Sara Erenthal

Brooklyn-based multidisciplinary artist Sara Erenthal has been busy! Sharing her personal musings on found objects, enhancing windows of local businesses and interacting with passersby, she has been making a huge mark on NYC’s public spaces throughout the pandemic. I recently had the opportunity to pose a few questions to her:

Of all the NYC artists I know who also use the street as a canvas, you may have been the only one out there almost daily at the height of the pandemic. What spurred you to hit the streets at a time when so many folks remained indoors or only went out for essential items?

At the very beginning of the pandemic, I was out only for errands. I wasn’t making any art. I actually isolated myself for about two weeks, as I wasn’t feeling well. But on the first walk I took, after self-isolating, I ran into two little pieces of wood. I couldn’t resist. Why do I do it? I live alone. The only view I have is of my alleyway. I need to get out and stretch my legs. I need to create art for my sanity. The street is a place where I can scream and be heard.

How have folks responded to seeing you out there?

The response has been amazing. People stop me and thank me for creating work. I’ve even been receiving donations, along with all kinds of support. People are so grateful that I am out there creating art in these times.

Do any particularly memorable experiences stand out?

There are many!  Early on, I came across a coffee table near my apartment that had been discarded. I wrote on it, “Hey, neighbor, let’s connect.” A month later, I discovered that a homeless guy who lives near my local train station had adopted this piece. I would love to meet him.  Particularly memorable is the day I sat myself down in Prospect Park with a sign that read: “I live alone. Please talk to me from 6 feet away.” The response I got was incredible. People lined up to speak to me. It was the interaction that I so crave.

You’ve been featured in at least a half dozen publications – from the Gothamist to the Brooklyn Rail – within the past few weeks. Has that publicity impacted your career as an artist?

It has. But equally, as people see my work on the streets and on Instagram, my audience expands. It’s a mix of both.

Both pieces that you did in my Upper West Side neighborhood — one on a discarded mirror and the other one, an ad-takeover on a phone both — disappeared within two days. How does that make you feel?

I was not surprised that the mirror was taken. I’d rather it land in someone’s house than in a landfill. But I was disappointed that my piece was stolen from the phone booth. Someone obviously broke into it. I went out of my way to bring art into a neighborhood that misses it. I wanted it to stay for other people to see it. Whoever took it was not considerate.

Yes! I miss seeing it on my daily strolls. Hopefully, you can return to Manhattan sometime soon. And thank you for bringing art into the lives of so many during this surreal time.

Interview conducted and and edited by Lois Stavsky

Photo credits: 1 Lois Stavsky; 2, 3, 5 & 6 Sara Erenthal, and 4 Meremundo

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COVID-19, the global pandemic that has impacted so many of our lives, has prompted responses from visual artists — both on the streets and in their personal spaces. The image pictured above was painted by the Italian artist, Alessio-B. Several more images — stirred by the current crisis — follow:

Toulouse-based sculptor James Colomina in Switzerland

Multi-disciplinary artist Sara Erenthal — from her Brooklyn apartment

Tag Street Art in Tel Aviv

Philadelphia-based Sean Lugo

Switzerland-based duo Bane and Pest on canvas

Argentina-based Nazza Stencil Art, Portrait of  “the fight against Coronavirus,”  based on photo by Milan-based photographer Flavio Lo Scalzo

All images courtesy of the artists

Keep posted to Street Art NYC  for Part IV of COVID-19-related images — including several by local artists and news of some of the ventures they have launched.

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Whether working in their studios or on the streets, NYC artists — like so many artists throughout the globe — continue to respond to the COVID-19 pandemic. The image featured above was fashioned by the superbly talented New York City/Bangkok-based artist Gongkan. Several more images created by NYC-based artists in response to the COVID-19 pandemic follow:

Sara Erenthal, Masked Feelings, Unmasked

Michael Alan, Uplifting the World

Adrian Wilson, A virtual urban intervention

Early Riser, Strong but Scared — with Jason Naylor on upper right

Ed Heck, Keeping Safe…Apart

Photo credits:  1-4 courtesy of the artists; 5-7 Ana Candelaria

Note: Be sure to check out WashYourHands.art, a fabulous Online Exclusive Group Exhibition — presented by Woodward Gallery — in response to the COVID-19 crisis.

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As the the coronavirus pandemic continues to impact all of our lives, it has, also, begun to make a presence on NYC streets. Pictured above is the work of Jilly Ballistic — who emerged from the underground to address us — in collaboration with Adrian Wilson. Several more images sparked by the current pandemic follow:

The Act of Love, as seen in Soho

crkshnk pasted in Freemans Alley

Jason Naylor on the Lower East Side

Sara Erenthal on a repurposed drawer in Flatbush, Brooklyn

Photo credits: 1 & 4 Ana Candelaria; 2 & 3 Lois Stavsky 5  Sara Erenthal

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Tucked into a narrow passageway off Rivington Street east of the Bowery is the ever-evolving Freeman’s Alley. Even as the street art scene becomes increasingly corporate and commercial, Freeman’s Alley continues to remain a treasure trove of unsanctioned artwork. While some works can last for months, many are quite ephemeral. Featured above is “No Child Is Illegal” by Lmnopi. The following images were captured during these past two months.

Sara Lynne Leo, “It Wasn’t Supposed to End This Way”

 Dylan Egon, “Saint America,” with Sara Erenthal to his left

The Postman does Robert Smith of the English rock band, The Cure (Be sure to look up for this one!)

UK-based Coloquix

City Kitty and friends

10-year-old Ethan Armen with Thomas Allen

Captain Eyeliner, Who’s Dirk and friends

Photo credits: 1, 2, 4-8 Ana Candelaria; 3 Lois Stavsky

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The following guest post is by Lower East Side-based photographer Ana Candelaria

I first discovered Sara Erenthal‘s work on the Lower East Side several years ago. Last summer, I met Sara at Freeman’s Alley, and this past Thursday, I was delighted to view her artwork in a gallery setting.  Pictured above is the Brooklyn-based self-taught artist with The Storefront Project owner Gina Pagano to her left and curator Nina Blumberg to her right. Following are several more photos that I captured at the opening of BACKSTORY this past Thursday evening:

Sara Erenthal with gallery owner Gina Pagano

It gets busy!

Wendy aka Love from NYC and 0H10 M1ke checking out “Girl Talk,” Acrylic on thrift shop painting

Up Magazine editor T.K. Mills photographing “Emotional Support I,” Acrylic on repurposed print 

Multimedia artists Ryan Bonilla and Maria De Los Angeles next to “Emotional Support II,” Acrylic on repurposed print 

Sara Erenthal with Sandy Zabar and Ira Breite next to “I’m Infatuated,” Acrylic on thrifted print

The two Sara’s — Artist Sara Lynne Leo with Sara Erenthal

The overflowing opening reception crowd

BACKSTORY continues through August 18 at The Storefront Project, 70 Orchard Street, Tuesday- Sunday 1-6pm.

Photos: Ana Candelaria

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Hitting s huge range of surfaces — from discarded mattresses to abandoned rooftops — Brooklyn-based artist Sara Erenthal left her mark in NOLA. What follows are several more works — featuring the artist’s signature style — that I captured on a recent visit:

On repurposed wood

In Bywater

One of several wheat pastes

Inside Bywater’s abandoned naval base

Along the tracks

Upcycled on Desire Street

Photos by Lois Stavsky

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For the past month Brooklyn-based Sara Erenthal has set up base in Tel Aviv. What follows is a brief interview with the intensely committed multi-disciplinary artist:

What brought you to this region? 

It is where I was born, where I had left my religious upbringing and where, six years ago, I had my first art exhibition. And for the past several years, I’d wanted to return to share my art with the ex-Orthodox community and participate in the vibrant, expressive street art culture here.

Can you tell us a bit about the difference between “getting up” here and back home in Brooklyn?

There is more  freedom of expression on the streets here, and because I’m here for a limited amount of time, the experience has been far more intense.

What have been some of the highlights of this trip?

Visiting and painting in Bethlehem, my first time on the “other side,” and having the opportunity to exhibit my artwork here at the Red House Shapira in South Tel Aviv. And the amazing feature article in Haaretz by Tamar Rotem was, also, a highlight.

Can you tell us a bit your exhibit “Re-Cover” here at the Red House Shapira.  How did it happen? 

Shortly after I arrived in Tel Aviv, I visited the Red House Shapira, a unique space — housed in a historic building — known for its commitment to promoting diversity in the arts. There I met Oren Fischer who invited me to showcase an installation of new works created from found materials in the neighborhood.  My intent was to mirror the diversity of the neighborhood in a unified fashion, while giving new life to discarded matter.

What were some of the challenges you faced in making this happen?

The major challenge was the short period of time I had in pulling it all together. Both Tamar Rotem and Max Streetwalker offered me assistance in the logistics of collecting the varied materials and bringing them over to the studio. I am so grateful to them for their help. And, of course, I could not have accomplished this without the studio space that the Red House Shapira provided.

Congratulations! I look forward to seeing your work in similar installations in other cities, including, perhaps, NYC!

Note: “Re-Cover” can still be seen tomorrow, Sunday, from 11:00 to 17:00; Monday 12:00 to 19:00 and Tuesday 10:00 to 19:00 at the Red House Shapira, Israel MiSalant 39 in Shapira, Tel Aviv.

Interview conducted by Lois Stavsky

Photo credits: 1 & 2 Lois Stavsky; 3 Yonatan Ruttenberg and 4-6 Sara Erenthal

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Since its launch in 2008, 17 Frost has emerged as one of NYC’s most intriguing and innovative creative spaces. Warm and welcoming, it is intent in its mission to“provide the best platform possible to showcase the talents of artists worldwide.” And during this past year of extensive renovations, it has continued to host its weekly Family Night, where artists meet to fashion individually and collaboratively a wondrous range of sticker art.

Pictured above are: Love from NYCJason Mamarella aka dwkrsna, Alex Itin, Sara Erenthal and 17 Frost Creative Director Javier Hernandez-Miyares. What follows are several more images captured at 17 Frost’s informal Family Night.

Jason Mamarella aka dwkrsna and Alex Itin

Sara Erenthal and Javier Hernandez-Miyares

Javier Hernandez-Miyares

Love from NYC and  Alex Itinwith Lenny Collado aka BK Lenny checking it all out

Alex Itin and Javier Hernandez-Miyares collaborate

Poster BoyJavier Hernandez-Miyares, Dummy Tree, Arek Jungle, Net, Ninja Status & more

A random finding in the huge space — soon to reopen

Note: 17 Frost is planning a grand reopening exhibition  — curated by Ellis Gallagher — in late February. Information will follow.

Photo credits: 1-5 Lois Stavsky; 6 & 7 Javier Hernandez-Miyares and 8 Lenny Collado 

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A self-taught, multi-disciplinary artist, Sara Erenthal has a strong presence on the streets of Park Slope, Brooklyn. We recently spoke.

You’ve established quite a presence here on the streets of Park Slope. What keeps you coming back?

There is a lack of public art in Park Slope, and there seems to be a hunger for it. Folks here have been so receptive to what I am doing. They seem excited to have something interesting and different to look at.  Park Slope is where I am living these days, and so it’s easy for me to get around either by foot or by bike.

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With the exceptions of the walls you are commissioned to paint, your canvas is almost always some type of discarded object. Why is that?

Since folks take many of my works home with them, I feel that I am saving trash from ending up in landfills. Also – what I am doing is not illegal. I cannot take the legal risks of doing unsanctioned artworks that could land me with a fine, time in jail or both.

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You almost always seem to be drawing faces. Can you tell us something about them?

They are variations of myself – subconscious portraits. Growing up in a cloistered ultra-Orthodox world, I was limited to just one hairstyle. The changes in the hairstyles represent the changes in myself.

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I’ve noticed folks stop and often photograph you while you are drawing.  Do any particular interactions with passersby stand out?

Yes! Recently a woman ran after me as I was rushing out of my house — in my pajamas — to the local health food store to buy some ginger. I was sick at the time. She asked me if she could bring her father – a huge fan since he had seen my work on a mattress — to meet me. He showed up almost instantly for his daughter to snap a photo of the two of us  — with me decked in my pajamas!

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In addition to your work on found objects, you’ve also painted on a range of sanctioned surfaces this past year. Any particular challenges? Any favorites?

Painting on a shuttered gate was definitely a challenge as I generally paint on flat surfaces. Among my favorites is the artwork that I painted at D’Vine Taste.

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Yes! I love the stark simplicity of the white on black. It’s beautiful! And what about the piano? How did that become your canvas?

A local pre-school threw it out last spring with a sign “Free piano.” Six months later it was still there. I asked then for permission to paint it. And I love that it is still there! I feel as though I gave it a new life.

sara-erenthal-make-art-from-your-heart-NYC

You did! What’s ahead? 

I am now preparing for a solo show to open at FiveMyles Gallery at 558 St Johns Place on March 9 from 6-9pm. And later in the spring, I will be exhibiting my work at Google’s New York site in Chelsea. An outdoor mural in Gowanus is also on the horizon.

I’m looking forward to it all! Good luck!

Photo credits: 1-5 & 7 Lois Stavsky; 6 Tara Murray; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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