graffiti

On our recent visit to DC, we came upon several tantalizing new murals that had surfaced within the past few months at the DC Walls Festival in the ever-evolving NoMa (North of Massachusetts Avenue) neighborhood. The  mural pictured above — featuring a jazz musicians trio and a portrait inspired by AP*ART — was painted by DC-based artist and activist Luther Wright. Several more images captured while exploring NoMa follow:

Seattle-based Chinese-American illustrator and muralist Stevie Shao

Masterful graffiti writer and photorealistic painter Grace

The itinerant Canadian-born muralist Emmanuel Jarus

DC area muralist Nicole Bourgea

LA-based artist Tommi Lin, now on a 2023 International Mural Tour

Photos by Lois Stavsky

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Currently on view at ACA Galleries in Chelsea, “PHASE 2: Myth Conception…” traces the development of the late visionary stylemaster’s distinct aesthetic from 1972 through 2019. Among the artist’s wide-ranging works included in this hugely comprehensive survey are: PHASE 2‘s hip-hop flyers, IGTimes graphics, varied works on paper, embossed aluminum plates and tantalizing sculptures — in addition to his works on canvas and plywood.

A first generation writer and hip-hop pioneer, PHASE 2 evolved into an astonishingly innovative contemporary artist, blurring the lines between style writing, urban art and fine art. Intricate and immensely intriguing, the works that he created in the last decade of his life exude a distinctly esoteric beauty.

“Don 101,” the image pictured above, was rendered back in 2008 with with ink marker on IGTimes, vol.4. What follows are several of PHASE 2‘s later works on canvas and plywood — all elegantly displayed at ACA Galleries.

“Interplanetary Deity 2,” ca. 2016, Paint marker, spray paint and acrylic on canvas

“Untitled,” Paint marker, spray paint and acrylic on plywood

“Implosion 2.” 2015, Paint marker, spray paint and acrylic on canvas

“Chromatic Implosion,” ca. 2016,  Paint marker and spray paint on canvas

“Untitled 3,”  2010, Mixed media on plywood

“Another Time and Space,” ca 2013, Paint marker, spray paint and acrylic on canvas

T.O.N.Y Oy/Not/Vehme/Yeldi, 2016, spray paint and acrylic on canvas

T.O.N.Y Oy/Not/Vehme/Yeldi, 2016, spray paint and acrylic on canvas, detail

Curated by ACA Galleries curator Mikaela Sardo Lamarche and IGTimes founder David Schmidlapp, “PHASE 2: Myth Conception…” can be viewed Tuesday – Saturday, 11:00am – 6:00pm at ACA Galleries, 529 West 20th Street,

Note:

Thursday May 11th @ 7pm
“Funky Nous Deco” and Beyond
Special presentation of PHASE 2 graphic works from his seminal hip hop fliers, IGTimes and album covers to his digital installations and backdrops with Pete Nice, Co-Curator, Universal Hip Hop Museum and David Schmidlapp, founder of the IGTimes and special guests.

Photos of artworks by with City-As-School intern Antonio Gomez and Lois Stavsky 

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After a hiatus of several weeks, we are back with our documentation of ILLicit creatives claiming space on the streets of NYC. Pictured here is the hardcore international Red Eye Mob above the rather cryptic Bumer Randy. What follows are several more graffiti bombs and throwies captured these past few months in Queens.

Subi, Easy and more

Sice, BS

Angr and Cser

Ecal, Gio, Dink, Tru, Gio, AJ and more

Skiz and Sch, NBT

Sedit captured at work in the dark

Zers, OTL

Post and photos by the Pushing It Forward Collective

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Soi Books, a new series of delightfully curated mini books, celebrates a diverse range of hugely talented urban artists from across the globe. The artists’ varied works, distinct stories and personal histories are at once alluring and provocative. And not only do these booklets introduce us to these artists’ creations, but they acquaint us with the particular cultures and places that inspired them.

Among Soi Books,s newly published editions is TILL WE MEET AGAIN presenting an enticing array of artwork by the distinctly skilled Swiss-Peruvian woodblock printer Tania Brun. Included too is a variety of photographs — offering insights into her and her family’s lives. Crisp and infectious, Tania’s aesthetic largely reflects her Andean heritage.

“We used to live in a small town in Puno, where my father was a priest,” she relates. “He always taught us to appreciate the people of the Andes and not to take advantage of being half-Swiss.”

Another of Soi Books,’s inaugural editions focuses on the prolific Italian graffiti crew, SOOL. Curated in a feverishly frenetic and playful mode, the booklet, SOOL BOOMB BOOK, brilliantly captures the talents, energies and adventures of multimedia artists Claudio, Marco and Nicola who hail from the mountains of Northern Italy.

SUPER STRIKE presents a glimpse into Suiko, a wonderfully versatile artist who hails from Hiroshimo. With photos documenting the artist in a range of settings from his studio in Hiroshima to the streets of Nepal, along with engaging, informative text and images of hugely impressive artworks, SUPER STRIKE both educates and and inspires.

CHIP7LAND, the edition focusing on Bangkok-based Thai-American painter and Mayhen crew founder CHIP7, presents – in addition to photographs and random musings – masterful images of futuristic landscapes representing a fusion of Western and Eastern sensibilities.

And all of the booklets also give us a glimpse into the artists at work, providing further insights into the creative process.

To find out more about about these Soi Books, discover others, and find out how you can get your artwork published, check here.

All images courtey of the publisher

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We’ve become huge fans of Getafe’s ever-evolving, striking graffiti walls. On my recent trip, I revisited the Madrid municipality and came upon a wide range of  exuberant new graffiti art amid huge graffiti productions. The image featured above was fashioned by Rikams TFC93 and Chema Rodriguez.  What follows is a small sampling of what greeted us:

Close-up from huge, tantalizing production

Unidentified artist

Unidentified artists

Close-up from huge production

Another close-up

Photos by Lois Stavsky and Sara C Mozeson

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While driving through the central Spanish city of Illescas, we came upon a huge abandoned property covered with a captivating array of graffiti art. Pictured above is one of the many handsomely crafted burners. Several more artworks in a range of styles follow:

Oca Rubinho

Unidentified artist

Unidentified artist

Another alluring burner

Varied bombs, tags & more

And on a different note — Jesús Moreno

Photos of artworks by Sara C Mozeson and Lois Stavsky

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In this ninth post in our new series, PUSHING IT FORWARD — featuring ILLicit creatives claiming space on NYC streets — we return to Manhattan. Pictured above are Wombat, ZigZag and Toney. Several more Manhattan images by ILLicit creatives follow:

Layne

UWONT

MQ

Ost, Lex and Ansotto

Eok, 2DX

Dase 429 

Zesto

BatOla, Abys, Show2, & OFace

Post by the Pushing It Forward Collective

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The following post is by student/intern Samantha Sabatino

On view now at Vanderplas Gallery on Manhattan’s Lower East Side is “Messenger.” Featuring an eclectic selection of works by artists who have been active on the streets of NYC and beyond, the exhibition continues through February 26th. Featured above is an untitled mixed-media work by self-taught artist Will Power. A small sampling of artworks by artists showcased in “Messenger” follows:

The NYC-born graffiti artist and SAMO© collaborator Al Diaz, “In the Future All Art Will Be Fake,” 2023, Mized media on canvas, 23″ x 20″

NYC/Buenos Aires/Miami — itinerant artist Magda Love, “Galaxy Inside 1,” 2023, Painting with Embroidered Frame, 24″ x 19″

Veteran Bronx graffiti artist Cope2, 8th Street R W Lines Subway Sign with blue Cope2 bubble, 2023, Mixed media on original metal subway sign, 27″ x 55″

NYC-based Argentine artist Sonni, “Starman,” 2022, Acrylic on canvas, 60″ x 48″

Located at  156 Orchard Street, the gallery is open Wed-Sat: 11am-6pm and Sunday: 11am-5pm.

Photos of artworks by Samantha Sabatino

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Tomorrow evening, Saturday, February 4, Sister’s Uptown Bookstore & Cultural Center and James Top Productions will host a book signing of James Top‘s autobiography, My Life, along with an opening reception to “Life Is Sweet on Sugar Hill,” a solo exhibition of his artwork. If you don’t already own a copy of James Top‘s memoir, this is the ideal setting to pick up a personally autographed one.

James Top, My Life not only celebrates the life of one particularly passionate graffiti artist, curator, educator and activist, but it illuminates elements of the hip-hop culture that NYC birthed.

Growing up in the projects in East New York, a neighborhood plagued by poverty and violence, it was all too easy to succumb to the fiercely brutal life of the streets. But James Top was determined from early on to somehow escape the “war zone” that was his everyday reality and “make it to the top.”

One of the last of his friends to pick up a marker, James — then JEE 2, the writer — went, within a relatively short span of time, from tagging the walls of his building to hitting trains non-stop. In 1974, along with several other writers, he founded TOP, The Odd Partners, a graffiti crew “with a mission to take over every train line and give Central Brooklyn an all-city graffiti presence.”  And that TOP, The Odd Partners did, as its members — principally IN 1, MICKEY729, HURST and JEE 2 — perfected the art of the throw-up as they gained recognition as Kings.

As life evolved, so did the TOP Crew. Members died or were imprisoned; DONDI and NOC 167 were among those inducted; and whole train cars began to roll by. JEE 2 was soon JAMESTOP, and he began actively tagging the streets. “As JAMESTOP, I was a combination of a Central Brooklyn gangster and a Harlem Shaft,” he writes in My Life.

While James Top had found himself enmeshed in a range of personal struggles in the late 80’s, he effectively triumphed over them by the late 90’s after leaving Brooklyn for Harlem. Several hugely impressive accomplishments followed: he curated his first exhibition ever — a DONDI Memorial Show; he launched Graffiti NYC, a TV show centering on NYC’s graffiti art culture; he converted a wall of an abandoned school property into “The People’s Wall” — an open-air gallery,  and he began to lecture on graffiti in various venues, including City College, CUNY.

In 2008, James Top had his first one-man show, “AFROLOGY,”  showcasing adult versions of his signature AFRO character.  And in the late 2010’s, he became actively involved in the Graffiti Hall of Fame, both as a co-director and artist.

You can meet the legendary James Top, view his artwork, and purchase an autographed copy of his memoir tomorrow evening, February 4, from 5-9pm, at Sister’s Uptown Bookstore & Cultural Center, 1942 Amsterdam Avenue @ 156 Street.

Images: 1. Cover photo  Jamel Shabazz; 2-5 ©James Top, My Life

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Curated by Kate Storch, “Landmark” is both aesthetically stirring and culturally enriching. Featuring artworks in a range of media by Joe Conzo, Charlie Doves, Bluster One, Peter Paid, Jeff Henriquez and Danny Cortes, the exhibition continues through this Sunday, January 29 at One Art Space in Tribeca. While visiting yesterday afternoon, I had the opportunity to pose a few questions to Kate.

This exhibition is a wonderful homage to hip-hop and to its iconic locations. What spurred you to curate it?

I’d been wanting to curate an exhibition on this theme for awhile. And the beginning of 2023, the year that celebrates the 50th anniversary of hip-hop, seemed like the ideal time to make it happen.

How did you decide which artists to feature?

I chose artists whom I admire as professionals and as people. They are all different, yet all are related to the culture in their own distinct ways. Joe Conzo photographed hip-hop from its early days in the South Bronx. His contributions to the culture are invaluable. I’ve been a huge fan of Charlie Doves for years. He is a master of the craft. I love Bluster One‘s signature style. Music runs through it. Peter Paid brilliantly captures the aesthetics of graffiti in his signage. I had a wonderful experience working with Jeff Henriquez several years ago at the Summer Classics Block Party For National Hip Hop Day at First Street Park. And Danny Cortes‘s expertise, energy, patience and humility increasingly impress me.

What were some of the challenges that curating this exhibit presented?

There are always challenges when curating, but in this case, they were limited. Everything has gone remarkably smoothly. All of the artists are great people — and easy to work with!

The exhibition is so beautifully installed. Can you tell us something about that?

The installation is entirely my vision. I had given the placement of the art considerable thought, and I had the artistic freedom here at One Art Space to make it happen. I wanted it all to come to life! I wanted it to be an experience.

How can folks see the exhibit?

One Art Space is located at 23 Warren Street in Tribeca. The exhibit continues through Sunday from 1:00 PM – 6: 00 PM daily. Easily reached by just about every subway line, the gallery can be contacted at 646-559-0535.

Congratulations, Kate!

Featured images:

1 Peter Paid

2 Bluster One

3 Charlie Doves

4 Jeff Henriquez

5 Joe Conzo

6 Danny Cortes

7 Kate Storch, curator; typography by Peter Paid to the right of miniature art by Danny Cortes

Interview conducted and edited by Lois Stavsky; photos 1-4, 6 & 7 Lois Stavsky; photo 5, courtesy One Art Space

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