Graffiti

Curated by Museum of Graffiti co-founder Alan Ket, the museum’s exterior and the immediate environs host over a dozen murals in a range of graffiti styles. The exquisitely-crafted mural featured above was fashioned collaboratively by: Hiero Veiga, Bacon and Quake. Several more of these recent murals, captured by travel and street photographer Karin du Maire aka Street Art Nomad this past week, follow:

UK-based Lovepusher in his inimitable 3D style

Eurotrash at work, and to his left — Miami-native James Monk aka Rasterms 

Miami’s Sinse at work with Amsterdam-based calligraffiti master Niels Meulman a.k.a. Shoe‘s “Museum of Graffiti” signage looming in the background

NYC-based graff masters Ces, Yes2, Doves and Mast

Miami native Abstrk with Lima-based Entes

Photos: Karin du Maire aka Street Art Nomad 

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Opening this week in Wynwood, Miami is the Museum of Graffiti, the world’s first museum dedicated solely to graffiti art.  Fostering an understanding of the work of the pioneering graffiti artists, who started tagging in the New York subways in the early 1970s, the museum’s permanent exhibition, under the curatorial direction of Alan Ket, features paintings, photographs, mixed media sculptures, assorted memorabilia and interactive installations “that will allow visitors to travel through time and learn about the evolution of the worldwide graffiti art movement.”

Featured above is veteran all-city writer Charles Henry aka Flip One, captured back in the day by graffiti writer and photographer Flint Gennari.  Several more photos, taken by travel and street photographer Karin du Maire aka Street Art Nomad while previewing the Museum of Graffiti last week, follow:

Museum co-founder and lead curator Alan Ket

Vintage spray paint cans 

NYC-based writers Ghost aka Cousin Frank and Giz

Graffiti pioneers Mare139, Blade, Ero, Sonic Bad and Lady Pink

Masters Mare139Doze Green, Defer and JonOne

Defer , closer up

And the branding of the art form

Also featured at the Museum of Graffiti’s inaugural exhibition is a special exhibit showcasing works by Amsterdam-based calligraffiti master Niels Meulman a.k.a. Shoe. Open daily, except for Tuesday, from 11am to 7pm, the Museum of Graffiti is located in the heart of Wynwood at 299 NW 25th Street, Miami. And in addition to what is housed and takes place indoors, the exterior boasts a range of rotating murals by first-rate graffiti artists.

Photos: Karin du Maire aka Street Art Nomad 

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The shutter featured above was painted by New York-based Chilean artist Nelson Rivas aka Cekis on East Houston Street, around the corner from his recent mural at Rag & Bone.  Several more images featuring the enticing art that has surfaced on NYC shutters and gates follow:

The legendary Kenny Scharf in the East Village

Brooklyn-based Master Moody Mutz on the Lower East Side

Staten Island-based Kwue Molly in Astoria, Queens with the Welling Court Mural Project

Barcelona-based El Xupet Negre in Bushwick

Ecuadorian artist Apitatán in Bushwick with JMZ Walls

Photos by Lois Stavsky

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Last year at about this time, the NYC Department of Sanitation issued a call for volunteers to transform 23-ton collection vehicles into works of art using paints that had been discarded. Over 100 artists submitted design concepts.

The final participants selected for this innovative project were:  Misha Tyutyunik, Victor A. Saint-HilaireDisterJillian White, and Lady K-Fever, along with visual art students from Long Island City-based Energy Tech High School. First displayed this past summer in Times Square, all five trucks were then on view this past Sunday in Union Square Park. Pictured above is one side of a  truck painted by Brooklyn-based Misha Tyutyunik.  Several more images we captured from the “Trucks of Art” parked in Union Square Park follow:

Misha Tyutyunik and Yonkers-based Victor A. Saint-Hilaire, aka Vash, the other side of the truck

Manhattan-based Dister pays tribute to the sanitation workers

Brooklyn-based Jillian White, DSNY civilian employee in Staten Island, with a message, “Rethink, Renew Reuse.”

Long Island City-based Energy Tech High School students

Bronx-based Lady K-Fever, Recycle, so the future can smell the flowers too’

And the other side of Lady K-Fever‘s truck

Note: Lady K-Fever‘s truck will be on display during the the official launch of The Bronx Graffiti Art Gallery’s “I love Graffiti” clothing series this coming Saturday, November 23, from 12 pm to 8 pm at Scrapyard NYC, 300 West Broadway.

Photo credits: 1, 2 & 5 Ana Candelaria; 3, 4, 6 & 7 Lois Stavsky

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Opening this Saturday, November 9 at 9127 East 5th Street in Downtown Los Angeles is “The Streets Are Queer.” Presented by In Heroes We Trust and Rainbow Walls, it features works by over two dozen self-identifying queer North American artists who have left their mark on our streets. Featured above is LA-based figurative painter and muralist David Puck at work on a portrait of Vanessa Vanjie. Several more public works by a small sampling of the artists featured in “The Streets Are Queer” follow:

Brooklyn-based photographer and filmmaker, Daniel “Dusty” Albanese aka the Dusty Rebel, currently at work on a book and documentary about queer street art

New Orleans-based Brooklyn-native Hugo Gyrl

The itinerant São Paulo-native Suriani

NYC-based Patron Saint of the Underground Jilly Ballistic 

UK-based duo The Postman

LA-based Homo Riot

Curated by Homo Riot,”The Streets Are Queer” continues through December 7.

All photos courtesy the gallery

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Currently living between Paris and Los Angeles, Belgium-born filmmaker Cedric Godin was recently in New York City for the US premiere of his award-winning film, “X art,” at the Chelsea Film Festival. After viewing the insightful film and panel discussion featuring Patty Astor, Henry Chalfant, Enrique Torres aka Part One and Nick Walker — moderated by Marie Cecile Flageul — we  posed a few questions to Cedric.

What inspired you to produce this film?

I had just completed my first film, PTSD, and had returned from California to Paris. I wanted to get back to work as soon as possible, and as I was seeing street art exhibitions and events everywhere, I decided to do a documentary about the street art movement and culture. Even though I had followed the movement since 2012, I never really thought of doing something on it until I returned to Paris from California.

What is the significance/meaning of your film’s title, “X art?”

After I decided to do a documentary, I started to research the street art culture. Rapidly, I realized how complex the world of street art is. So many artists, techniques, movements, markets… It appeared to me that as street art is such a huge subject, it would be an interesting challenge to get people to better understand it. I had a working title but after a few months “X art” came, as the X suggested “the unknown,” “the transgression,” “the X factor” and more.

So I chose the letter X to start  from “the unknown” —  in order to learn and digress to a point where it would become clearer for an audience and hopefully awaken within viewers the curiosity to investigate the culture on their own after seeing the film.

How did you go about choosing/deciding which artists to focus on?

They had to have a career, a real social or political message in their work, a continuity in their journey and an artistic goal. It was important for me that the artists had enough experience on every level to be able to transmit their passion, techniques and journey to as large an audience as possible.

When did you begin filming “X art”

I started to meet with artists in 2016.

In the film there is a focus not only on the artists and their artwork, but also on the art market. Why did you choose to turn your lens on this aspect of the scene?

Simply because these days, you can’t avoid the financial aspects of things. Fortunately or unfortunately, the market has a big influence on how artists develop their careers. Of course, there are pros and cons, but I wanted to give the audience an idea of what’s happening. From there they could visit galleries, events and auction houses and form their own opinions on the subject.

Did anything in your findings particularly surprise you? In what ways may have making this film personally impacted you? Do you find yourself paying more attention to street art and graffiti?

Of course, I do pay more attention. It is funny to see how my eye, three years later, is more “educated.” When I see a painting or a wall, I can recoup more information to understand and form an opinion on that particular piece. I have also learned how to be a good collector.

What were some of the challenges you faced in seeing this project through?

The usual challenge of being an “indie” filmmaker… time and money. Fortunately, the world of street art is a very generous world for the most part. 99% of the artists were just amazingly helpful. My friend and partner Olivier Le Quellec, a street art fan, financed the project with me. Dotmaster and Ben Eine, two famous UK-based artists, offered to design the poster. Eric Brugier, the French gallerist, connected me to several artists who themselves connected me to more. I think you can’t get into this world if you are not well-connected, but once you are in, you feel like a family member.

How have viewers responded to it?

Amazingly! The most touching thing is when people come up to me and say they have learned something; some are even motivated to further research artists or elements they weren’t aware of.  To me, if filmmaking has a purpose. It is to learn and to transmit.

What would you like your viewers to walk away with?

The will to go deeper into the subject  —  to read, to research, to see events, to meet artists. And we have an incredible chance to be able to do it.

What’s next?

Ideally to secure distribution for “X art,” as I humbly think that this little film has its cultural role to play. I’m currently working on a TV show and a feature film. I work in so many directions these days that I couldn’t tell you what is going to happen next…I will let you know very soon!

Congratulations on “X art.  We certainly hope it is widely distributed and, yes, we are looking forward to what’s next!

Images:

  1. Film poster designed by UK-based artists Dotmaster and Ben Eine
  2. Cedric Godin
  3. Film clip featuring Ben Eine and Pure Evil
  4. Parisian graffiti artist Nasty
  5. Patti Astor, co-founder of the legendary FUN Gallery
  6. Henry Chalfant, noted American photographer and videographer, whose current exhibit, Art vs. Transit, 1977-1987, at the Bronx Museum is a must-see!
  7. The famed UK-born street artist Nick Walker at “X art” Chelsea screening

Photo credits 1, 2, 4 – 6 courtesy Cedric Godin; 7 Ana Candelaria 

Interview questions: Houda Lazrak, Ana Candelaria and Lois Stavsky

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The wonderfully talented Menace Two and Resa Piece have merged their sensibilities and skills to fashion a captivatingly stunning array of murals that have made their way not only throughout NYC, but across the country. I was delighted to have the opportunity meet up with them in their Bushwick home that they’ve aptly titled “Street Art Sanctuary ” — a spacious  graffiti/street art haven that Menace and Resa also host as an Airbnb. 

When and where did you first get up? And what inspired you to do so?

Resa: I started in 2015. The first wall I ever did was in the Bronx, but I painted mostly in Brooklyn at the time – often in Bushwick. What inspired me to? While I was living in Flushing, I used to regularly ride past 5Pointz on the 7 train. I thought it was all so amazing. I remember thinking, “Why would someone do this?” But it was awhile before I actually did it!   The sense that I had something to prove – that a female could create artwork on the same level as any established male artist — also drove me.

Menace: I was in the 7th grade in a local Queens public school. I was always drawing on my desk — anime at the time. One of the kids sitting next to me said I’d be good at graffiti. He introduced me to graffiti, encouraged me and invited me to join his crew, BTC. That was the beginning. I was 12 years old.

You’ve both painted in both illegal and in sanctioned places. Which do you prefer?

Illegal. Painting “without permission” is far more validating!

Have you exhibited your work in gallery settings?

The streets are our gallery.

What about the increasing engagement of street artists and graffiti writers with the corporate world? Would you consider such a collaboration?

It depends. No one can dictate to us what can or cannot do.

Have you any thoughts about the graffiti/street art divide?

Our job is to bridge it! It’s all about respect.

What is your main source of income?

Painting commissions.

Did you have you a formal art education?

Resa: I did not attend a specialized art college, but at Binghamton, I majored in both Art History and Studio Art. I will always remain grateful to the late Professor George Dugan for his support and encouragement.

Menace: I studied Graphic Design in college, but I never graduated.

How does your family feel about your passion for art?

Resa: My mom initially fostered it. She enrolled me in art classes when I was eight years old. But then when I wanted to go to an art college, her response was, “You’re too smart to be an artist.” And so she encouraged me to go into the art business. But after interning at Christy’s and working for a collector, I came to understand that the art market is driven by billionaires. I know now that I want to focus on creating my own art and not marketing other artists to the richest 1 per cent. And at this point, my mom understands and respects what I’m doing.

Menace: They intensely disliked my passion for graffiti. I was often getting into graffiti-related trouble in school, and any time my parents saw me writing graffiti, they’d scream at me.  They couldn’t understand why I wouldn’t just “draw something pretty.” My father and I fought just about every day. But my parents have since come to accept me. It helped that in honor of our mothers we painted a mural featuring a tiger mom embracing her cub for the Boogie Down event at the Bronx Zoo for Mothers Day, 2018.

When you paint in public spaces, do you work with a sketch-in-hand or just let it flow?

We generally work with Photoshop mock-ups.

Are you generally satisfied with your finished piece? 

Generally, we are.

What percentage of your time is devoted to art?

100 %.

Have you any other interests or passions?

Resa: Not many.

Menace: Video games.

Are there any particular cultures that have inspired your aesthetic?

Hip-hop and New York flavor, in general.

Who are some of your favorite artists? Artists who have inspired you?

Resa: There are so many – BK Foxx, Royyal Dog, El Mac, Meres, Jerms, Topaz, Seen, Skeme

Menace:Reach Eight, Glossblack, Revok, Saber, MSK

How has your work evolved in recent years?

It’s gotten much better. While touring the country, we felt we had to prove something at each stop!

In your cross-country venture — #paintloveacrossamerica — you hit several key cities from Philly to LA painting a range of spectacular murals — some with permission and others without. Does any particular memory stand out?

When we had reached LA, we asked an established street art organization to help us find a legal wall. When assistance didn’t come our way, we found — on our own — one of the largest walls in the heart of the LA  arts district. When the cops rolled up, we didn’t know what to expect, but they expressed appreciation for our work. And when the owner came by, we convinced him that we are in the process of beautifying his property. The final mural — one of our favorite ones — is a visual representation of our collective prayers.

No doubt that what hat you painted was a gift  — however ephemeral — to the city!  What’s ahead?

More painting, of course! And our ultimate goal is to create a community center that serves as a base for us to teach painting and mural-making skills to others.

That sounds wonderful! And thanks for sharing your talents and visions with so many of us.

Images:

1 “Madonna Menace” in Bushwick, JMZ Walls

2 Close-up of Resa and Menace captured at work in Bushwick, JMZ Walls

3 “What a Wonderful World,” portrait of Louis Armstrong, in Esst Harlem, GrandScale Mural Project

4 “When the whole world is silent/Even one voice becomes powerful,” portrait of Malala in Bushwick

5 “Believe in the Reality of Your Dreams,” in Bushwick

6 “Real Eyes Realize Real Lies,” portrait of Tupac in Wynwood

7 “Protect,” Unsanctioned mural in LA’s arts district

Interview conducted and edited by Lois Stavsky

Photo credits: 1-3 Lois Stavsky; 4 & 5 Ana Candelaria; 6 & 7 Courtesy of  Menace and Resa

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The following guest poet is by Lower East Side-based photographer Ana Candelaria

After two decades of attending classes at Seward Park High School — when I wasn’t hanging out in the parking lot! — I was back. I never thought I would be. This time, though, it was to hang on the rooftop with some of my favorite graffiti and street artists. Featured above is  IMOK (If Mother Only Knew) Crew member Cycle at work. Several more works that I captured this past Saturday follow:

The masterly Queen Andrea

The legendary Part One

  Veteran graffiti writer Dez aka the wildly popular DJ Kay Slay — in the early stages 

Ex-Vandals Will Power and Albertus Joseph, tribute piece to WBO Featherweight Champion, Amanda Serrano

French artist and DJ Jaek El Diablo

The masterful Mast

Photos by Lower East Side-based photographer Ana Candelaria

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This is the 15th in a series of occasional posts featuring the range of faces that have surfaced in NYC open spaces. The image above featuring Lauryn Hill was painted by the Brooklyn-based “dynamic duo,” Menace Two and Resa Piece with JMZ Walls.  Several more images of captivating faces that I’ve come upon in my relatively recent meanderings follow:

San Juan, Puerto Rico-based Son Coro in Bushwick

Mexican-born, NYC-based Maria De Los Angeles, painted on glass at Pratt Institute on West 14th Street

Netherlands-based Michel Velt at the Bushwick Collective

Asian-Canadian multi-media artist Jess X Snow, curated for Art in Ad Places by Dusty Rebel in the Village

Sicilian duo Rosk & Loste at the Bushwick Collective

UK-based Dreph at the GrandScale Mural Project in East Harlem

Photos by Lois Stavsky

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For three weekends this past month, dozens of artists were at work transforming three blocks of fencing located adjacent to the 125th Street Metro-North into a vibrant, intriguing outdoor gallery. While visiting last weekend, we had the opportunity to pose a few questions to its dynamic curator, Ayana Ayo.

This project is wonderful. We love the way it transforms the neighborhood, while bringing so many folks together to celebrate its renewal. How did you come to curate it?

I work with Carey King, the Executive Director of the Uptown Grand Central — a nonprofit dedicated to transforming East 125th Street and enriching life in East Harlem. I had earlier curated the 100 Gates Project in this neighborhood, and I loved the idea of bringing life to a space that has been vacant for the past ten years.

In addition to beautifying the neighborhood and uplifting its spirit, how would you define this project’s mission?

I was interested in giving an opportunity to artists — many who live uptown – to come together share their visions in a public space. Several of these artists have never painted outdoors before. Others have international reputations. All feel a strong connection to the neighborhood.

Over 50 artists have participated in this project. It’s an amazingly eclectic group. How did you connect with so many talented artists to see this project through?

I sent out a call to artistst describing the project’s mission of transforming “1,500 feet of green construction fencing into a vibrant gateway to Harlem.”  And I spoke to artists I know who, I thought, would be interested in participating in the project. The word got around!

What were some of the challenges you faced in seeing this project through?

Coordinating the schedules of over 50 artists; winning over the local people, so that they felt engaged with the project and having to turn down artists who wanted to participate.

How are you feeling now — that it’s just about complete in time forUptown Grand Central’s third annual street festival, Party on Park?

Over the moon! I am so happy.

What’s ahead?

More opportunities for Uptown Grand Central, as it continues its transformation of East Harlem!

So exciting! And congratulations on the Grand Scale Mural Project! 

Images

1  Ralph Serrano and Anjl at work

2  Curator Ayana Ayo. standing in front of mural by Dister

Anna Lustberg at work

Toofly

Alexis Duque with Shiro to his right

6  Funqest at work

Chris Ayala and Rob Ayala

Interview conducted by Lois Stavsky with Ana Candelaria and edited by Lois Stavsky

Photo credits: 1, 2, 3 & 6 Ana Candelaria; 4, 5 & 7 Lois Stavsky

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