Sculpture

Currently on view at ACA Galleries in Chelsea, “PHASE 2: Myth Conception…” traces the development of the late visionary stylemaster’s distinct aesthetic from 1972 through 2019. Among the artist’s wide-ranging works included in this hugely comprehensive survey are: PHASE 2‘s hip-hop flyers, IGTimes graphics, varied works on paper, embossed aluminum plates and tantalizing sculptures — in addition to his works on canvas and plywood.

A first generation writer and hip-hop pioneer, PHASE 2 evolved into an astonishingly innovative contemporary artist, blurring the lines between style writing, urban art and fine art. Intricate and immensely intriguing, the works that he created in the last decade of his life exude a distinctly esoteric beauty.

“Don 101,” the image pictured above, was rendered back in 2008 with with ink marker on IGTimes, vol.4. What follows are several of PHASE 2‘s later works on canvas and plywood — all elegantly displayed at ACA Galleries.

“Interplanetary Deity 2,” ca. 2016, Paint marker, spray paint and acrylic on canvas

“Untitled,” Paint marker, spray paint and acrylic on plywood

“Implosion 2.” 2015, Paint marker, spray paint and acrylic on canvas

“Chromatic Implosion,” ca. 2016,  Paint marker and spray paint on canvas

“Untitled 3,”  2010, Mixed media on plywood

“Another Time and Space,” ca 2013, Paint marker, spray paint and acrylic on canvas

T.O.N.Y Oy/Not/Vehme/Yeldi, 2016, spray paint and acrylic on canvas

T.O.N.Y Oy/Not/Vehme/Yeldi, 2016, spray paint and acrylic on canvas, detail

Curated by ACA Galleries curator Mikaela Sardo Lamarche and IGTimes founder David Schmidlapp, “PHASE 2: Myth Conception…” can be viewed Tuesday – Saturday, 11:00am – 6:00pm at ACA Galleries, 529 West 20th Street,

Note:

Thursday May 11th @ 7pm
“Funky Nous Deco” and Beyond
Special presentation of PHASE 2 graphic works from his seminal hip hop fliers, IGTimes and album covers to his digital installations and backdrops with Pete Nice, Co-Curator, Universal Hip Hop Museum and David Schmidlapp, founder of the IGTimes and special guests.

Photos of artworks by with City-As-School intern Antonio Gomez and Lois Stavsky 

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Bronx-based artists John Ahearn and Rigoberto Torres have been fashioning exquisite life-like portraits of their neighbors for over 40 years. At once poignant and majestic, their sculptural portraits are a a visual ode to their community — its resilient spirit and its rich culture.  Continuing through this month at The Bronx Museum is their solo exhibition  “Swagger and Tenderness…,” featuring 65 sculptural portraits created both individually and collaboratively. What follows is a brief sampling:

John Ahearn with Rigoberto Torres, “Janelle and Audrey,” 1983, Acrylic on plaster

John Ahearn, “Joe Conzo at 17,” 2020, Acryic on plaster

Rigoberto Torres, “Daze,” 1998, Acrylic on plaster

John Ahearn with Rigoberto Torres, “Mario and Norma,” 1979, Acrylic on plaster

John Ahearn, “Juanita in Stripes Hugging Carlos,” 2020, Acrylic on plaster

Rigoberto Torres, “Melissa Maycock,” 1997, Acrylic on plaster

John Ahearn with Rigoberto Torres, “Bintou and Anwar,” 1998, Acrylic on plaster

Co-curated by Amy Rosenblum-Martín and literary activist Ron Kavanaugh, “Swagger and Tenderness…” remains on view at The Bronx Museum until the end of this month. Located at 1040 Grand Concourse, the museum is open Wednesday – Sunday from 1 – 6PM. Admission is free.

Photo credits: Rachel Alban, 1, 4, 6 & 7; Lois Stavsky, 2, 3, 5 & 8

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With its fusion of graffiti, comic and fine art aesthetics, ChrisRWK‘s artworks — both on and off the streets — have long captivated us. His beloved robot character has made its way onto just about every surface — from stickers to canvasses to huge vehicles to massive walls. Opening this Saturday evening at Harman Projects is his solo exhibition, “Promise Made. Promise Kept,” showcasing a range of new artworks, including a 3D rendition of his iconic robot.

Featured above is ChrisRWK‘s mixed media painting “Tale Be Told,” one of his 12 x 12 inch artworks on exhibit. Several more images of artworks from “Promise Made. Promise Kept” follow:

True to the Blue, 12 x 12 in.

Lost Amongst Ghosts and Shadows, 12 x 12 in.

Beat the Odds, 6 x 6 in.

At the Top of My Lungs, 12 x 12 in.

For Giving, Bronze Sculpture

A reception for “Promise Made. Promise Kept” will be held this Saturday evening, February 11, at Harman Projects from 6-8pm.  Located at 210 Rivington Street on the Lower East Side, the gallery is open Tuesday – Saturday from 10am – 6pm. “Promise Made. Promise Kept” remains on view until Saturday, March 4th

And be sure to check here to read Gallery Director Raul Barquet‘s illuminating interview with ChrisRWK, published this past week in Juxtapoz.

All photos courtesy Harman Projects

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I first came upon Brothers of Light’s winsome, witty aesthetic on the streets of Jerusalem several years ago. I was an instant fan. Currently on view at 30 Yefet Street — a stately, atmospheric building in Jaffa — is From Dirt, a delightfully intriguing exhibition featuring dozens of artworks fashioned this past year from metals found outside the brothers’ studio space. Featured above is Crossing the Bridge — fabricated with industrial paint on salvaged metal. Several more images I captured while visiting the exhibition earlier this week follow:

“Everything Is Temporary,” Industrial paint on found metal

“No Pain No Gain” and “Cuchara” to its left, Industrial paint on found metal kitchen utensils

“What Do You Eat?” Industrial paint on found metal kitchen utensil

“Time Sinking,” Industrial paint on found metal

“Suddenly,” Industrial paint on found metal

“Throwback,” Industrial paint on found metal

Segment of exhibition largely featuring small works–

Produced by Brothers of Light — real-life siblings, Elna and Gab — and curated by Hadas Glazer, From Dirt is at once  environmentally conscious and aesthetically engaging. It continues through Saturday evening with a closing party beginning at 6pm. A short film by Amalia Zilbershatz-Banay and Dan Deutsch accompanies the exhibition.

Photos of artworks: Lois Stavsky

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The following post is by Newark-based arts educator, writer and photographer Rachel Alban

I returned this past Saturday to the Morris Museum in Morristown, NJ to revisit On and Off the Streets: Urban Art New Jersey which remains on view through this Sunday, February 27. Curated by Lois Stavsky with my assistance, it is “the first museum exhibition to examine the duality of New Jersey artists whose creative versatility extends from the street to the studio.”

Working with Lois on this exhibit was meaningful on so many levels. It gave me the opportunity to connect with artists throughout NJ after a year of living almost entirely virtually. And introducing some of our favorite artists to new audiences and presenting them in such an elegant setting was especially wonderful.

The above photograph featuring a couple viewing a detail of Rorshach‘s huge mural was taken this past Saturday. Several more photos follow — some captured this past weekend, and others as far back as late summer.

Flemington-based artist James Kelewae aka Luv One to the left of the Newark-based duo Rorshach

Jersey City native Will Power, segment of his mural “1984,” a throwback to his childhood

Multidisciplinary artist Clarence Rich to the left of Jersey City-based Emilio Florentine

Newark-based Layqa Nuna Yawar painting the US golden dollar coin depicting a representation of Sacagawea and her son

The late Newark-based legendary multidisciplinary artist Jerry Gant, a segment of a special installation of his works

Jersey City-based Mr Mustart’s strikingly intriguing mural captures this visitor

Noted stencil master Joe Iurato to the left of Jersey City-based artist and arts educator Catherine Hart

New Brunswick native RH Doaz with a glimpse of Catherine’s mural

Located at 6 Normandy Heights Road in Morristown, NJ, the Morris Museum is open Wednesday – Sunday, 11:00AM to 5:00PM. Just a few more days remain to check out On and Off the Streets: Urban Art Jersey

Generous support for this exhibition is provided by the Joseph Robert Foundation and Loop Colors.

Photos: Rachel Alban

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On December 2, the long-awaited inauguration of Canal Gallery — Barcelona’s new contemporary urban art gallery — was celebrated with the opening of the group exhibition Ceremony. Under the curatorial direction of its founder, Barcelona-based artist Balu, and art critic Teresa Arroyo de la Cruz, Ceremony showcases over 50 established and emerging artists working in a wide range of media. Among these are several New York City-based pioneers. The image above features — from left to right — the talents of NYC legends Coco144 and Al Diaz aka SAMO, alongside the pioneering Spanish urban artist Germán Bel aka Fasim. Several more images from the groundbreaking exhibition follow:

Its handsome entryway located  in the city’s Gothic Quarter at Carrer del Palau, 4; Barcelona-based Kram on left

Spanish artists Birdie, Kamil, Javier Mariscal and Art Is Trash (from left to right)

Spanish artists Canal Gallery founder BaluCarlos Magone and Ira Torres

Paris-based Popay (L) and Berlin-based Rallitox

Front view: Coco144, Al Diaz aka SAMO, Germán Bel aka Fasim, Laia, Ramón Maiden, Flint, Tayone, Gerard Fernández, Vanesa Muñóz and Grito

Germán Bel aka Fasim interviewed by BTV

Flyer for exhibition that continues through Thursday, December 30

Special thanks to Germán Bel aka Fasim for providing the contents and photographs for this post. First featured photo is by Teo Vázquez

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Richard Hambleton and His Contemporaries: Al Diaz, Ken Hiratsuka, Scot Borofsky, an exploration of the unsanctioned street art movement in New York City in the 1980s — through four of its most significant visionaries — continues through Friday, July 30, at Ideal Glass Studios.

The image featured above, Jumper, was fashioned in 1995 by the late Canadian artist Richard Hambleton, referred to by many as the “Godfather of street art.”  Hambleton’s mysterious, mesmerizing  silhouetted figures, variations of his iconic “Shadowman,” made their way into hundreds of alleyways and buildings throughout NYC after he had moved to Manhattan’s Lower East Side. Several more images on exhibit in Richard Hambleton and His Contemporaries follow:

Also by Richard Hambleton, “Untitled 1,” 1994, Acrylic on canvas,  70.5 x 62.5 inches

NYC native Al Diaz — prolific text-oriented street artist who had collaborated with Jean Michel Basquiat on SAMO© and maintains an active presence on the streets today — “Forgotten Names,” 2019-20, Mixed media on canvas, 30 x 40 inches

Also by Al Diaz, “Ghost Painting,” 2021, Mixed media on canvas, 21 x 30 inches

Japanese sculptor Ken Hiratsuka — who worked with hammer and chisel to create intricate designs  underfoot — “Islands,” 2021, Bluestone, 23.5 x 18 x 3 inches

Also by Ken Hiratsuka, “All Night,” 2010, Black granite, 38 x 26 x 1.5 inches

Vermont native Scot Borofsky — known for his site-specific works referencing ancient art from various cultures — (from left to right) “Farmer’s Daughter,” 1986, Krylon spray paint on linen, 60 x 42 inches; “Yellow Angel,” 1986, Krylon spray paint on linen, 60 x 42 inches; “Meditating Figure,” 1989, Krylon spray paint on linen, 72 x 72 inches

The exhibition can be viewed daily through Friday, July 30m from 2-6pm at Ideal Glass Studios. located at 9 West 8th Street in Greenwich Village. For viewings all other times, you can contact Salomon Arts Gallery at (212) 966-1997 to book an appointment.

Special thanks to Ana Candelaria, who attended the press reception earlier this week and photographed select works to share with us

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HEKTAD! Love Will Tear Us Apart, a solo exhibition featuring a delightfully charming array of new works – all on the theme of love — by the prolific NYC-based artist Hektad, continues through Sunday at One Art Space. Executed in his signature style, the works reflect Hektad’s early days as a graffiti writer in his native Bronx, as well as his recent years as a Manhattan-based street and studio artist. The 30″ x 30″ image featured above is aptly titled “Love Spray.” Several more images captured while we visited One Art Space this past Sunday follow:

My Love Is Golden, 2021, 36″ x 36″

Bear Brick, Sculpture, 20″ tall

Another Bear Brick 20″ tall sculpture

My Broken Heart, 2020, 61″ x 72″ (L) and Love of Passion Series – Red, 2021, 24″ x 24″

Wide view

Located at 23 Warren Street, One Art Space is open Monday through Friday from 1 – 6 pm,  Saturday and Sunday from 1 – 5 pm. And this Friday — beginning at 6pm — there will be a talk, book launch and signing for the artist’s first book. You can register for the event here.

Photo credits: 1, 2 & 5 Lois Stavsky; 3, 4 & 6 Ana Candelaria

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On our first-time, long-overdue visit to Jersey City’s Deep Space Gallery this past Sunday, we were greeted by a treasure trove of first-rate artworks in a wide range of styles and media. Currently on exhibit is MORE MINIS, the gallery’s annual miniature show, showcasing works by over 60 contemporary artists. While many are formally trained, others are self-taught. All produce delightfully intriguing work.

Featured above is a close-up from an installation of spray cans painted by Jersey City-born and bred multimedia artist and graffiti veteran T.DEE, along with a small sculpture — from the series Elephas Maximus Indicus — crafted by noted India-born, Newark-based “3D light artist” Sunil Garg.

What follows are several works by featured artists who also have a strong presence on our streets:

NJ-based GOOMBA, “#8 of 9,” Acrylic, spray paint and ink on canvas

NYC-based Optimo NYC, “AIDSERIES #5: And It Don’t Stop,” Aerosol, enamel and acrylic on canvas

NJ-based RH Doaz, “Moving On,” Mixed media on reclaimed wood

Jersey City-born, bred and based Clarence Rich, “Maelstrom,” Acrylic on canvas

Jersey City-based Catherine Hart, “Love Note 3,” Resin art, one of 12

Wide view of segment of MORE MINIS exhibition

Founded in 2016 by the multi-faceted Jenna Geiger and artist Keith VanPel, Deep Space Gallery is  located at 77 Cornelison Avenue in Jersey City’s Bergen-Lafayette neighborhood. To visit Deep Space Gallery and view the distinctly alluring artworks on exhibit through mid-February, you can send a direct message to its Instagram account. or drop an email to deepspacejc@gmail.com.

Photo credits: 1 & 7 Ana Candelaria; 2-6 Lois Stavsky

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The following post is by Street Art NYC contributor Ana Candelaria

This past Friday, I had the honor of interviewing the legendary Ron English at the release party of Big Poppa classic colorway, a designer toy created by Ron English in partnership with Beacon-based Clutter. Limited to just 75 pieces worldwide, this historic drop featured a limited edition run of 10 Crystal Big Poppa classic sweater designer toys, hand embellished with 4,130 Swarovski crystals. Fans had the opportunity to meet Ron English, view and purchase Big Poppa, and pick up an exclusive collectible can from Kings County Brewers Collective.

Can you tell us something about the birth of Big Poppa?

Here’s a little secret! My character MC Supersized was a bit based of him! Biggie was still around at the time. It was in the late 80’s.

How long did it take to create Big Poppa? 

It took about two years from starting to sculpt to this final product. And that’s good for these things!

What inspired you to create Big Poppa?

Awhile back during a screening of my movie POPaganda, one guy in the audience got up and said, “We watch this movie and we know everything you hate. What do you like?” And I thought I should shout out a few things that I actually like — like puppies and Big Poppa!

What does your new character represent?

For me, he just represents inner joy and happiness. Being at ease with yourself, enough so that you can create without even trying, or at least seeming that you are not even trying. That effortless kind of thing!

How much of your art, would you say, is political? 

Probably — in some way or another — all of it; and — in other ways — really none of it. Most political things kind of come and go very quickly, or they become irrelevant. I actually try to create things that will have a relevance in a thousand years. If anyone will want to know what it actually felt like to live right now, I’m your guy!

Do you want your viewers to walk away with a message of any kind? 

I really want to create a feeling or a vibe that will infect your spirit and hopefully you go away a bit happier. You know…being able to enjoy life a little bit more.

What’s next? 

We just left a recording studio, where we were finishing up our new record called, We Are The New They.

Awesome! What kind of music is it?

The vibe is very modern.  I’m influenced by The Beatles and early rap, so I just put it all in there.  I’m working with some of the most talented people out there. And the great thing is because they’re all playing different characters, they embody all different styles!

Do you, yourself, listen to music when you’re creating? Does it inspire you?

Actually, no! When I create, I’m in a very deep state of concentration. Music could be playing, and somebody could be shooting a puppy, and I would be totally unaware!

Interview withRon English conducted by Ana Candelaria and edited for brevity by Lois Stavsky

Photo credits: 1, 2, 4-6 Ana Candelaria; 3 courtesy Clutter

Note: Photo two features UK-based toy designer and street artist Czee 13 to the right of Ron English

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