Immigrant artists

Argentine artist Magdalena Marcenaro aka Magda Love shares with us some of her early experiences and impressions of NYC in this second in our series of interviews with artists born abroad who have made NYC home.

Magda-Love-street-art-Brooklyn-NYC

When did you first visit New York City?

I first came here in 2000 with a bag and $300. My uncle had paid for my ticket.

What was your initial impression of this city?

I wasn’t impressed! I was raised in Buenos Aires, a similarly large city. And large cities don’t move me that much. I’m far more impressed by nature.  And I always thought of Europe as far cooler than the United States, as Europeans seem to value culture more than Americans do. London seemed like the ideal place to live because I was into fashion at the time.

Magda-Love-street-art-NYC-close-up

Why, then, did you decide to stay in NYC?

Just about everyone was telling me that NYC is the place to be, and then four months later, I was married.

How did your family feel about your move?

My mother was very supportive. She raised me to be independent. She, herself, is very adventurous.

Magda-Love-art-exhibit

What were some of the challenges you faced when you first came here –before you were married?

My biggest challenge was finding a place to live.  When I first arrived, I called a friend I’d met in Argentina and I spent my first two weeks in her place on Roosevelt Island. There was a huge snowstorm at the time. I can’t forget that! I had never seen snow in Buenos Aires. I then worked in a hostel on 106th Street and Central Park West in exchange for a place to sleep. After that, I just crashed in lots of different spaces, wherever anyone had a spare bed.

That must have been difficult.

Yes, I remember spending an entire night on a computer in Times Square checking for possible rentals.  For a while I ended up renting a room in Alphabet City. It was in the Projects on Avenue D. I didn’t even know what the Projects were. And there I was — walking around in a fur coat! And as my Spanish is so different from that of the people living in the Projects, I could barely communicate with anyone. And, of course, dealing with paper work that any newcomer to the US has to deal with is always a challenge.

magda-love-art-at-welling-court

How did you meet your basic expenses early on?

I first worked in a coffee shop, and then I worked as a bartender. I also sold some clothes I’d made to Patricia Field. Back in Buenos Aires, I designed fashion.

Have you encountered any prejudice here?

Not here in NYC. Living in this city is like living in a bubble. But when I’m with my son  – who is biracial – outside of NYC, I do feel prejudice.

Magda-Love-Cobble-Hill-street-art-NYC

How has your artwork evolved or changed since you moved here?

It changes all the time. I feel that I’ve grown tremendously. Being around so many talented artists – especially those who paint on the streets  — exposed me to so much. It has helped me develop different techniques.

Have New Yorkers been receptive to your artwork?

Yes. I’ve been fortunate.

Magda-love-close-up-collate-at-Nu-Hotel-NYC

What would you like to accomplish here?

I’m eager to paint a huge wall. I want to collaborate with some of my favorite artists. And I’d love to have a solo show. Actually, my goal is to conquer the world!

What do you miss most about your native country?

I miss seeing my brother’s kids grow up and I miss the countryside.

Magda-sneaker-art

Do you see yourself living here on a permanent basis or returning to your country?

I’m here to stay!

Interview conducted by Lois Stavsky and City-as-School intern Zachariah Messaoud; photo credits: 1, 2, 5 & 7 Zachariah Messaoud; 3 Dani Reyes Mozeson; 4 Tara Murray & 6 Lois Stavsky

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Living and working as a full-time artist in Williamsburg, Brooklyn, Milan native Federico Massa aka Iena Cruz first visited NYC in 2008. He has since moved here, enhancing NYC and beyond with his strikingly stylish aesthetic. This post is the first in a new series of interviews with artists born abroad who have decided to make NYC home.

"Iena Cruz" "Federico Massa"

When did you first visit NYC?

It was the summer of 2008. I stayed here for a month.  At the time, I didn’t know anyone in NYC.

What brought you here? Why NYC?

I was on vacation, and I was interested in exploring other cities. I had begun to feel that Milan is too small for me.  NYC seemed like a logical place to visit.

Iena-Cruz-in-studio

What was your first impression of NYC?

I fell in love with it at once.  I didn’t understand it, but I loved it. I felt inspired by the chance to be connected to so many different cultures. I thought everything about NYC is great!

What was your image of NYC back in Milan?

It was out of focus. The only image I had of it came from what I saw in movies and music videos. I really had no idea what to expect.

Iena-Cruz-street-art-williamsburg-NYC

When did you decide to return here? 

I knew soon after my first visit that I needed to come back.

How did your family feel about you leaving Milan for NYC?

They were supportive. They know how difficult life is for an artist in Milan. Back home no artist is taken seriously until after he is past 50.

iena-cruz-puerto-rico-street-art

What were some of the challenges you faced once you decided to make NYC home?

I had to learn a new language. I had to find work to meet basic living expenses. I constantly had to concern myself with visa requirements and paper work. And in order to do all this, I had to put aside my painting. There was a general sense of instability.

Your current living situation is ideal – as your home is also your studio. How did you get so lucky?

I discovered this place on craigslist. When I contacted the owner, he asked me to show him a sample of my artwork! As soon as he saw it, he took me on as a tenant. At the time there were two other artists living here, both Mexican.

Iena-Cruz-bushwick -street-art

What was that like – sharing the space with these other artists?

It was wonderful at the time! And they’ve had a tremendous influence on my aesthetic. Through them, I discovered Mexican culture, and I’ve since adapted elements of it into my artworks.

Now that the space is all yours, how do you meet all your expenses?

Largely through a variety of commissioned projects. I also sell artworks and do set design.

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Do any particular projects stand out?

The huge mural I did for the Williamsburg Cinemas on the corner of Grand and Driggs was an experience! It was unlike anything I had done before – both aesthetically and in terms of the people with whom I interacted while painting it.  And last month, I had the opportunity to participate in FAAM, Fine Art Auction Miami in Wynwood.

How has your artwork evolved or changed since you came here?

My current works feature and fuse elements of Italy, Mexico and NYC.  And as I’m inspired to push myself here, my art is certain to continue to evolve and develop.

Cruz-close-up-street-art-Williamsburg-nyc

How receptive have New Yorkers been to your artwork? To you?

It’s been so positive. My sense is that folks here admire my work, and they’ve been so welcoming.

What’s ahead?

Now that I have my green card, I just want to keep painting murals and exhibiting my artwork.

Interview by Lois Stavsky with City-as-School intern Zachariah Messaoud  

Photos: 1. In Miami for the FAAM MAJOR STREET ART AUCTION and 4. In Puerto Rico, courtesy of the artist; 2. In the artist’s studio, Lois Stavsky; and 3, 5-7, In NYC, Dani Reyes Mozeson

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