Sculpture

In his wonderfully handsome and poignant exhibit, Too Young for Type One, Appleton has created an alternative universe in a range of media that not only delights us aesthetically, but provides us with an entry into the world of a diabetic.  Currently on view from 1-9pm at the Tenth Avenue Gallery, 287 Tenth Avenue at 26th Street, Too Young for Type One ends with a closing reception this Wednesday, November 15th from 6-10pm. What follows are several images I captured on my recent visit:

Appleton with one of his many perturbingly powerful installations

The End, Part One, Photographic transfer / Archival 27″ x 27″

A New Hero Emerges (the Tin Man as Diabetic), Mixed media / Found work 40″ x 28″

Appleton with his Insulin Tree

A small segment of “Too Young for Type One”

Photo credits: First image courtesy Appleton; 2-6 Lois Stavsky

Note: The exhibit is open today, Sunday, until 9pm.

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Presented by RexRomae Gallery and curated by Street Art News founder Rom Levy, Martin Whatson‘s solo exhibit Revive opened last Friday, September 29th, in Santa Monica. Featured in Revive are paintings, prints and sculptures representative of the Norwegian artist’s vibrant graphic imagery fashioned in juxtaposition to his greyscaled stenciled art and staid backgrounds. Pictured above is Whatson‘s recreation of  Salvador Dali’s Figure at the Window — forged with acrylic, spray paint and marker — that originally surfaced on the streets of Norway in 2015 during the Nuart Street Art Festival.  What follows are several more images of artworks on exhibit in Revive:

“Behind the Curtain” — which made an appearance in Miami in 2015 as a large scale mural

“Framed” — originally conceived in 2013  for the Sand, Sea and Spray Festival in Blackpool, UK. 

The artist’s famed butterfly as sculpture

Martin Whatson‘s iconic astronauts — with butterflies fluttering on their fingertips

The celebrated Martin Whatson with his brightly graffitied rhino

The exhibit continues through this weekend at 328 Santa Monica Blvd. in Los Angeles.

Contents for this post provided by Luna George; photos by Angela Izzo

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jerry-rugg-mural-art

Fashioned by the hugely talented Jerry Rugg aka Bird0, a delightful range of brightly-hued, surrealistic geometric creatures have made their way onto Toronto’s visual landscape.  We were delighted to meet the artist while visiting Toronto and have the chance to interview him.

When and where did you first get up?

It was in 2002 in Toronto with a wretched, shitty, embarrassing tag.

What inspired you at the time?

The 90’s freight graffiti that I saw on the Canadian Prairies.

Do any early graffiti-related memories stand out?

Discovering that someone in my local town — Rove CBS — was a great graffiti artist and watching him paint.

Have you painted with any crews?

Six years of mayhem with the DMC crew!

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These days, would you rather work legally or illegally?

 I’d rather not be in handcuffs!

What is the riskiest thing you ever did?

Quit my day job.

What are your preferred surfaces?

I like painting outdoors – the bigger the surface the better.

Have you any thoughts regarding street artists’ engagement with the corporate world?

We have to pay our bills and we have to sleep at night. I guess it’s up to the individual to strike a balance.

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What about exhibits? Have you shown your work in formal settings?

Yes. I’ve participated in quite a few group shows.

Would you rather paint alone or collaborate with others?

I’m a lone wolf. But I like the concept of collaborating and I like interacting with others. It’s part of our evolution as artists.

Any thoughts about the graffiti/street art divide?

There is friction; they’re different mentalities painting the same surfaces. I’ve always believed that you gotta give respect to get respect.

What percentage of your time is devoted to art these days?

All if it!

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Do you work with a sketch in hand or do you let it flow?

I always have a sketch. I’m very strategic.

Have you a formal art education?

The graffiti culture has been my teacher.

Are there any particular cultures – besides the graffiti culture – that have influenced your aesthetic?

Not any specific cultures  — but movements, like Surrealism and artists like Escher and Dali.

Are you generally satisfied with your finished work?

People who know me best would likely say I’m rarely satisfied with anything.

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How has your work evolved through the years?

My style is similar, but my technique has evolved, particularly the way I work with shapes.

How do you feel about the photographers and bloggers in this scene?

I love it!  We artists are in the business of exposure.

What do you see as the role of the artist in society?

Artists are independent thinkers.  Our role is to mix things up.  Artists should challenge, disrupt, or beautify.

 What’s ahead?

Traveling, painting, drinking tea. Repeat.

Sounds good! We hope you make it to NYC soon!

Photo credits: 1, 3-5 courtesy the artist; 2 Lois Stavsky; interview conducted by Lois Stavsky with Tara Murray

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Hektad-and-Urbanimal-Repurposed-art-Fat-Free-Art

An extraordinary array of found objects have been transformed into intriguing repurposed art for Fat Free Art‘s first annual Bizarre Bazaar.  Pictured above is Hektad‘s American graffiti flag looming over Urbanimal‘s table. Here are severel more works from this stylishly imaginative exhibit.

Raphael Gonzalez, An Ciana

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Tomaso Albertini, Butterfly Effect, huge segment of framed piece

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What Will You Leave Behind, Worth Nothing

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Icy and Sot, Let Her Be Free

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Bianca Romero, The Muse Says — to the right of  Hektad‘s spray cans — and shoes designed by SacSix on shelf below

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JPO, 3 of a Kind

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Suckadelic, Pussy Grabs Back

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The exhibit continues through March 4 at Fat Free Art, 102 Allen Street on Manhattan’s Lower East Side. It is open Tuesday – Saturday 11AM-7PM & Sunday 12PM-5PM,

Photos by Lois Stavsky

Note: Hailed in a range of media from Wide Walls to the Huffington Post and the New York Times, our Street Art NYC App is now available for Android devices here.

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repurposed-heart-huerto-roma-verde-mexico-city

While exploring the streets of Mexico City earlier this month, I meandered into Huerto Roma Verde, a huge urban community garden — largely constructed with salvaged materials — in the South Roma colony. Committed to ecological awareness and sustainable consumption, it features a range of workshops and activities for folks of all ages.  It is also rich and varied not only in its offerings and produce, but in its public art, as well. Here is a small sampling:

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One of many art pieces on its grounds

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And this one capturing its spirit–

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As seen from the outside

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Photos by Lois Stavsky

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rae-bk-new-years-eve

NYC’s prolific RAE BK will join forces with the legendary DJ Kool Herc at 99 Bowery on New Year’s Eve for an unprecented event. A brief interview with RAE BK about his new exhibit  and its New Years Eve launch follows:

This sure seems like a fun way to spend New Years Eve! What spurred you to do this? 

After everything that has gone on with this Presidential Election in the US, I decided the best way to bring in a 2017 is with a bang.  I hope it’s a way to at least turn the page for an evening for those who attend. The name of the exhibition is All Systems Go and it centers around the comparison of discarded objects and human beings.

What kinds of works can we expect to see? On the streets we’ve spotted everything from your stickers to your huge installations?

There will be about 40 pieces ranging from ‘found object’ sculptures to large scale canvases to paintings on paper.  These are works I have made over the course of eight months.  And what better way to say goodbye to 2016 than to have a living legend, the Father of Hip-Hop, DJ Kool Herc, to bring some bass and get people moving later on?

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Can you tell us something about the found objects that you have been working with? Where did you find them?

A lot of the parts I have collected and used to make the work have come from an area in Willets Point. Queens, NYC.   It’s about a 10- block section full of “chop shops,” huge pot holes and some really weathered people. The feeling is third-world for sure. For someone looking at it from the outside — like me — it’s like the land of the forgotten.  Mechanics look like they’ve put in a week’s straight worth of doing car repairs. Others are selling drugs and looking to turn tricks. The work I have created is as much a reflection of the materials as it is of the environment.  A lot of rusted metals, worn fabrics and scraps of plastics… Think “pop-artifacts.”

What was it like to work with these objects?

While working in my studio, I kept seeing the worn and weary faces of the people I encountered in the weathered parts. I adopted the philosphy of making the best of the materials you are given.  And these materials came from the people of Willets Point. People there do what they have to do to make a living. Whatever it takes. The interesting thing is that for all the rusted, decayed, crushed pieces I found, I also found stuff that had a nice gold or silver shine or burst of color that created a cool high-end, low-end quality to the finished pieces.

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How can one attend All Systems Go on New Years Eve?

Opening night will be a ticketed event with open bar and music spun on vinyl by DJ Kool Herc.  I will be giving away a small original piece of work just before midnight too. You can get tickets here.

And if we can’t make it to the New Years Eve opening, will we still be able to see your show?

Yes! The show will run for at least another week after that. Check my Instagram for updates.

Interview by Lois Stavsky; photos 2 & 4 from NYC streets, Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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zoe-leonard-text-art-high-line-nyc

With the mission of fostering a dialog with the surrounding neighborhood and urban landscape, High Line Art — curated by Cecelia Alemani — presents a wide array of provocative artworks in a range of media. Pictured above is I want a president, Zoe Leonard‘s 1992 text-based work installed on the occasion of today’s election. Here are several more works that can be seen on the High Line.

 Tony Matelli, Sleepwalker — for Wanderlust, a group exhibition exploring the themes of walking, journeys and pilgrimages

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And alone at dusk

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Matt Johnson, Untitled — repurposed original High Line rail track  — for Wanderlust

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 Kathryn Andrews, Sunbathers II, as seen at dusk

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Barbara Kruger, “BLIND IDEALISM IS REACTIONARY SCARY DEADLY, an adaptation of a quote from Frantz Fanon

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Photo credits: 1 & 6 Lois Stavsky; 2 & 4 Dani Reyes Mozeson and 3 & 5 Romare Taylor

Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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bordalo2-street-art-lisbon-portugal

A renovated industrial complex that how houses some of Lisbon’s coolest shops, design firms and restaurants, the FX Factory is also home to an eclectic collection of first-rate street art. Pictured above is a bee fashioned by Bordalo II from discarded objects. Bordalo II has the following to say about his work: …I belong to a generation that is extremely consumerist, materialist and greedy. With the production of things at its highest, the production of “waste” and unused objects is also at its highest. “Waste” is quoted because of its abstract definition: “one man’s trash is another man’s treasure”.  I create, recreate, assemble and develop ideas with end-of-life material and try to relate it to sustainability, ecological and social awareness.

Here are several other artworks I saw last week while visiting the FX Factory:

Miguel RAM

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French artists Noty & Aroz

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Mário Belém, close-up from huge mural

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Mariana Dias Coutinho, close-up

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MaisMenos, one of his “streetments”

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Photos by Lois Stavsky

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santhori-wuth-youth-mural-art-first-green

Back in 2008, First Street Green converted a derelict building lot at 33 E. 1st Street in Manhattan’s Lower East Side into an open art space. In collaboration with NYC Parks and Partnership For Parks, it has successfully incorporated the lot into First Park.

These days, First Street Green provides a wide range of cultural activities and programs in First Park by engaging with artists, architects, cultural groups and community members. It has also become a favorite destination for us street art aficionados, as it has evolved into an intriguing outdoor gallery featuring some of our favorite artists and introducing us to others. Pictured above is a segment of a collaborative mural created during #WeSpyNY, a community workshop conducted by Swiss pop artist Santhori. Here is a small sampling of other works that were seen earlier this month:

Bosnian artist Vedran Misic

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Murrz

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Bronx-born, Copenhagen-based artist, musician and activist Peter Missing, close-up of huge mural

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Melbourne-based artist Stuart Ringholt

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 Photo credits:1-4 Lois Stavsky & 5 Tara Murray

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michael-cuomo-recycled-art-masks-Yonkers-waterfront

Working with a motley range of discarded objects, Yonkers-based interdisciplinary artist Michael Cuomo repurposes them into masks that he calls Heads of State. Exhibited in both outdoor and indoor spaces, his unique sculpture assemblages provoke and entertain. This past week, some of his newest smaller masks made their way onto the Yonkers Waterfront.

Pigskin

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Rex

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Installation in Progress

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A master of neo-primitive folk art in all media, Michael Cuomo recently released a coloring book with his original soulfakes drawings. You can purchase it here.

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Photos by Richie DiFrisco

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