Exhibits

Launched in 2015 by SVA graduates Justin Aversano and Travis Rix, the non-profit SaveArtSpace has already transformed 66 advertising spaces into sites for public art in New York City, Miami, Los Angeles, Louisville and now Golden, Colorado.

Located at 650 West 46th Street in Hells Kitchen, the billboard featured above was designed by Brooklyn-based illustrator Feifei Ruan.  And, along with original artworks by local artist Sadie Starnes and NYC-based Israeli visual artist Meytar Moran, it can, also, be seen in Street Smart, an exhibition currently on view at the SVA Chelsea Gallery — with a special reception next Thursday, November 30th, 6-8pm.

Beginning December 4th SaveArtSpace will be bringing more public art to New York City, showcasing artists on advertising spaces throughout the area. Works by the selected artists will also be exhibited at The Living Gallery Outpost, with an opening reception on December 13, 2017. What follows is a sampling of what you can expect to see there:

 Brandon Sines — known to us street art aficionados as Frank Ape, Social Media Isn’t Always Social

Brooklyn native Angela Alba, Pink Pool

Brooklyn-based Felipe Posada, ‘Can’t Wear My Mask…

And if you are interested in submitting your art for future Save Art Space projects, check this link out.

All images courtesy SaveArtSpace

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Featuring music, art, video and performance, Women To The Front is an immersive experience celebrating and showcasing women in the art world. Curated by Zoe Croci and Sara Catalan, it presents a range of works in a variety of media by over 30 female artists, many who are familiar to us street art aficionados. Pictured above is by Brooklyn-based multidisciplinary artist Gigi Bio. Other featured artists include:

Philadelphia-based digital artist Makeba Laurent does Lauryn Hill

Japanese painter Mina Hamada

Paris-based Daniela Yohannes, Oculus Sea

NYC-based performance artist Terry Lovette

FAITH XLVII and Dane Dodds, directors, AQUA REGALIA HONG KONG 2017, still from video 

The event — whose mission is “to inspire and empower new female-identified generations and anyone who enjoys good art” — takes place this Thursday evening, November 16, at Superchief Gallery, 1628 Jefferson Ave. in Ridgewood, Queens. There will also be a special premiere of “Dumb Dumb” music video featuring talented female rapper Cipherella directed by Zoe map, along with live art and complimentary drinks. Free to Arts Club members, admission is $10.

All images courtesy Zoe Croci

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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In his wonderfully handsome and poignant exhibit, Too Young for Type One, Appleton has created an alternative universe in a range of media that not only delights us aesthetically, but provides us with an entry into the world of a diabetic.  Currently on view from 1-9pm at the Tenth Avenue Gallery, 287 Tenth Avenue at 26th Street, Too Young for Type One ends with a closing reception this Wednesday, November 15th from 6-10pm. What follows are several images I captured on my recent visit:

Appleton with one of his many perturbingly powerful installations

The End, Part One, Photographic transfer / Archival 27″ x 27″

A New Hero Emerges (the Tin Man as Diabetic), Mixed media / Found work 40″ x 28″

Appleton with his Insulin Tree

A small segment of “Too Young for Type One”

Photo credits: First image courtesy Appleton; 2-6 Lois Stavsky

Note: The exhibit is open today, Sunday, until 9pm.

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Just in time for Halloween, Roycer and Matt Siren — two NYC legends known for their iconic characters that continue to surface on our streets — have collaborated on a sometimes gory, always captivating, exhibit of playful artworks in a range of media.  Fusing elements of street art, graphic design, fantasy, folk art and fine art,  Ember City presents the artists’ iconic characters inhabiting a riveting post-apocolytic universe. What follows are several images from the exhibit at the inviting new project space, Best World Gallery:

Roycer, Stuff I Can’t Afford, Acrylic on canvas, 2017

Matt Siren, Untitled, Plexi & enamel on wood, 2017

Matt Siren, Terrible Visions, Acrylic Silkscreen on Wood, 2017

Matt Siren, Roycer, and 907 Crew, 9:07, Acrylic and enamel on wood, 2017

Roycer, Float, Krink & acrylic on canvas, 2017

Curated by Natasha Quam and Rebecca Shenk, Ember City remains on view through November 4 at 219 Madison Street on Manhattan’s Lower East Side. The gallery is open Wednesday through Saturday, 1-7pm. To schedule a visit at any other time, email ROYCERXSIREN@GMAIL.COM.

Photo credits: 1, 2, 4 & 5 Lois Stavsky; 3 & 6 Tara Murray

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Few artists capture the soulful grit of NYC as strikingly as Fernando Romero aka Ski and Mike Baca aka 2Esae, collectively known as UR New York. Their most recent exhibit, A New York Story — a captivating ode to NYC — has graced the walls of Pop International Galleries since early October.  Pictured above is a work of mixed media on canvas simply titled URNY. What follows are several more artworks that will remain on view through mid-week.

Day Dreaming, Mixed media on canvas

Backstreet, Mixed media on wood panel

Don’t Kill My Vibe, Mixed media on canvas

La Bodega, Mixed media on wood panel

Already Read, Mixed media on wood panel

Pop International Galleries is located at 195 Bowery at Spring Street and is open Mon-Sat 10-7 | Sun 11-6 and by appointment. Opening this coming Saturday night at 7pm is a two-man show featuring Sen2 and Reso. To attend the opening reception, RSVP at rsvp@popinternational.com .

Photos of artworks: 1 – 3, 4 & 6 Lois Stavsky; 5 courtesy of Pop International Galleries

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Conceived by Dusty Rebel, Street Cuts is an ingenious street art-based digital sticker app featuring images by some of our favorite street artists. Eager to find out more about it, I posed a few questions to Dusty:

I just downloaded your newly released Street Cuts app. It’s wonderfully engaging!  Can you tell us something about the concept behind it?

I’ve always loved stickers and their role within the street art community…the way they are collected, traded, and often well-placed on the street — especially on other images like ads. It seemed only natural to bring street art to digital stickers, especially with iMessage, which allows you to drop stickers into your conversations or onto your photos. It felt like a fun way to explore “digital vandalism.” Also, I liked the idea of building a collective of street artists who weren’t being asked to simply “work for exposure,” but would be paid for their work. This Street Cuts app makes that possible.

What about its name — Street Cuts?

When we started developing packs — like Hiss’s and City Kitty’s — made from my photos of their work on the street, we began calling them Street Cuts. We soon realized it would be a cool name for the app, itself.

Who are some of the artists involved in Street Cuts?

It is a growing collective with more artists to come. But for the past few months I’ve been working closely with HISS, Abe Lincoln, Jr., City Kitty, KNOR, Belowkey and the Primate, as they developed digital sticker packs.

How can artists become involved in your project? I’m sure there are many who would like to be included?

While our collective is by invitation-only, I’m open to artists pitching their ideas for a pack to me. They can email me at dusty@streetcuts.co 

How can we find out more about it?

You can come and celebrate the launch of Street Cuts this coming Monday, October 23, from 6-10pm at Arlene’s Grocery, 95 Stanton Street on the Lower East Side. The launch party will include a scavenger hunt, give-aways, and original work by the app’s featured artists, who will also be in attendance. Be sure to download the Street Cuts app first and follow us on Instagram for Scavenger Hunt details.

It sounds great! Congratulations!

All images/photos courtesy Dusty Rebel; the second image features Abe Lincoln, Jr., HISS & KNOR; the third KNOR; the fourth the Primate and the fifth City Kitty; interview conducted and edited by Lois Stavsky; the app​ ​is produced​ ​by​ ​​Itsy​ ​Bitsy​ ​Media​​ ​and​ ​developed​ ​by​ ​​Tanooki​ ​Labs​.

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Presented by RexRomae Gallery and curated by Street Art News founder Rom Levy, Martin Whatson‘s solo exhibit Revive opened last Friday, September 29th, in Santa Monica. Featured in Revive are paintings, prints and sculptures representative of the Norwegian artist’s vibrant graphic imagery fashioned in juxtaposition to his greyscaled stenciled art and staid backgrounds. Pictured above is Whatson‘s recreation of  Salvador Dali’s Figure at the Window — forged with acrylic, spray paint and marker — that originally surfaced on the streets of Norway in 2015 during the Nuart Street Art Festival.  What follows are several more images of artworks on exhibit in Revive:

“Behind the Curtain” — which made an appearance in Miami in 2015 as a large scale mural

“Framed” — originally conceived in 2013  for the Sand, Sea and Spray Festival in Blackpool, UK. 

The artist’s famed butterfly as sculpture

Martin Whatson‘s iconic astronauts — with butterflies fluttering on their fingertips

The celebrated Martin Whatson with his brightly graffitied rhino

The exhibit continues through this weekend at 328 Santa Monica Blvd. in Los Angeles.

Contents for this post provided by Luna George; photos by Angela Izzo

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A global art movement connecting world-wide artists with local artists in Ecuador, Fiesta de Colores brought together 25 international, national and local artists to collaborate with the community of Canoa last year. Six months after the earthquake had destroyed much of the Ecuadorian coast and killed hundreds of people, Fiesta de Colores created an outdoor mural gallery of over 30 large-scale murals, while sharing skills and ideas with the community.

This November the project will be expanded with an additional 30 murals, along with a deepening of the partnership with the local high school. It will also be extended to the Amazonian region of Ecuador, where artists and the community will work together to create public art projects and bio-murals to promote environmental awareness.

Tomorrow, September 28,  you can support the project by joining Fiesta de Colores, the Public Service Artists Guild, and Chemistry Creative for an evening of art, music, food, spirits and camaraderie.  Tickets can be purchased here. If you are unable to attend the fundraiser, but would still like to support these projects, you can donate to its online fundraiser here.

What follows are a few of the many works that will be on exhibit and for sale at tomorrow’s fundraiser:

Gaia

Layqa Nuna Yawar

JT Liss

The event takes place from 7-11PM at Chemistry Creative, 315 Ten Eyck in Williamsburg

Note: The first three photos are from Fiesta de Colores, 2016

1 Don Rimx

2 Damaris Cruz

Don Rimx, Layqa Nuna Yawar and Gera Luz

All images courtesy Kristy McCarthy

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One of the highlights of my recent trip to Philly was my visit to the legendary TATTOOED MOM on South Street. Not only is it a first-rate restaurant and bar, but it is also an extraordinary oasis of creativity and street art. On this past trip, I discovered its overwhelmingly impressive second level.  An ever-evolving site that hosts a range of events, it was home — this time — to Characters Welcome 6, its sixth annual international sticker art exhibit. While there, I had the opportunity to speak to its visionary owner and director, Robert Perry.

What an amazing space this is! I was familiar with the downstairs. But this upstairs level is phenomenal! It is the perfect antidote to the — almost aseptic — direction so much of street art is taking. I’m so happy to have discovered it!

Yes! I tend to think of it as a hidden gem!

How long has TATTOOED MOM been around?

It was founded in 1997. This year it is celebrating its 20th anniversary.

And what about its name — TATTOOED MOM? What is its origin? Is it a reference to how welcoming it is to folks of all ages? 

It’s actually a reference to a specific person, Kathy “Mom” Hughes, who was a mother to so many — including band members who traveled through Philly.

I noticed downstairs works by Shepard Fairey, Wordsmith and other key street artists. And this upstairs has evolved into an authentic street art museum. 

Yes! I see it as an unofficial street art museum — anarchistic and ephemeral in its nature.

I assume, then, there are no official curators.

Yes, it’s all freestyle…uncurated. Everything that happens here is organic.

And I’ve noticed folks of all ages here today, including children.

Yes, children are invited to participate in several of our community-oriented activities. But in the evenings, this space is only open to adults.

I’m loving this sticker show. Philly has always been home to an amazing array of sticker artists.

Yes! It’s our sixth annual one — with contributions from many artists who aren’t local. And dozens of stickers from previous years’ shows remain on the walls.

What’s ahead?

We are constantly changing and evolving. We are always growing and expanding our activities and programs as we make new friends.

It sounds ideal! You’ve created quite a Utopia here!

Special thanks to Alberto of JMZ Walls for introducing me to Robert.

Photos by Lois Stavsky; interview conducted and edited by Lois Stavsky

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Opening this coming Saturday, September 23, at Los Angeles’ Corey Helford Gallery is D*Face’s only U.S. solo show this year. The legendary UK-based artist — who has recently shared his talents with us New Yorkers in Downtown Manhattan with the Lisa Project NYC, at Coney Art Walls and at the Bushwick Collective — set out to resurrect romance in the contemporary era. Aptly titled Happy Never Ending, D*Face creates a family of dysfunctional characters, as he takes on such issues as illusive intimacy and conspicuous consumerism.

Regarding his new works, D*Face states: “For me this work is about the tragedy of losing someone you love. Not just in the physical sense of death but also in the metaphorical way that romance has become such an artificial thing in recent years. Courtship used to be a craft, something careful and considered; marriage was an everlasting bond of trust and commitment. Today, though, romance is comparable to a shop bought commodity – instantly attainable at the touch of a button or swipe of a screen. In a constant search for someone or something better, people treat others as if they were mere objects – infinitely attainable and instantly disposable.”

He continues: “With this new series of work I wanted to re-kindle the lost romance of a bygone era, back when, even in death, the memory of a loved one could last an eternity and a marriage went beyond just a symbolic gesture. For the show I want to construct a mini chapel where we can actually hold a real ceremony and a graveyard in which I want people to leave momentos to the people they have lost. If romance is truly dead, then I want to resurrect it for the modern age.”

By rethinking, editing and subverting imagery — such as currency, advertising and comic books — drawn from decades of materialistic consumption, D*Face transforms these now iconic motifs, figures and genres in order to gain new insight into today’s values.

Happy Never Ending‘s opening reception will be held this Saturday from 7-11pm in Gallery 1 at Corey Helford Gallery. The exhibit remains on view and is open to the public through October 21st.

Photo credit: Spraying Bricks, in-process shots from D*Face’s studio 

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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