art exhibition

Whether viewed outdoors or indoors, Kenny Scharf’s infectious aesthetic is always a delicious visual treat. Currently on view at TOTAH on Manhattan’s Lower East Side is WOODZ ‘N THINGZ, a series of dazzling paintings that delight our senses and heighten our consciousness as they reflect the ecological threats our natural world faces — while suggesting alternative ways of dealing with its fragile state.

Pictured above is WOODZ, fashioned in 2022 with oil and acrylic on linen within a powder coated aluminum frame. Several more images from the legendary artist’s second solo exhibition at TOTAH follow:

ZPRUNGZ, 2022, Oil and acrylic on linen with powder coated aluminum frame, 70 x 90 inches

Kelp Us, 2022, Oil, acrylic, spray paint & silk screen ink on linen with powder coated aluminum frame, 48 x 60 inches

WORLDZEND, 2022, Oil and acrylic on linen with powder coated aluminum frame, 70 x 90 inches

PHILIPS TIME TO GO, 2022 Oil on Phillips flat screen TV, 20 x 30 x 5 inches

Located at 183 Stanton Street on Manhattan’s Lower East Side, TOTAH is open Tuesday through Saturday, 11AM to 6PM.

Photos of images:  1 & 3 Lois Stavsky, 2, 4 & 5 Atlas Torres 

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Masterfully fusing his distinct calligraphy with motley symbols, Lower East Side native Angel Ortiz aka LA II has been making his mark on the streets, in galleries and in museums for decades.  Best known for his collaborations with the late Keith Haring in the 80’s, LA’s current exhibition, Walking the Line, at Van Der Plas Gallery is a testament to the artist’s infectious aesthetic that impacted Haring and continues to captivate.

The image featured above, The Ultimate Masterpiece, was fashioned in 2022 with acrylic and marker on canvas. Several more images of artworks captured on my recent visit to the gallery follow:

Black and White Tondo, 2022, Spray paint and marker on canvas, 10″ x 10″

Vase, Sculpture

The Grand Master Tondo, 2021, Spray paint and marker on canvas, 10″ x 10″

Yellow on Blue, 2020, Acrylic on canvas, 57″ x 57″

Three Triangles, 2022, Acrylic on canvas, 30″ x 40″

LA Crown, 2022, Acrylic on canvas, 24″ x 24″

Located at 156 Orchard Street on Manhattan’s Lower East Side, Van Der Plas Gallery is open daily from 12pm – 5pm.

Note: You can check out the interview I conducted with Angel back in 2014 here.

Photos of artworks by Lois Stavsky

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Both Konstance Patton and LeCrue Eyebrows have been increasingly sharing their distinctly intriguing visions on NYC streets.  For the past several days, they have been complementing each other’s singular aesthetics in “11-11 Synchronicity,” a wonderfully handsome exhibition featuring a range of media on view through today at Tribeca’s One Art Space.

Several images from the exhibition, presented by Third Rail Art, follow:

LeCrue Eyebrows, A Mother’s Memory

Konstance Patton, The Spirit of the Collective Grandmother

Installation view reflecting LeCrue Eyebrows‘ distinct spontaneous visual language, “aimed to create the underlying emotion through subject, character, and form.”

Installation view reflecting Konstance Patton‘s indigenous heritage, as she honors the significant women in her life. “These are the most important women in my life. And their energy, rather our energy, is something I want to share with you. BE A LOVER,” asserts the artist.

And another tantalizing installation view featuring a range of goods fashioned by both artists

The exhibition remains on view today, October 31, from noon until 6pm at One Art Space, 23 Warren Street in Tribeca.

Photos courtesy of Nathalie Levey, Color Brigade Media

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Not only was the late legendary writer Fernando Miteff — known to most of us as Nic 707 — a master of multiple styles, but he was also the founder and curator of one of NYC’s most distinctly impressive public art projects, InstaFame Phantom Art.

Beginning in 2009 until his untimely death last year from Covid, Nic 707 regularly rode the MTA trains with the singular mission of transforming their interiors into a one-of-a-kind pop-up gallery in motion. Having accompanied him on many of these adventures, I witnessed first-hand not only his boundless passion for graffiti, but his deep love for all art, as he showcased contemporary artworks in styles ranging from figurative to abstract, along with his and other writers’ tags, throw-ups and pieces.

And the response of the train riders who viewed Nic’s pop-up shows was almost always overwhelmingly positive. Many posed questions to Nic as they photographed his installations, and in response, Nic would graciously school them on the history of graffiti, its impact on contemporary art, the personal histories of the varied artists and more.

InstaFame Phantom Art (Volume 1): The Nic 707 Collection (NYC Transit Exhibition Catalog) is the perfect tribute to Nic — a paean to his creative energy and vision — and a gift to us all. Penned by his brother, Karim Miteff, it not only features dozens of images of works by Nic and by several other artists that rode the trains between 2009-2013, but it tells the story of graffiti and of Nic’s particular circumstances, including his 27-year hiatus from the culture. Much, in fact, is presented in Nic’s own words, as told to Karim.

Among the key subjects the book covers — in addition to Nic 707’s story — are: the tools writers use, the evolution of their styles, their code of ethics and the development of crews. Nic 707 was, in fact, the founder and first President of the Bronx-based OTB Crew.

And featured, of course, are dozens of images of variations of Nic’s iconic Kilroy character, described by the artist as “a kind of an entity…a presence. Even though he has no eyes, he sees all…but he doesn’t judge. He promotes love and holds the key to a silent and ancient wisdom. He represents the potential for alien intervention to help save mankind.”

Nic 707 was one-of-a-kind. He was, as his brother accurately describes him, a “Style Master. Visionary. Time Traveler.”

Writing about InstaFame Phantom Art back in 2015 in The New York Times, David Gonzalez described the project as one “with hundreds of one-of-a-kind panels that would be the envy of any urban gallery.”

I am already looking forward to the second volume of InstaFame Phantom Art: The Nic 707 Collection (NYC Transit Exhibition Catalog). 

Images:

1 Book cover, 2021

2 Black Star Bumper Car on the IRT 4 train, 2013

3 Lollipop$, 2012

4 Souls in Transit, 2013

5 Choose Your Palette, 2012

Photos 1, 3-5 Courtesy Karim Miteff; Photo 2, Lois Stavsky

Book Review by Lois Stavsky

Note: The book is available here.

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Prolific, passionate, and hugely inventive, both Clarence Rich and Mr Mustart are among Jersey City’s most prominent street artists. POLARITY: New works by CLARENCE RICH & MR. MUSTART, showcases their talents  — individually and collaboratively — in a tantalizing exhibition that continues through April 13 at Jersey City’s PRIME Gallery.  The image pictured above, 3rd Eye, was fashioned with mixed media on canvas by Clarence Rich. Several more images from the exhibit — curated by PRIME  Gallery director, Maria Kosdan — follow:

Mr Mustart, Polaris, Mixed media on canvas, 11 x 14”

Clarence Rich, Solace Sky, Mixed media on canvas, 24 x 30”

Mr Mustart, Dry Ice, Mixed media on canvas 16 x 20”

Clarence Rich, Hippy, Mixed media on canvas, 16 x 20”

Mr Mustart, All Eyes On You, Mixed media on canvas, 40 x 60”

Clarence Rich & Mr Mustart, Poetic Justice, Mixed media on canvas, 11 x 14”

And painted directly onto the wall by Clarence Rich & Mr Mustart

PRIME Gallery is located at 351 Palisade Avenue in Jersey City Heights. To visit you can contact its director here.

Photo credits: 1-7 Lois Stavsky; 8 Courtesy PRIME Gallery

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Organized by Ayana Ayo and coordinated by Kathleena Howie aka Lady K-Fever, Uptown Counts: Art as Activism is an exhibition of artworks by over 20 artists who lent their works to a range of uptown spaces to draw attention to the importance of the 2020 Census, particularly in East Harlem.

The number of East Harlem residents who respond to the 2020 Census will determine how much of the $675 billion in federal dollars the community will receive over the next 10 years — funding essential to schools, housing, healthcare, infrastructure and food assistance.  Yet, only 40 percent of East Harlem residents are predicted to respond to the 2020 Census.

Among the artists featured in the exhibit are several who also use the streets as their canvas.  The image above, “Mother and Child,” painted by East Harlem-resident Marthalicia Matarrita, has found a temporary home at the legendary Sylvia’s Restaurant. A small sampling of  images —  featured in Uptown Counts: Art as Activism —  by artists whose works also surface in public spaces follows:

 Danielle Mastrion, Offering — at Harlem Yoga Studio 

 Lady K-Fever, Justice at Last — at Sisters Caribbean Cuisine 

Royal KingBee, BEE Cautious

MED, Resist

Al Diaz, Flowers Will No Longer Grow…

Because of the pandemic, the spaces hosting the artwork are largely inaccessible for the next several weeks. But you can check out the entire exhibit — sponsored by the nonprofit organization Uptown Grand Central — online here.

And — now — be sure to take the 2020 Census!  It is a political and social justice issue. You can do it online, by phone (844-330-2020) or by mail.

Images and info for this post courtesy exhibition coordinator, Kathleena Howie aka Lady K-Fever

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Currently on view at GR Gallery, one of our favorite Downtown art galleries, is Geometric Heat, a tantalizing exhibition showcasing the works of four international artists who share an inventive approach to geometric abstraction. The painting featured above, From the Top on Down, was fashioned by NYC-based Adam Lucas, known to many of us street art aficionados as Hanksy. Several more images we captured on our recent visit to Geometric Heat follow:

Italian artist Marco Casentini, On the Streets, Acrylic and glaze on canvas

Berlin-based Daniel Rich, Palestine Meredian Hotel, Baghdad, Acrylic on Aluminum Dibond

Czech artist Jan KalábDark Purple Ameba, Acrylic on canvas

Wide view with  Marco Casentini (side) and Adam Lucas (back wall)

Located at 255 Bowery, GR Gallery is open Wednesday – Sunday | 12 to 7pm. Geometric Heat remains on view through August 18.

Photo credits: 1-4 Lois Stavsky; 5 Ana Candelaria

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Curated by Laura James and Eileen Walsh, who work under the name BXNYCreativeLook Closer features deliciously diverse surrealist artworks fashioned by three NYC-based artists: Alexis Duque, Rafael Melendez and Juanita Lanzó. Reflecting such themes as connectedness, kinship, colonial influence, environmental decay and sensuality, the works on exhibit invite us into the subconscious minds of the artists. The image featured above, Dwelling, was fashioned by the Colombian artist, Alexis Duque, whose work I first encountered on the streets of the Lower East Side awhile back. Several more images of artworks on view in Look Closer follow:

Also by Colombian artist Alexis Duque

Puerto Rican native Juanita LanzóUntitled

Chicano artist Rafael Melandez, Order of the New Star, detail

Look Closer

Located at 755 East 133rd Street in the Mott Haven/Port Morris section of the Bronx, Hell Gate Arts , a handsome, welcoming space, is open Fridays and Saturdays, 12PM-5PM or by appointment, For further information, contact Bxnycreative@gmail.com.

Photos of images by Lois Stavsky

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Celebrating the 90th anniversary of Walt Disney’s iconic Mickey Mouse and his influence on popular culture throughout the globe, Mickey: The True Original Exhibition is an exuberant tribute to the beloved, famed mouse. Featuring artworks in a range of media — including: painting, comic art, yarn bombing, sculpture and installation art — in a labyrinth-like setting, the pop-up exhibition continues through February 10 at 60 10th Avenue in the Meatpacking District. Pictured above is Keith Haring‘s rendition of Mickey Mouse. Several more images from Mickey: The True Original Exhibition follow:

The legendary Kenny Scharf, Cosmic Cavern, close-up, inspired by Mickey Mouse watch

Brooklyn-based Katherine Bernhardt, 99Cent Hot Dog, close-up 

Japanese Pop Art pioneer Keiichi Tanaami, Mickey’s Japan Tourism

LA-based multimedia artist Michael John Kelly, Toon Town

Brooklyn-based fiber artist London Kaye

Mickey: The True Original Exhibition is open Tuesday-Sunday from 10am – 8pm. To enter  you must have a ticket purchased in advance. Tickets can be purchased online here.

Photo credits: 1, 2 & 6 Lois Stavsky; 3, 4 & 5 Houda Lazrak

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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If you missed Shepard Fairey’s massive, hugely significant, exhibition Damaged in late 2017, it is still possible to experience it. West Coast-based VRt Ventures – in its mission to make provocative exhibitions accessible to all – has created the experience for us in virtual reality with a mobile app that enables us to move around the entire gallery, tap on all artworks and listen to two hours of outstanding narration by the artist.

Experiencing Damaged now couldn’t be more timely, as Shepard Fairey focuses on those Americans most affected by current policies and social issues in our increasingly troubling political climate. Among the issues tacked are: xenophobia, racial bias, Wall Street corruption, economic inequality and sexism.

“I definitely think that art can be part of the solution because it can inspire people to look at an issue they might otherwise ignore or reject,” commented the artist.  Damaged is an honest diagnosis, but diagnosis is the first step to recognizing and solving problems.

Officially launched earlier this week in collaboration with Juxtapoz, the app that will make it possible for you to experience Damaged can be downloaded for $4.99 via the iOS App Store and the Google Play store for Android, and on Oculus, HTC and Steam. You can also check it out at the Damaged pop-up open to the public through Sunday, October 21, at 136 Bowery.

Images: 1 & 4 Lois Stavsky; 2 & 3 courtesy VRt Ventures 

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