Graffiti

The stunning image featured above, “Botanical Plus,” was painted in Hells Kitchen by the Italian muralist Fabio Petani. Created in collaboration with the nonprofit YOURBAN 2030, it was fashioned with Airlite, a special eco-paint that reduces pollotion. Several more images of nature-inspired street art follows:

 Veteral graffiti writer BC NBA at Boone Avenue Walls in West Farms, Bronx

East Harlem-based artist and activist Ysabel Abreu in East Harlem with Uptown Grand Central

Bronx-born mixed media artist Jose Baez in East Harlem with Uptown Grand Central

The legendary Chris “DAZE” Ellis  — segment of collaborative mural — outside the Graffiti Hall of Fame

Multidisciplinary artists Airis and Mia at Boone Avenue Walls in West Farms, Bronx

Bronx-based Kingbee buzzing up in the Heights

Photo credits: 1 Tara Murray, 2-7 Lois Stavsky

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Located on 10th Avenue between 207th and 215th Streets in Upper Manhattan, The Ghost Yard — the largest train yard in NYC — was once home to many legendary writers. Among the first writers to hit parked trains there in the early 1970’s were MIKE 171 & SJK 171, also known as The Boys from the Heights, along with graffiti pioneer SNAKE 1, co-founder of the legendary Writers Corner 188. And earning the title King of the Yard in the 80’s, T-KID 170 began writing at the Ghost Yard in 1977.

TALES FROM THE GHOST YARD, curated by artist and arts educator Christine DeFazio, features works by these writers along with photographs illustrating writing at the Ghost Yard from the early 1970s to the late 1980s. While visiting the exhibition at the always-welcoming Bronx Art Space, I had the opportunity to pose a few questions to Christine:

This exhibition is so interesting and informative! What sparked your interest in graffiti?

In the early 2000’s, I began teaching in Mott Haven here in the Bronx. That’s when I started noticing graffiti. But it wasn’t until 2019, after I transferred to a school in Soundview, that my interest intensified. I started paying closer attention to the graffiti walls on the streets, and I  began attending gallery exhibitions in spaces — like Wall Works — that featured graffiti.

And what inspired you to curate this particular exhibition?

As I began researching graffiti, I read about the Ghost Yard, and it captured my interest. I was particularly interested in its history and its relationship to the history of graffiti.

What would you like your viewers to walk away with?

A sense of the history and evolution of writing — how writers went from writing on trains to painting with aerosol on canvases.

What were some of the challenges you faced in curating “Tales From The Ghost Yard?”

No challenges come to mind. MIKE 171 and SJK 171 were eager to answer any questions that I had, and I loved hearing Mike’s stories about playing in the Ghost Yard with his friends when they were children.

How has the response to the exhibition been?

The response has been great! There was a really good turnout for the opening. and a wide range of visitors have been coming by.

What’s ahead?

There will be a closing celebration this coming Saturday, February 14, from 5-7pm, along with a launch for my new book, Bronx Visual Identity. Tracing the deveopment of writing “from its inception in 1970’s Washington Heights to the golden age in 1980’s Bronx,” the book can be purchased here.

Good luck with your book! I’m looking forward to reading it. This exhibit has certainly sparked my interest.

Note: Located at 700 Manida Street in the South Bronx, Bronx Art Space, is open Thurs.-Fri., 2-6pm and this Saturday, Februry 14, from noon – 7 for its closing celebration and book launch of Christine’s book, Bronx Visual Identity, published by Lived Places Publishing.

Images:

  1. Christine DeFazio to the left of T-KID 170‘s tribute piece to the late Tracy 168

  2. T-KID 170 and French artist BLEK Le RAT, Aerosol on repurposed street sign

  3. MIKE 171, “Golden Dreams,” 2016, Acrylic and gold paint marker on canvas

  4.  SJK 171, “New Piece with Old Flair,” 2017. Acrylic markers on canvas

  5.  SNAKE 1, Orange and red signature piece, Aerosol on canvas

Photo credits: 1, 3, 4 & 5 Lois Stavsky; 2 Tara Murray

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Featured above is Shepard Fairey‘s tribute to the legendary Beastie Boys. Still looming large over East 14th Street, it was facilitated by the Lisa Project NYC back in 2023. Several more images of guys on NYC walls follow:

Trace1, Drepstah and more, memorial wall to the late beloved DJ Kay Slay aka Dez in East Harlem

Jerkface brings Beavis and Butt-Head to the Bushwick Collective

Joe Iurato brings “Gotham’s Protector” to the rooftop of Taglialatella Galleries in Chelsea

TRAP.IF celebrates jazz musicians in East Harlem with Uptown Grand Central

Kron dedicates memorial mural to Bronx writer Louie 167 at Boone Avenue Walls

Yes One and Jaek El Diablo pay homage to Bronx legends Big Pun and Fat Joe in Mott Haven with Boone Avenue Walls

Photo credits: 1-3, 5-7 Lois Stavsky; 4 Tara Murray

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The rappel graffiti featured above was fashioned in the Bronx by Mad Vaillan, Dzel and Fumi. What follows are several more images of unsanctioned artworks — in our ongoing series, “Pushing It Forward” — that have made their way to Bronx open spaces.

Ves

Stomp and Derty Cat

Spray RBV and MTNW

Xer and Dzel (and maybe Hert)

Gato, ? and ZB Bunny

Dzel, Riot AVL, Werd & more

Photos: Lois Stavsky

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Directed by award-winning filmmaker Emmitt H Thrower, Spray Can Stories features not only in-depth personal interviews with legendary Tats Cru members BG 183 and Nicer, but also provides a fascinating glimpse into the entire hip-hop culture that emerged in the Bronx. After viewing the film, I had the opportunity to pose several questions to Emmitt:

What inspired you to produce a film focused on graffiti, particularly Bronx graffiti culture?

Growing up in Brooklyn in the early ’80s, I wasn’t all that aware of graffiti. I always liked to draw, and a few of us began writing our names with chalk in public spaces, but it never went any further. Years later, when I moved to the Bronx, I became intrigued by graffiti—its raw beauty, its democratic spirit, its impact. It was everywhere around me, and I was eager to explore its history and learn more about it. Once I did, I wanted to share what I discovered with others.

Who is your intended audience? The film is such a powerful educational resource—students around the globe are certain to love it.

My intended audience is broad. It includes anyone engaged in hip-hop culture, as well as those interested in learning how an illicit art form born in impoverished neighborhoods became a global phenomenon. As BG 183 and Nicer relate, they went from asking local stores for wall space to earning thousands of dollars creating ads for worldwide corporations.

What would you like your viewers to walk away with?

A deeper understanding how this original American art form began, along with an appreciation for the young people who started the culture.

How did you decide when and where to incorporate AI?

I was drawn to the visual impact of AI and the way it could be incorporated into the documentary as an added element to enhance the narrative. I also appreciated how AI allowed me to revisit the past and capture the sense of community that hip-hop culture fostered. My son was especially helpful in this particular aspect of the film’s development.

What were some of the challenges you faced in producing this film?

I kept asking myself how to create an immersive story that would authentically capture this rich culture and engage audiences. Another major challenge was overcoming the suspicion of the graffiti artists I had initially approached.

How did you support the production?

It was made possible with regrant funds from the New York City Department of Cultural Affairs administered by the Bronx Council on the Arts. I supplemented these funds with some of my own.

Although Spray Can Stories has already been nominated for and won several awards, it hasn’t yet debuted in New York City. How can folks see your film?

The film will make its debut this SUNDAY, Jan 11th, at 4 pm at La Nacional– 239 W 14th street, Manhattan followed by a Q and A with me and with special guests Cose TDS and Riff 170.  Additional showings will take place: TUESDAY Jan 13th 5 pm La Nacional – 239 W 14th Street, Manhattan;  SATURDAY Jan 17th 7:30 pm – Andrew Freedman Home – 1125 Grand Concourse, Bronx, and SUNDAY Jan 18th 7 pm – Sankofa House – 2422 Third Ave Bronx. You can check out the official trailer here.

 

Interview conducted and edited by Lois Stavsky with Tara Murray

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Directly off the Alabama Avenue stop on the J train is an open-air gallery featuring over a dozen wonderfully varied and alluring murals. Under the curatorial direction of Queens Art Collective, the East New York Walls attest to the diversity of urban art — as they range from graffiti to stencil art to portraiture. The sumptuously seductive image featured above was painted by Miami-based Peruvian-American artist Diana Contreras aka DidiRok.  Several more images captured last week while visiting these walls follow:

Veteran stylemaster Curve 

NYC-based, Puerto Rico-born artist Epic Uno

Brooklyn-based Colombian artist Praxis

NYC-based artist and arts educator Carnivorousflora

Philippines-born, Queens-based artist Jappy Agoncillo

Buenos Aires-born, NYC-based artist Sonni

Note: Check out the Street Art NYC Instagram for more images from East New York Walls

Photos: Lois Stavsky

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Home to a wonderfully diverse range of artworks, First Street Green Art Park continues to bring intrigue and charm to Houston Street and Second Avenue — where the Lower East Side meets the East Village. The bewitching image featured above was painted by stylemasters: Diego 127, Seb Gorey and Curve. What follows is a small selection of murals — curated under the direction of Jonathan Neville — captured on my recent visit to the park.

The playfully lovable Ratchi 

Veteran writer Mastro

The ubiquitous OptimoNYC 

Tony Washington takes us back to KIDS with a tribute mural

Hektad and Adam Dare share a message of LOVE

NSF crew member Bzee

Photos: Lois Stavsky

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The chillingly playful shutter featured above was painted by Philippines-born, Queens-based artist Jappy Agoncillo at Welling Walls in Astoria, Queens. What follows are several more images of gates as we continue our ongoing  series of NYC street art shutters.

Madrid, Spain-born multidisciplinary artist Noah Xifr also at Welling Walls in Astoria, Queens. 

The lovable Ratchi on the Lower East Side

Bogota-native Calicho Arevalo at Welling Walls in Astoria, Queens

Colombian artist Leo2, French artist Vast & Dek on the Lower East Side

  Brooklyn-based, Newark-raised Peruvian artist GERALUZ in East Harlem

The legendary Bronx native artist T-Kid on the exterior of Bronxlandia in Hunts Point, Bronx

Photos by Lois Stavsky

 

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During these past few months, the murals along East 125 Street and its surrounding blocks continued to beautify East Harlem with intrigue and charm. The homage to the late Harlem-born artist Faith Ringgold — featured above — was painted by NYC-based, New Jersey-bred artist Anna Lustberg.

What follows is a selection of images captured in our continued 2025 documentation of Uptown Grand Central:

Anna Lustberg poses in front of her mural while in progress

Bronx-based Lola Lovenotes

Yonkers-based Evan Bishop

Colombian artist Alexis Duque

Bronx-based KingBee

   Newark-based Diego Molina

Photos: Lois Stavsky

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Founded and directed by legendary Bronx graffiti artist WEN COD, Boone Avenue Walls continues to transform the historic South Bronx Mott Haven neighborhood into an open air gallery — showcasing masterful murals and mesmerizing graffiti. The mural pictured above was painted by Oklahoma City-based artist Pyramid Guy. What follows is a small sampling of artworks we captured while visiting Mott Haven:

Local style master Soze

Classic Bronx graffiti writer Ovie

Veteran writer and skateboarder Cycle

Connecticut’s masterful 3Modes, TVT 

Algeria-born, NYC-based Pazzesco with his portrait of Biggie

The wildly distinctive stylist KA, detail from TVT ZOO Goosebumps production

Colombia-born, New Jersey-based Jose Bustamante aka Busta

Bolivia-born, Florida-based Ales Delpincel‘s portrait of Nas

Photos: 1-6, 8 & 9 Lois Stavsky; 7 Tara Murray

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