photography

Currently based in Brooklyn, New York, Genea Barnes began exhibiting her artful photography in 2005. Her current work has taken her into the streets of over 50 cities where she has photographed hundreds of ghost bikes. 

"Genea Barnes street photography"

When and where did you begin photographing ghost bikes?  

I saw my first ghost bike in Brooklyn in May 2010. It struck me. It felt like someone had punched me in the chest. That was the first ghost bike I photographed. I’ve since traveled to over 50 cities photographing them.

"Genea Barnes photography"

Why — do you suppose — you became so committed to this project?

I feel a special connection to these bikes. I am taken by their intense beauty. Their impact was — and still is — tremendous on me. They remind us of lives that were lost and they remind us to keep safe. I knew, at once, that I wanted not only to photograph them, but to share my findings with others.

"Genea Barnes photography"

Have you any particular message you would like your photos to convey?

I am frustrated by people’s lack of spatial awareness. A ghost bike represents the most grievous outcome of this. A ghost bike, like much of  street art, is a way to call people out. We must all start paying closer attention to our surroundings.

"Genea barnes photography"

Why a book?

I had always hoped that my art would make a difference…that it would raise awareness. And after my first exhibit of ghost bike images, I knew that it could. Not everyone will attend an exhibit, but anyone can check out a book and, hopefully, be moved by it.  We are so distracted by technology that we often forget to pay attention to our surroundings. And the outcome of that can be fatal.

"Genea Barnes photography"

You can find out more about Genea’s remarkable photography project here and help fund her book at her Kickstarter here.  

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Hi-Arts-alice-Mizrachi-JR-street-art

Opening this evening from 6-9pm at the Hi-Arts Gallery on 304 East 100th Street is JR’s Inside Out Mi Gente/ Oyáte kiŋ Art Project — focusing on and uniting two communities: NYC’s East Harlem and South Dakota’s Pine Ridge Reservation. Here are a few images captured yesterday while visiting the exhibit, curated by Carlos Mare:

JR-Inside-Out-Mi-Gente-Oyate-Kin

Closer-up

JR-east-harlem-hi-arts

And more

Inside-Out-hi-arts-jr-photos-east-harlem

And outside with murals by Alice Mizrachi and Part One

hi-arts

 Photos by Dani Reyes Mozeson

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Born in Argentina and now based in Brooklyn, LR is a young photographer and artist with a deep passion for street art and documenting the streets. I met her in late spring in Bushwick when I was interviewing the Argentinian artist Cabaio, whom she had photographed at work earlier that day.  We met again last week at Exit Room, and I had the opportunity, this time, to find out a bit about her.

lucia-reissig-cabaio-new-york

When did you first become interested in photography?

I was 12 years old and living in Buenos Aires.  I had told my mother’s friend that I was interested in photography, and he gave me a camera. It was a 35 mm Canon.

And then what happened?

I didn’t know what to do with it. And so I took my new Canon to a camera store, and the shop owner installed film for me and set it on “Automatic.” He said, “Just shoot!” So that’s what I did! And I fell in love with the art form at once.

Did you ever study photography on a formal basis?

Early on, I began visiting photographers’ studios, and I started taking classes with them. The classes were informal – with no more than five students in a class.

cabaio-street- art-NYC

What — would you say — is photography’s appeal to you? What is it about this art form that so engages you?

With a camera in hand, I feel that I am somewhat in control of my environment. And it allows me to create compelling narratives. I am obsessed with paradoxes – and recording them.

What brought you to New York City?

I felt a strong need to challenge myself and get out of my comfort zone.

How has living here affected you and your passion for photography?

I quickly found myself seeking other Spanish speakers and other immigrants. And the streets became even more important to me. I see public spaces as a reflection of society.

Lucia-Reissig-Rockaways

And what about street art?  You’ve documented hundreds of images. When first I met you, you had just finished photographing Cabaio at work over at the Bushwick Collective and you seem to be quite involved over here at Exit Room – one of my favorite spaces. What is the appeal of street art to you?

It serves as both a mirror of society and as a perfect expression of resistance. I love the way the artists take ownership of the streets, and their work on city streets looks amazing. Street art has the power to change a city – visually and psychically. It also makes art accessible to people who wouldn’t otherwise see it. It’s an always-open free museum. And documenting the art I discovered on these streets – along with its people – saved my life!

Have you any favorite artists who work on the streets?

Among my favorite ones are: Cabaio, Iena Cruz, Werc and Ever.

"Lucia Ressig"

What’s ahead for you?

Since coming to NYC, I’ve become more aware – than ever – as to the importance of community. There is a lack of community here, and there is a need for more alternative spaces where people can come together to create and to share. I am beginning an informal series of workshops on photography – similar to the ones I attended back in Buenos Aires. They are on a pay- what-you-can basis. I can be contacted at lucia.reissig@gmail.com.  And on a personal level, I am continuing a series I began earlier focusing on immigrant life here in NYC.

Interview conducted and edited by Lois Stavsky. Photos by LR

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"Buff Monste"

With cameras in hand, Leanna Valente has spent the past 15 months photographing graffiti writers and street artists in progress.  She now has over 400 photos signed by the artists.  I recently had the opportunity to speak to Leanna about her brilliant Instant Art Exposure project and more:

Have you any early memories of graffiti or street art?

I remember first seeing graffiti as a young child. It was right down the block — under viaducts and bridges — from where I grew up in Buffalo. I loved it at first sight!

Have you, yourself, done any graffiti?

When I was about six, I attempted some bubble letters. And I still give it a try while doodling on a napkin!

What about other art forms? 

I’ve been doing art – of one kind or another — for as long as I can remember.

VengRWK

Any particular styles or genres?

Mainly mixed-media works of acrylic, spray paint, fabric and photography.

Have you shown your work in galleries or formal settings?

I started showing in galleries in 2003 while living in Atlanta. I also showed in Miami, in Southern California, in Buffalo and at alternative spaces in Brooklyn in 2010.

Have you studied art in a formal setting?

I’m basically self-taught. I’ve studied art informally at FIT here in NYC and at the Atlanta College of Art/SCAD when I was living in Atlanta, Georgia.

Hoacs

Can you tell us something about your photography projects?

My series Extreme Fashion Window Design in NYC focuses on extreme fashion window designs in Manhattan portraying the glamour and grit of the city.  Another series Trashion focuses on the exclusive branding found in our city’s trash. And my Instant Art Exposure project documents NYC’s street art and graffiti scene.

You are obviously quite passionate about street art and graffiti. 

Yes, I have been addicted to it for as long as I can remember, and I officially started documenting it in 2007. I love its unique beauty and grand size. It’s gutsy and challenging.  Just seeing it gives me an adrenalin rush!

I can relate to that! When did you begin this NYC project?

I became avidly serious about it about 14 months ago at Welling Court while watching Kingbee paint. He was the first to sign a photo.

QA

And we all love your shots that the artists sign. It’s a brilliant concept. I wish I had thought of it myself! Did anything in particular inspire it?

Through documenting street art, graffiti and art/fashion mixes for my blog, I became even more interested in documenting the artists “in process.”  It became my way of paying respect to them and the hard work they put into each piece on the walls.  I felt that it was a unique and personal addition to the black book. And when artists began to respond enthusiastically, I continued.

Where is the project headed?

Well, people keep on asking me what I’m doing with it. Originally I was just doing it for myself. It was meant as a personal diary of photos to hang on my wall. But artists I’ve photographed and other people in the scene have suggested that I follow up on publishing a book and launching an exhibit that feature the works. And so in addition to what I do with my standard photography equipment, my primary focus now is on this project. Talks are now in the works for a series of books, gallery shows and select prints. I will never sell the originals, but I will choose, with the assistance of the artists, a select number to make into prints.

That sounds great! Who are some of the artists have you photographed?

They range from such legends as Blek le Rat, Lady Pink, Charlie Ahearn, Lee Quinones, Crash, Futura and Kenny Scharf to contemporary masters such as Shepard Fairey, Logan Hicks, Sp.One, Wane, Chris Stain, Billy Mode, Stik, Stinkfish, RWK and Icy and Sot. And I can’t imagine ever stopping!

J"oe Iurato and Rubin415"

Note: You can follow Leanna on Instagram at @leannav & #instantartexposure, in addition to her blog and her soon-to-be-launched website www.instantartexposure.com.

Interview conducted and edited by Lois Stavsky.

Leanna’s photos: 1. Buff Monster 2. Veng RWK 3. Hoacs 4. Queen Andrea 5. Rubin & Joe Iurato

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The following guest post is by Houda Lazrak, a graduate student in Museum Studies at New York University.

"Icy and Sot"

As street art continues to gain legitimacy as a contemporary art movement throughout the world, New York City remains its cradle of birth and continues to attract artists from around the globe.  Gingko Press’s recently published Outdoor Gallery — New York City by author and photographer Yoav Litvin bears witness to the unmediated and diverse creative expression of New York City’s street art.  Thought provoking, comprehensive and aesthetically pleasing,  Outdoor Gallery presents hundreds of street art photographs, accompanied by interviews, featuring more than forty artists.

"Outdoor Gallery"

For two years Yoav immersed himself in the world of street artists, learning their visual language, engaging in their community and observing their habitus. Outdoor Gallery justly frames street art as a platform for disrupting society’s notion of the use of public space.  As the author states, street art is “a creative and non-violent form of rebellion.”

Toofly

The author provides us with a rare opportunity to view the artists’ actual process.  Yoav photographs artist Adam Dare’s steps as he installs his signature bunny paste-up on scaffolding in the dark of the night.  Jilly Ballistic, known for subway site-specific images, also agrees to guide us through a 9-step process of pasting an image of a city officer in the Astor Place metro station.

"Jilly Ballistic"

Although most of the photographs are taken soon after the images have surfaced, Yoav eloquently emphasizes the ephemeral nature of the art form in his opening commentary and throughout the interviews he conducted.  He also reminds us that street art is continuously at the mercy of many factors, such as neighborhood gentrification, weather conditions, vandalism and police intervention.   Photography serves as an ally in keeping the art works alive after they have faded or disappeared.

Hellbent

The book’s narrative also acknowledges and insists on the diversity of mediums, surfaces and messages embedded in the art pieces.  The interviews inform us of the range of intention behind the pieces.  For some artists, such as gilf!, Enzo & Nio, and Icy & Sot, political commentary is the rationale behind their work.  Alice Mizrachi, on the other hand, uses her large-scale murals to encourage community engagement. Finally, street art serves as a creative outlet and as a form of self-expression. Shiro describes her signature character as her “alternative self, reflecting [her] experiences and emotions as [she] goes through life.”

Never

This book provides remarkable insight into the motivations and the creative process of dozens of street artists whose works have surfaced in NYC. More than shedding light on the extraordinary talent of these artists, Outdoor Gallery inspires readers to discover for themselves the treasure trove of outdoor art New York City has to offer.

Outdoor Gallery — New York City can be ordered online at Amazon and is available from retailers worldwide including Low Brow Artique and Zakka in Brooklyn and Strand Books, the MoMA and Guggenheim Museum shops in Manhattan.

Images © Yoav Litvin 1. Icy & Sot in Williamsburg, Brooklyn; 2. Toofly in Bushwick, Brooklyn and in Astoria, Queens; 3. Jilly Ballistic process in underground metro; 4. Hellbent in Astoria, Queens & 5. Never Satisfied in Williamsburg, Brooklyn

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Logan-Hicks-artist-talk

Love Never Saves Anything, a solo exhibit of stencil paintings and photographs by the wonderfully talented Logan Hicks, opened last week during Armory Week and remains on exhibit through Wednesday, March 19. Here’s a small sampling of the haunting stencil paintings on view:

A Drop of Blood Shed

"Logan Hicks"

Her Hands Said What her Lips Couldn’t

Logan Hicks

Behind Her Eyes

"Logan Hicks"

 Treading Water

"Logan Hicks"

Deep Sleep

"Logan Hicks"

The following scenes were captured at last week’s opening:

Logan-Hicks and-artwork

Logan-Hicks-opening-night

Logan-Hicks-signs-book

And the artist talk with Logan Hicks, led by Lori Zimmer, will take place 4PM this Sunday, March 16, at the gallery on 154 Stanton Street on Manhattan’s Lower East Side. This exhibit is the artist’s second solo show with PMM Art Projects.

Photos of artwork by Lois Stavsky and Dea Sumrall; images of opening by Dani Reyes Mozeson

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We love JR and José Parlá’s The Wrinkles of the City, Havana not only for its exquisite beauty, but also for the artists’ mission. While in Cuba last year, JR and José Parlá’ interviewed dozens of senior citizens, whose portraits made their way onto Havana’s walls. Twelve of them featuring JR’s masterful photos fused with José Parlá’s stunning calligraphy can be seen through July 12 at Bryce Wolkowitz in Chelsea. Here are a few from this must-see exhibit:

Man with Can

JR and Jose Parla

Elio Milanés

Jr and Jose Parla

Rafael Lorenzo and Obdulia Manzano

JR and Jose Parla

Alicia Adela Hernandez Fernández

JR and Jose Parla

And a close-up from huge outdoor mural featuring the regal Leda Antonia Machado

Jose Parla and JR mural

Also outstanding is a short, moving documentary on view at the gallery at 505 West 24th Street in Chelsea.

Photos of images by Lois Stavsky

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"JR street art in Chelsea"

Born in 1983 outside of Paris, JR has achieved worldwide recognition for his enormous photographs of everyday people that have been pasted on a range of surfaces all over the world. Among JR’s numerous awards and grants is his recent “Inside Out Project,” which has turned the walls of New York City into an open-air photo gallery. This past weekend, JR was busy over at the High Line in Chelsea pasting his huge portrait in tribute to the Lakota people, an original Native American tribe.

"JR street art in Chelsea"

"JR street art in Chelsea"

"JR street art on NYC's High Line"

"street artist JR in Chelsea, NYC"

Photos by Joshua Geyer

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