James Bullough

Since 2015, the annual SHINE Mural Festival has been transforming St. Petersburg, Florida’s coastal “Sunshine City,” into an intriguing open-air museum featuring local, national and international artists. Travel and street photographer Karin du Maire aka Street Art Nomad was there to capture this year’s festival which had taken place in mid-October.

The distinctly dramatic image pictured above was painted by Berlin-based James Bullough, who is posed in front of his mural. The artist explains his choice of colors as “a subtle shoutout” to Amsterdam-based Joram Roukes whose artwork was previously on this wall. Several more images from this year’s SHINE Mural Festival follow:

LA-based, French duo 123KLAN in front of their mural

Tampa-based Sydney Prusso

German native MadC and Montreal-based Haks 180 at work

 Florida-based Tasko in front of his mural

Toronto-based Ben Johnston

Local artist Dreamweaver in front of her mural in progress

All photos by Karin du Maire aka Street Art Nomad 

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The following book review is by Street Art NYC contributor Houda Lazrak

For over a decade, the POW! WOW! Street Art Festival has been bringing standout murals by internationally renowned artists to cities throughout the globe. POW! WOW! WORLDWIDE!: 10 Years of International Street Art, authored by the festival’s founder and curator Jasper Wong and published by Paragon Books, pays a well-deserved homage to the hundreds of murals created during the festival’s many iterations.

POW! WOW! WORLDWIDE!: 10 Years of International Street Art, chronicles POW! POW!’s many editions in fifteen cities, with page spreads of striking murals. Each chapter begins with an image of a location’s discerning geographic or urban features: Taiwan’s sprawling nightlights, Long Beach’s palm-tree lined waterfront, Antelope Valley’s field of tulips, Haiwai’s oceanside downtown, Rotterdam’s glass-lined buildings.

Photographs of the murals follow with many in-progress images of artists at work including: Nychos, Jeff Soto, Cinta Vidal and Tran Nguyen. The process shots are dynamic and illustrate the labor of mural making. Readers are also provided with biographical information of each of the participating artists.

Featured are many examples of collaborative murals. The mural painted by James Bullough and Ricky Watts, for example, fuses Bullough’s realistic portraiture with Watts’ fluid shapes and psychedelic patterns. In another mural highlighted, Rone’s figurative signature style meets Aaron de la Cruz‘s calligraphic mazes. And featured, too, is a three-person collaboration between Cambodian, Japanese and Hawaiian artists Andrew Hem, Yoskay Yamamoto and Edwin Ushiro, respectively.

The book also features candid shots of festival goers, participants and organizers, offering a window into the festival’s atmosphere beyond the art-making. In his forward, editor-in-chief of Booooooom Jeff Hamada, describes the festival’s intention as a “naive desire to bring people together – not just to paint walls and go home, but to actually get to know each other, share stories, and form real friendships.

Jasper Wong also writes that the festival’s name itself, POW!WOW!, “is taken from a Native American term that describes a gathering that celebrates culture, music and art, which spoke to [their] core mission to beautify, educate and bring people together through art and music.” The book portrays this intention and the excitement that unravels. The unique urban culture of cities is also shown in image compilations. Among these are: Korea’s thriving music and food scene, and San Jose’s bicycle culture.

POW!WOW! is often invited to return to its host cities, attesting to the positive value that murals add to the vitality of metropolises. In flipping through the pages, the location types are noticeable: artworks are often erected in residential areas, discrete alleyways, and unpretentious parking lots. It serves as a reminder of POW!WOW!’s contribution to diverse neighborhoods, beyond hyper visible spots in downtowns areas or arts districts.

POW! WOW! WORLDWIDE!: 10 Years of International Street Art is a welcome addition to any street art aficionado’s library and can be purchased from most online book stores.

Featured images

1 Book cover, TRAV MSK, in Long Beach, California, 2018

2 Overview of Taiwan

3 Nychos & Jeff Soto, Hawaii, 2013

4 James Bullough and Ricky Watts, Hawaii, 2018

5 Jet Martinez, San Jose, 2017

6 PichiAvo, Worcester, 2017

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kyle-hughes-odgers-street-art-dc

On our recent visit to Washington DC, we came upon dozens of intriguing murals, representing a huge range of styles from abstract designs to photorealistic portraits. Featured above is a close-up from a huge mural by Australian artist Kyle Hughes-Odgers covering two sides of a four-story building in the District’s NoMa neighborhood. Here are a few more:

Berlin-based James Bullough, who grew up in DC

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Munich-based SatOne

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Baltimore-based NYC native Gaia, close-up of huge mural at The Fridge DC

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DC artist Eric B

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Bronx-native Pose2

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Polish artist Bartek Świątecki aka Pener

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And with the launch of POW WOW! DC tomorrow, DC will be home to dozens of more public artworks by local, national and international artists.

Photo credits: 1 & 5 Lois Stavsky; 2-4, 6 & 7 Tara Murray

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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This is the ninth in a series of occasional posts featuring the range of faces that surface on NYC open spaces:

James Bullough at the Bushwick Collective

"James Bullough"

Alan Aine in Bedford-Stuyvesant

"Alan aine"

Vexta in the East Village

Vexta

Zimad at the Bushwick Collective

Zimad

Anser in Bushwick

Anser

Sam Kirk in Williamsburg

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Rafael de los Santos aka Poteleche in Williamsburg

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Photo credits: 1 & 3. Tara Murray; 2, 4, 6 & 7 Lois Stavsky; 5. Dani Reyes Mozeson

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