unsanctioned art

This huge, impressive rappel graffiti, recently spotted in the Bronx, was painted by Tower. Following are several more unsanctioned artworks — part of our ongoing series, “Pushing It Forward…” — that have appeared in open spaces throughout the Bronx:

Osf One and Ate

Wesh MSP, Notice 44K and more

Mafe HTU

Nero SFV ISV

MTNW

EXR, Zwon & Dzel AIDS

Sikoe

Riot AVL and Sels

Spade

Jack&Dil, FTO– with Slic Sac tag to its right

Photo credits: 1-3, & 6   Giulia Shine; 4, 5, 8-11 Lois Stavsky; 7 Shalom Stavsky

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With his name on trains, tracks, trucks, gates and walls throughout tri-state area, Celeb has been increasingly making his mark in NYC and beyond. We recently had the opportunity to sit down with him and pose a few questions to him:

When did you first get up? And where?

Around 2007-2008. I was 15 when I first hit my local high school. And soon after, I was hitting nearby tracks and construction sites.

What inspired you back then?

Locally the writings I saw along the tracks, especially Curve’s, motivated me to get out there and make my own mark. I was also heavily influenced by the media that documented the scene—movies like Wild Style and Bomb the System, along with books like Burning New York.

Why do you continue to hit the streets?

I like the feeling. It makes me feel like I’m a kid again!

What is your favorite spot or surface to hit?

These days I like concrete walls and trucks.

Were you making art before you hit public surfaces?

Nope!

How has “bombing” changed you – assuming it has?

It has sharpened my senses. I’ve had to become more aware of my surroundings.

What is the riskiest thing you’ve ever done?

Paint across from a police station in Philly. When a police car approached, I hid behind the plywood.

How much time do you typically spend on a piece?

When I’m bombing, no more than 2 minutes. But if I’m piecing, I can spend up to three hours.

Have you had any memorable encounters while you were getting up?

I was painting in Brooklyn with three other guys when suddenly a group of cops showed up. “We should arrest you,” they said. “But we’re too busy with family matters.” They left as suddenly as they’d appeared, and they didn’t even take our paint.

Any other notable encounters?

I had another close call. We were painting at an abandoned psychiatric hospital in Poughkeepsie with 50 cans of paint. Again, cops showed up, let us go and didn’t take our paint

Was there a singular moment when you realized that graffiti is a particular passion of yours? What was it?

The very first time I got up!

Do you have a particular goal as a writer?

My goal is to master the craft. Quality over quantity. I’m not seeking fame, and my social media presence isn’t important to me.

Are you generally satisfied with your finished piece?

There’s always something that I’m not happy with.

Would you rather paint on your own or with other writers?

At this point, I’d rather paint with other writers. I belong to several crews: TVT,   BLT, ASB and MOK.

Have you a particular role in any of these crews?

I’m vice president of ASB.

What is your favorite paint? Caps? Colors?

My favorite paint is Montana Black and 004 Evolve. My favorite colors are light blue and pink to outline. My favorite cap is the Lego Thin spray paint cap.

From your perspective, how welcoming is the graffiti scene to people from different backgrounds?

Very welcoming! What matters is the quality of one’s work — not one’s racial or ethnic background.

How would you define a “toy?”

Someone who doesn’t know the rules, the history.  Someone who goes over old, faded graffiti. And the biggest toy is someone who goes over dead writers.

Who are some of the writers who inspire or influence you these days?

Among them are: Jick, Sekt, Mast and Vet aka Share TMC.

What about your name? How did you choose “Celeb?”

When I first started getting up, I kept on choosing names that I quickly got tired of. I didn’t feel that they suited me. But then I met a writer who told me that he used to write “Celeb,” but that he doesn’t anymore. I immediately liked the name, and I asked him if I could use it. He said I could, and I’ve been happy with it since.

If you were offered the opportunity to do a legal mural for pay, would you take it?

I would go for it! Why not?

How do you feel about the movement of graffiti into galleries?

I think it’s cool. I like the way it brings the community together.

Have you, yourself, shown in galleries?

I exhibited two pieces and sold one at the Brooklyn Beer Garden in a show curated by Werds.

What’s ahead?

It’s difficult to tell.  Perfecting my skills while – at the same time – getting my life together!

Interview conducted by Lois Stavsky with Giulia Shine and edited for brevity by Lois Stavsky; photos 1, 2, 4-7 courtesy of Celeb and 3 Giulia Shine

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This huge billboard sporting a 2XL graffiti bomb was recently spotted on Staten Island, likely painted by Notice 2XL Following are several more unsanctioned artworks — part of our ongoing series, “Pushing It Forward…” — that have surfaced on Staten Island open spaces:

Staten Island veteran writer Goal GOMD, VGL

The wonderfully versatile Veng

The prolific TRAP.IF

GI crew member Vew

  LA native Endem, DMFF and Staten Island-based Mepz2

The very busy Bezt

  Massachusetts native Blea

The playfully stylish Torx

Photo credits: 1, 3, 4, 7, Giulia Shine; 2, 5, 6, 8 & 9 Lois Stavsky

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From the crudely simple to the crisply stylized, graffiti tags have been claiming and shaping NYC’s urban landscape for over half a century. Featured above are the writings of Zaver LNE and Cajun BTM. Several more images of tags we’ve captured on NYC’s open spaces follow:

Another look at Zaver LNE and Cajun BTM

Desa MTA, What KH, Tocer LNE, Exoe, Anso LNE and more

Anura and Caze One

Zoot, Remedy, Faipe, Curve, Gard, Zane and more

Mesiah

Jet BBB

Dzel AIDS, New and EXR 

Homesick

Osi and Rems

Net, Miss 17, ZB, LS, CAPS, Shock MSK, JIOne, Yes2, ICBM and more

Hueso, Anura, Rukos, and more

Photo credits:  1-3, 8, 9 & 12 Lois Stavsky; 5 Tara Murray; and 4, 6, 7, 10 & 11 Giulia Shine

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Featured above is the now-iconic image painted on a massive East Village wall by the prolific and hugely talented Homesick in collaboration with Xara Thrusta. Following are several more unsanctioned artworks — part of our ongoing series, “Pushing It Forward…” — that have surfaced on Manhattan streets:

XSM, Qzar and Zwon

Wombat, ICBM

Loose r2b and Anso aka Ansotto

Exr, Werds, Qzar and Zwon

Mint of the legendary Mint & Serf aka Mirf

Gzee

ZB Bunny and Pozer aka PZR

SU One

Photo credits: 1, 3-8 Lois Stavsky; 2, 4, 5 & 9 Giulia Shine 

 

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The rappel graffiti featured above was painted in Ridgewood, Queens by the masterly artists Exr and Fumi. What follows are several more images of unsanctioned artworks — in our ongoing series, “Pushing It Forward” — that have made their way onto Queens’ open spaces.

Jas 7

Degrupo

Gour, Angr, Spray and Mile

Vods and Timer

Eok, Minus and Dek 2DX

Seoul

South,  Gour & Angr,

Suba, RIP

Photo Credits: 1, 2, 4 & 5 Lois Stavsky;  3, 6, 7  & 9 Giulia Shine; 8 Tara Murray

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For our ongoing series of unsanctioned public art, we are back to Manhattan. Featured above are the prolific Qzar, Zwon and EXR. What follows are several more images of illicit artworks captured on the streets of Manhattan.

The ever-active Wombat and ICBM Crew

Distort, Werd and Brazilian writer Eneri (Irene)

Dzel, AIDS Crew

MadVaillan and Sokem

Riot, AVL

ZigZag, Wombat, Notice 44K and more

Post and photos by the Pushing It Forward Collective

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As we continue our monthly posts of illicit graffiti, we are back to the streets of Queens. Pictured above are: Wevs429, Dase, Oldeath, Angr and South LNE. What follows are several more images of unsanctioned graffiti captured in Queens public spaces:

Tocer and Anso LNE

Kitty and Degrupo

 Exr and Werds aka OptimoNYC 

Kempe and Cros

Mer

Gour

Loom

Post and photos by the Pushing It Forward Collective

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The birthplace of global graffiti, the Bronx remains a treasure trove of all kinds of markings, many unsanctioned. Featured above are Ammo, Vase, Jio, Griz and Uno. Several more images — captured on our recent hunting sprees — follow:

Pade

Chapo and Rukos

 Exr and Dzel AIDS

Sokem, Tower and Jaque rappel graffiti– above tag by Stu AOB

MTNW, Eaks, Quez, Ammo & more — as captured through a miniscule opening

Sko AVL, Ireek, Misk AVL and Ceek AVL

Yuk, VAT

Smog

SIXGOD

Post and photos by the Pushing It Forward Collective

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In this twelfth post in our new series, PUSHING IT FORWARD — featuring ILLicit creatives claiming space on NYC streets — we’re back to Manhattan. Pictured above on a West Side shutter are Katsu, EM1 and Neckface   Several more images of unsanctioned Manhattan markings follow:

Ansotto

Volvo and Reboe, LNE

West Coast writer Jazman and Optimo NYC, along with a political statement/question

Ansotto and Goog

Homesick and Wild Boy West

Wombat, Aneko, ZigZag, Saxon, Suckybat and more

Nilo

Note: A limited edition of the Pushing It Forward collective’s first zine — edited by Lois Stavsky and designed by Lord K2 — was recently released. Several copies are available at Village Works in NYC and at So Books in Tokyo, Japan.

Post and photos by the Pushing It Forward Collective

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