum — a phenomenon that is unique to Hungary and represents great value for Hungarians; in 2016, Water and City / River and the City, focused on the Danube River which separates the city into the Buda and Pest sides; and in 2017, the theme was The Gastronomy of Art – The Art of Gastronomy.

Where are the murals located?

Mostly around here, the 7th District, but we started to do some walls in the Buda side of the city as well. Ruben Sanchez finished a piece there this past winter. The challenge on the Buda side is that we have to create murals that are more classical — in the vein of a 19th century-style aesthetic — to fit the context of traditional Hungarian architecture.

How have neighborhood residents reacted to the festival?

Good, actually. At first, there was some suspicion. But now, a few years later, we get more favorable reactions. Older generations have actually embraced it the most. They come with their grandkids to watch the artists paint, and a few have told us “We’d love to have this everywhere.”

What — would you say — were, or are, your biggest challenges?

Putting the festival together is pretty challenging, but as a curator/organizer, I would say the most difficult part is obtaining painting permissions. The city of Budapest does not easily give them. It’s a long process. We have to ask five different entities for permission before we can even begin painting.

It’s also difficult to find available walls. We’ve come up with a couple of strategies. The first is that we offer to renovate the building façade. It improves the state of the building and benefits the residents. Residents are then a lot more willing to give permission for a mural. As you can imagine, though, it then becomes very expensive for us. The second strategy is finding walls in parking lots. Since the walls are not immediately on the street, the permissions are easier to get. But, this means the mural will be erased when the parking lots are transformed into real estate developments. It could happen after one year or a few years, but in the meantime, the murals are there. Sadly, construction has started in a parking lot where we have some of our favorite walls by two members of Berlin’s The Weird Crew, HRVB and Vidam, who is half Hungarian.

The other challenge is dealing with sponsors who wanted to control the art aspect of the festival. I always insist that we need artistic freedom as soon as we start working with a sponsor. Each year this gets easier as sponsors develop a better understanding of street art and the goal of Színes Város.

How has the festival evolved?

Better artists, better walls. And more artists from abroad. Foreign artists love Budapest! Which is great because we really need a new image of the city… We want to invite international artists to show more street art styles to Hungarian audiences, as well. We were very happy to have artists like Adno, Dan Ferrer, SPOK ÉS KORSE, BreakOne, Ruben Sanchez and others painting walls in Budapest.

What is your main goal with Színes Város ?

At first, the goal was to expose Hungarians to street art and get them to understand what it is; I wanted to educate the public about this art form. Now that this goal has somewhat been met and people are starting to appreciate art that is less mainstream, I am trying to push the limit and include more adventurous, interesting, challenging pieces every year.

I always say in the press conferences that one of the main goals of the festival is to show the great variety of styles that exist. People should be more open and even excited about styles that are new to then, because there isn’t one common taste. No one has to like all the murals. but everyone will have their favourites. For me that’s an important message. You don’t have to love all of them, but try to understand them; try to speak about them; explain why you like a mural or not. Diversity is so important. It is even more important nowadays when the world is moving in a direction that doesn’t encourage inclusiveness…Trump being a prime example of that.

Do you feature other types of installations besides murals?

Not at the moment. There was a boom in the early 2000 of small street art pieces. Artists were trying to do small works. But there were too many risks involved because, unfortunately, you could go to prison if you get caught just doing a paste up. Graffiti and street artists mostly tried to paint outside the city, finding hidden lonely places where they can work easily without anyone bothering them. So that is why we are missing small pieces in the city. In cities like Berlin and London, you feel like something more is going on aside from the murals – you get that feeling because of the paste ups, stickers, stencils etc. That is a project for the future, focusing on smaller works as well.

Any other future projects or plans?

For the festival’s fifth year, I want to publish a catalog with images of all the walls. Maybe an exhibition, as well. In the longer term, I want to start an artist exchange program to allow Hungarian artists to go abroad, gain recognition in the international scene and collaborate with other artists. Fat Heat paints everywhere in Europe and Russia, which is great, but I would like to see more Hungarian artists represented around the world.

Sounds exciting! We wish you the best for what’s next!

Images

1 Lisbon-based AkaCorleone

2 Budapest-based Márton Hegedűs

3 Spanish artist Dan Ferrer

4 Portuguese artist BreakOne

5  Russian artist Adno (right) and collaborative mural by Spain’s Spok Brillor  and French artist KORSE 

6 Vidam (left) and  HRVB

7 Hungarian artist Péter Szabó-Lencz aka Petyka

8 Budapest-based TransOne and Fat Heat

All photos and interview by Houda Lazrak

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Since 2005, Festival Asalto –the oldest international festival of urban art in Spain — has been bringing a diverse range of alluring public art to Zaragoza, while actively engaging the community in all aspects of realizing its vision. While visiting Zaragoza last month — with map in hand — we roamed the city in search of public artworks. Pictured above is a close-up from a hugely impressive mural by Spanish artists Aryz and Daniel Munoz aka San. Several more images  — a small representation of what we encountered — follow:

French artist Zepha

Madrid-based Sabek

Madrid-based Okuda

Belgian artist Roa

UK-based Helen Bur

Copenhagen-based Isaac Malakkai with Canary Islands-based artists Felo CNFSN and Tono

France-based Mantra

Photos 1-6 & 8 Lois Stavsky; 7 Sara C Mozeson

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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17 Frost Gallery — Brooklyn’s widely impressive hub of “community, camaraderie and collaboration” — is back! And to celebrate its renovation and expansion that began in January 2017, when it closed its doors to the general public, it is hosting WELCOME BACK, ON TRACK this Saturday evening from 7-11pm.

A rebirth of sorts, WELCOME BACK, ON TRACK, features dozens of artists working in a range of media representing contemporary art, street art and graffiti genres.  While 17 Frost Gallery had previously presented monthly solo and group shows, it is now gearing towards exhibiting pop-up shows, with artists encouraged to present new works.

All are invited to celebrate 17 Frost Gallery‘s “rebirth” this Saturday evening. Among the dozens of artists in this premier exhibit — curated by Ellis Gallagher — are such modern legends as Al DiazCope2, Eric Orr, UFO97 and Cost.

With DJ Choice Royce, music and Brooklyn Gin, libations

Featured images

1 EKG

2 Alex Itin

3 Close-up from collaborative work by Cabaio Spirito, rené, Alex Itin and netism

Photos courtesy Ellis Gallagher

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The soulful face pictured above is the work of the young Tel Aviv-based UK native Solomon Souza. Several more images of faces that recently greeted me in Jerusalem follow:

Also by Solomon Souza, on a lighter note:

A decade-old stencil in Jerusalem’s German Colony

A series of stenciled faces in Jerusalem’s Talpiot neighborhood

Closer up

Jerusalem-based Signer AFK 

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Launched — once again — by Learn and Skate is an auction to raise funds to help support the production of the first skate park in Ulaanbaatar, Mongolia. The skate deck featured above was fashioned by Bronx-based Sen2.  Dozens more skate decks — recently designed by a global array of artists — are available for bidding at Europe’s online auction house Catawiki. What follows is a small sampling:

 Wane COD

Chris RWK, Chinon Maria and Andrea Romero del Collado

Jilly Ballistic

Antonio Sobrino

You can view all of the skate decks and bid on them here.

All images courtesy Jean Claude Geraud

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Last month, six widely-acclaimed artists, who have shared their visions throughout the globe, brought their extraordinary talents to Talpiot, a vibrant beighborhood in South Jerusalem. Pictured above is a large segment of a huge mural fashioned by Brazilian artists, Douglas de Castro and Rantao Ferreira aka Bicicleta Sem Freio. What follows are the other five new artworks that surfaced in Talpiot during Walls Festival Jerusalem, produced by Ghostown and hosted by the Jerusalem Municipality.

Jerusalem-based artists & brothers Gab and Elna, known as Brothers of Light

Tel Aviv-based visual artist and designer Pilpeled

The famed Haifa-based collective Broken Fingaz

Tel Aviv-based Know Hope,”246 Sides to a Story” — on an abandoned flour factory, with 246 bullet holes, that had been caught in the crossfire of the Six Day War

Multidisciplinary Mexican artist Smithe One

Photos by Lois Stavsky

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Pictured above is Ecuadorian artist Toofly, captured at work this past Saturday, the official launch of the 9th Welling Court Mural Project. What follows are several more images captured by travel and street photographer Karin du Maire aka Street Art Nomad this past Friday and Saturday at this model community-driven mural project conceived and curated by Ad Hoc Art.

Brooklyn-based See One at work

The legendary Daze, standing in front of his mural, produced with Crash

Swedish artist Carolina Falkholt at work      

The nomadic Never Satisfied at work

Multi-disciplinary artist Ryan Seslow, huge segment of completed mural

Cambridge, MA-based Caleb Neelon with Boston-based Lena McCarthy, close-up

The murals are on view 24/7 on and around Welling Court in Astoria, Queens.

Photos:Karin du Maire aka Street Art Nomad

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Today, Saturday, June 9th, marks the ninth anniversary of the extraordinary community-driven Welling Court Mural Project, conceived and curated  by Ad Hoc Art. While visiting yesterday, travel and street photographer Karin du Maire aka Street Art Nomad captured several artists at work, as well as a few completed murals. Pictured above is the wonderfully talented Queen Andrea at work. Several more images follow:

John “Crash”  Matos — posing in front of his mural, based on a painting of his from 1980

Lmnopi

Joel Artista and Marc Evan at work on collaborative wall with Chris Soria

Netherlands-based Michel Velt at work

Cey Adams

KingBee at work

Peat Wollaeger aka Eyez

Herb Smith aka Veng, RWK, alongside his mural

Celebrate the launch of this model community-based mural project from 12pm – 8pm today at 11-98 Welling Court in Astoria, Queens. Check here for directions.

Photos by Karin du Maire

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Launched by artists and arts educators Max Frieder and Joel Bergner aka Joel Artista, Artolution is a community-based public art initiative with the goal of promoting healing and positive social change through collaborative art making. For two weeks last month, Artolution directors, Max Frieder and Joe Artista — along with members of the local community — worked with LGBTQ+ students from NYC’s Harvey Milk High School and with students facing such challenges as autism and down symdrome from the Manhattan School of Career Development. The results are remarkable!

Planning session in progress

Young artists at work

Discarded objects become not only an art installation, but musicial instruments, as well

Segment of final mural

Completed mural

A cause for celebration

The mural can be seen on 5th Street between 1st and 2nd Avenues in the East Village.

Photos by Tara Murray

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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