Public Art Projects

For over a decade Welling Court and its surrounding blocks in Astoria, Queens have been a mecca of street art and graffiti, engaging a widely diverse group of artists, the local community, as well as the the general public.  On our recent visit to Astoria, we were delighted to discover several new murals — curated by Alison C. Wallis —  that have surfaced in these trying times on the walls of one of our favorite street art destinations. The image featured above was fashioned by the legendary Chris “Daze” Ellis. Several more murals — painted over the past few weeks — follow:

Bronx-bred El Souls

Lady Pink‘s tribute to George Floyd, Breonna Taylor and many more whose lives should have never been cut short 

Greg Lamarche aka SP ONE, “Lift Every Voice”

Fumero, “The Glariator” with his name in flames

Bronx-based BG 183, Tats Cru

Queen Andrea, Love Always Wins

John “Crash” Matos and Joe Iurato with a message of LOVE

Also among the new works is a mural fashioned by the legendary John Fekner, to be captured when the sun cooperates!

Photo credits: 1, 6 & 7 Sara Ching Mozeson; 2 – 5 & 8 Lois Stavsky

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While many of the boards in Soho continue to be dismantled, the ones that remain continue to intrigue. And, happily, new ones surface — largely by artists who generally work in their studios — addressing a range of issues from systemic racism to transphobia. The socially-driven artworks featured above were fashioned  a few weeks back by Brooklyn-based artist Jerardo Calixto in collaboration with Sofi ✍ Signs. Several more images captured earlier this week — several in progress — follow:

NYC-based Fabio Esteban with a message

NYC-based Brendan T Mcnally takes a brief break from “Break Free” in progress (check out Brendan’s Instagram to view the now completed mural and its moving backstory)

NYC-based, Moscow native Sofia Granovskaia aka Dr Antic to the right of artist/activist Amir Diop — with an important request and reproach re: his missing artwork

Multidisciplinary artist Matthew Mazur — dedicated to “our Black Trans Brothers and Sisters who were taken from us too soon.”

Native Belarus artist Mitya Pisliak at work

Brooklyn-based, Czechoslovak-born Kamila Zmrzla Otcasek

On racism — signed Scott Woods 

To be continued next week!

Photo credits: 1, 3, 4, 6-8 Lois Stavsky; 2 & 5 Sara Ching Mozeson

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Although dozens of boards that have served as canvases for a diverse range of artworks are no longer part of Soho’s visual landscape, the neighborhood remains my current favorite destination for street art. The image featured above was created by the talented, NYC-based writer and painter Gerry Vewer. Several more images — some discovered earlier this week and others captured within the last month — follow:

West Chester, PA-born, NYC-based Maeve Cahill’s homage to Black inventors, who’ve been largely “written out of history”

Documentarian Middlemen Doc and NY-based filmmaker and multidisciplinary artist Rochelle Leanne to the left of the widely-posted “Black Lives Matter” image

Artist and self-described cosmic anthropologist Loren Crea Abbate to the left of multidisciplinary artist Beatriz Ramos

Multidisciplinary artist and designer K O FF EE

Visual artist and poet Android Oi in collaboration with Brooklyn-based MaryKathryn Medlock — to the right of  NYC-based UNLOK

To be continued next week!

Photos by Lois Stavsky

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A diverse range of artists — from self-taught to those with advanced degrees in Fine Art — have been busy these past few weeks in Soho, transforming the Lower Manhattan neighborhood into an open-air museum.  Although dozens of artworks on boards have already vanished as stores begin to open, others continue to surface. The works above were fashioned by — from left to right — Tyler Ives, Calicho Arevalo, and Loren Crea Abbate. Several more images in this ongoing series follow:

Multimedia artist and environmentalist Luca Babini aka Acool55 to the left of Erin Ko‘s portrait of  the late noted African-American writer James Baldwin

Savior Elmundo, “Enough Is Enough,” to the left of Lady JDay’s portrait of Breonna Taylor

Lower East Side-based multidisciplinary artist Michael Rimbaud does the late noted poet Gil Scott-Heron with a play on his famed poem “The Revolution Will Not Be Televised”

Queens-native Jeff Rose King in collaboration with Colombian artist Calicho Arevalo

Lower Manhattan-based creative agency Vault49

Brooklyn-based artist/calligrapher Max Gibbons

To be continued next week!

Photos: Lois Stavsky

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Since George Floyd, an unarmed 46-year-old black man, was murdered in broad daylight on May 26 by police in Minneapolis, Minnesota, protests have risen up throughout the world. Here in NYC, our streets have teemed with images and signs, along with daily peaceful and powerful protests in all five boroughs. The image featured above in memory of George Floyd was fashioned by Sara Erenthal in her Prospect Lefferts Garden neighborhood. Several more images recently seen on NYC streets follow:

 Lmnopi, Black Lives Matter, on the Lower East Side

An unidentified school-age child getting the message out with chalk at Riverside Park on the Upper West Side

LinkNYC for #BlackOutTuesday on the Upper West Side

Stickers posted near Gracie Mansion on the Upper East Side

Sign fashioned by West Coast — based Kate DeCiccio, seen on First Avenue in the East Village 

Protestors in Union Square Park demand that “our lives be free of police violence”

And “Justice for Floyd” — in procession walking north from Washington Square Park

Photo credits: 1 Sara Erenthal; 2, 6-9 Ana Candelaria and 3-5 Lois Stavsky

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On my first day in more than two months out of Manhattan, I was delighted to visit Underhill Walls in Prospect Park, Brooklyn. Curated and managed by Jeff Beler — with safe guidelines practicing social distance —  it is NYC’s first community-based street art project to emerge as the city begins to take steps to open. The image featured above was fashioned by the wonderfully talented Subway Doodle. Several more images I captured yesterday — as the project that began last week continues — follow:

Jason Naylor bringing brightly-hued love

 Zukie’s pepperoni pizza comes to life!

Visual artists and poets Android Oi and My Life in Yellow collaborate

Visual artist and producer Megan Watters at work to the left of  Paolo Tolentino‘s portrait of the late Shirley Chisholm

Colombian artist Calicho Arevalo‘s gift of love

Muralist and designer Majo B gift of beauty

Multidisciplinary visionary Shamanic artist Myztico Campo posing next to his work in progress

Keep posted to the Street Art NYC Instagram for more images from this ongoing project

Photos by Lois Stavsky — with special thanks to Yonkers-based multidisciplinary artist Michael Cuomo for getting me out of Manhattan!

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With his extraordinary passion for art and his penchant for sharing it with others, Nic 707 touched so many of us. Beginning in 2013, I accompanied Nic several times a year — often along with other artists and photographers — on his subway train interventions, as he transformed dull, ad-saturated subway cars into vibrant moving canvases. Nic 707 was as eager to showcase other artists’ work — from old school writers to contemporary creatives — as he was to share his own, and he always had a “new” artist to introduce me to.

Each trip with Nic was a distinct adventure. And I was waiting for the current crisis to end, so that we could hit the trains — where I would, once again, serve in my dual role as look-out and documentarian. Sadly, that won’t happen, as Nic passed away last Sunday, April 12 — a victim of the cruel Coronavirus.

The image pictured above features Nic 707 and the legendary Taki 183 — whose tag Nic brought back to the trains — outside Taki 183′s Yonkers workplace. What follows are several photos of Nic 707 and his artworks riding the trains:

Nic 707 eagerly waits for the train to arrive

Nic 707′s iconic character, Kilroy

Kilroy in love

Kilroy as spaceman

Nic 707 schooling a subway rider on the history of subway graffiti

Two Upper East Side ladies on the 6 train discussing Nic 707‘s abstract art with him

Keep posted to the StreetArtNYC Instagram feed for images of works by other artists who participated in Nic‘s InstaFame Phantom Art project.  You can check out the interview I conducted with Nic 707 back in 2013 here.  And you can read David Gonzalez‘s obituary of Nic (Fernando Miteff ) in The New York Times here.

R.I.P. Nic 707. We will miss you.

Photos of images by Lois Stavsky

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Named for the historical Downtown Newark district in which the mural project is located, the Four Corners Public Arts initiative has brought over a dozen alluring murals to Treat Place and Beaver Street in Downtown Newark — a short work from Newark Penn Station. Referencing the neighborhood and its distinct history, the artworks were conceived and painted largely by local artists.

The mural featured above, a tribute to the late neighborhood legend, Jerry Gant a.k.a 2 Nasty Nas, was painted by Newark-native Manuel Acevedo. Several more murals sponsored by  Four Corners Public Arts — an ongoing collaboration between the City via Invest Newark, the Newark Downtown District (NDD), Newark Arts and local property owners RBH Group and Paramount Assets — follow:

Newark-raised, Brooklyn-based Gera Luz, Sacred Water

Layqa Nuna Yawar and Kelley Prevard in collaboration with A Womb of Violet — a Newark-based Black women’s artist collective –, “Magnitude and Bond”

The Rorshach Art Collective — Newark natives Andre Leon and Robert Ramone, –“Radiance”

Brooklyn-based Armisey Smith, “The Natural World of the Lenape,” to the left of Puerto Rico-born, Paterson-raised  Jo-el Lopez, “The Guardian of the City”

Atlantic City-based Sue Daly in collaboration with The Barat Foundation, “Sewing a Path to Freedom

Newark-based Gabe Ribeiro, “Newark Is for Artists”

Photo credits: 1, 2, 5 & 7 Rachel Fawn Phillips; 3, 4 & 6 Lois Stavsky

Special thanks to Rachel Fawn Phillips for introducing me to this project.

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The following post is by Street Art NYC contributor Ana Candelaria

An artist, curator, dancer and filmmaker, NYC native Savior Elmundo has long been a huge force in the urban art scene. Recently, I had the opportunity to find out a bit more about him.

When and where did you start tagging?

I was fifteen years old when I started. I grew up on the Upper West Side. My tag was REIN. It stands for Ruler – Equality – I – Now. My partner and I tagged and bombed everywhere — Harlem, the Heights, Queens and Brooklyn.

Were you down with any crews?

Yes. My mother moved us to Woodside, Queens. She thought a change of environment would be good for me. But it actually made things worse. I joined a graffiti crew in Queens, and I’d sneak down the fire escape at three o’clock in the morning just to go bombing. Everyone at that time was pretty much down with a click or a group, and there were lots of them.

And then what happened? Did you stay in Queens?

No. I couldn’t take Queens for long. I traveled to Manhattan and hit the club scene. Downtown — Soho and the Village — became my new home as I began working as a professional dancer. Hip Hop was — and still is — a big part of my life. I wouldn’t have become a street artist or filmmaker if it wasn’t for dancing.

What led you into filmmaking?

I wanted to tap into something else. I didn’t want to be a dancer for the rest of my life. A friend convinced me to do a short film based on a story I had shared with him. Reflection was my first short film. It was accepted into several festivals including the NY Film Festival. I directed and produced five short films in total. Life was going great until one day, in the midst of preparing for my first feature film documentary, I received word that a family member had passed away. I picked up the brush and began to paint as a form of therapy. That’s when art took over my life.

When did you first come up with your particular logo “MAKE ART?”

Ten years ago — when I first stepped into the art scene. I wanted to get a message out there that would make people think. “MAKE ART” incorporates art, film, and dance. It also serves as a reminder for people to make art. It’s simple, and I write it in a distinct way so people know that it’s me. I sign all of my pieces with my name Savior Elmundo, “MAKE ART,”  and the year.

Did any particular artists influenced you?

Icons such as Andy Warhol, Dali, Picasso, Frida and Matisse. Studying their work has helped me come up with my own style and ideas. For example, in one of my designs Dali and Picasso face each other wearing boxing gloves with my tag “MAKE ART” in the middle. Another one of my creations was inspired by an image of the boxer Muhammed Ali holding a draft notice from the army. I inserted a graphic design image of my tag “MAKE ART” on the document.

I consider myself a mixed-media artist. I like working with different things and I love texture. I do a lot of message work, but, lately, I find myself gravitating more towards my 3D art work. I’m also working on a couple of other styles that I will be releasing some time in the near future.

Are you generally satisfied with your work when you’re finished? 

I’ve destroyed so many pieces, but I’ve learned not to do that anymore. One day, I painted a canvas and uploaded a picture of it onto my website. Two days later, a client contacted me to buy it, but I didn’t have it anymore. I had gone over it and created a different painting. That’s when I learned that my work is not for me; it’s for them.

Your work has been showcased in dozens of exhibitions in a range of spaces. Do any particular ones stand out?

The 21st Precinct, curated by Robert Aloia, was one memorable show! Each artist was given one room in the 21st Precinct building on East 22nd Street to showcase their work. The building,  had three floors with about sixty rooms. I used an image from Rene Magritte’s, Son of Man, one of my favorite paintings, and turned it into one of my own images. I designed a man with a Goya can — instead of an apple — on his face standing in front of a stack of Goya cans. I covered the entire wall with a black and white wheatpaste of this design. As a Latino, Goya is a big part of my culture.

Another particularly memorable exhibit was at the World Trace Center. For that I  did an installation using a door that I had found on the curb side as a tribute for 9/11  The door read “Always In Our Hearts 9/11” in 3D letters.

And my first solo show was in 2019. All of my work was displayed in 3D. The show was a reflection of the past thirty years of my life. The words displayed were key elements of my past. Since 2010, I’ve been in a total of 70 group shows.  So many that are memorable!

How did you come up with the concept for Collage NYC, the hugely popular weekly live art event at The Delancey?  

As soon as I started to make some money from selling art. I wanted to do something to give back.  I wanted to build a home where artists could come together to create freely and inspire each other. I imagined a place where people could have a good time after a long, stressful day. I also wanted to bring back the paint parties that Basquait and Keith Haring used to participate in back in the 80s. The vibes are super chill! You can watch the artists paint; you can dance, or you can just lounge at the bar and have a drink. This year marked our 10th anniversary.

Have you words of wisdom that you’d like to share with up-and-coming artists?

Pay your dues and know the rules. Learn the process and put in the work. Don’t be late! Get your name out there. Learn how to talk about your art and how to sell yourself. Get out to every gallery in Soho and Chelsea on a Thursday night and just introduce yourself!  You have to hustle to get what you want. Also, it’s very important to understand the history of art and respect it. Don’t be afraid to take things to the next level. That’s how I got my start as a curator.

What’s ahead?

A two-man show with my brother A.J. LaVilla. I’m really excited about it. I’m also working on a project with a corporate company that people will hear about. There are more solo shows in the pipeline and other creative ideas are brewing.

Good luck!

Interview conducted by Ana Candelaria and edited for conciseness by Lois Stavsky

Photo credits: 1 Ana Candelaria; 2 & 3 Courtesy of the artist; 4 Dani Reyes Mozeson; 5 Tara Murray & 6 Lois Stavsky

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Curated and managed by Prospect Heights resident Jeff Beler, Underhill Walls, a model community-based mural art project, always delights. Earlier this month, while the streets were still somewhat occupied, I visited Underhill Walls‘ current installation, where over a dozen artists refashioned the covers of some of their favorite books. Featured above is the wonderfully talented Subway Doodle‘s rendition of Maurice Sendak’s classic, Where the Wild Things Are. Several more images that I captured follow:

Zero Productivity refashions A A Milne’s “Winnie the Pooh” with Paolo Tolentino‘s rendition of Sara Gruen’s “Water for Elephants” to its right

Gotham Pro Arts Academy students in collaboration with Jeff Beler with some additional assistance from Paulie Nassar

Jaima does Dr. Seuss’s “Horton Hears a Who!”

Colombian artist Calicho Arevalo designs the Herman Melville classic “Moby Dick”

Manhattan-based artist and art teacher Marivel Mejia does Arthur Laurents’ “West Side Story”

Justin Winslow does Armistead Maupin’s “Tales of the City”

And Paulie Nassar designs the Harper Lee classic “To Kill a Mockingbird” 

Underhill Walls is located at the corner of St. Johns Place and Underhill Avenue in Prospect Heights, Brooklyn

Photos by Lois Stavsky

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