N Carlos J

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Several stunning new murals recently surfaced on Morgan Avenue and Stagg Street in Bushwick. While visiting Livestream last week, I spoke to visual artist and curator Bianca Romero about Skillosophy, the movement behind these artworks.

Just what is Skillosophy? And when was it launched?

It’s an exhibition/showcase series that takes place four times a year with a focus on multi-disciplinary artists. It was launched last year by the co-founders of Lyricist Lounge & Defiant Ent and Livestream. For this past quarter, Danny Castro — Lyricist Lounge co-founder — and I decided to feature outdoor murals for the fall exhibition during Bushwick Open Studios, in addition to the art that is on exhibit inside the Livestream headquarters.

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What spurred you to add this outdoor element to Skillosophy?

Typically, Skillosophy is indoors, inside the Livestream studio space. But we wanted to take it outside for Bushwick Open Studios. It seemed like a great way to give exposure to the talented muralists and street artists, and it was a great addition to our Block Party to have it done live. We loved the communal and public aspect of it.

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You’ve done a wonderful job of curating it all. The art both inside and outside is wonderfully eclectic and is beautifully presented. Have you a background in art? 

Both my parents are artists. My father, in fact, was a pioneer in graphic design and has taught design at the School of Visual Arts and at the Parsons School of Design. My mother was a fashion designer, and I, myself, am an artist.

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And can you tell us a bit about Livestream? When was it first founded and what is its mission?

It was founded in 2007 with the mission to make any every event available live online through video.

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And how has Livestream responded to Skillosophy?

The love it. They’ve thoroughly embraced it. They love the idea of bringing the extraordinary talents of Bushwick into our offices. A walk through our offices — that are covered with work by local artists — is like a walk through the neighborhood!

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Who is Skillosophy‘s audience?

All art lovers! Anyone who loves any aspect of art — music, dance, film or visual art.  The venue has hosted hip-hop shows, film industry mixers and skillshares in addition to art exhibits. We’ve had a very diverse audience…from working class folks to art collectors to party people!

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How can folks best keep up with your events? And how can they arrange a visit to Livestream‘s headquarters for private viewings of the indoor art?

They can follow Skillosophy on Instagram, and they can contact us at skillosophyshow@gmail.com to schedule a private viewing and inquire about pricing and events. And any artist or performer interested in participating in a future Skillosophy exhibition and showcase can contact as at this email, as well.

 Images

1 & 2 Fin DAC at work

3 Rubin at work

4 Danielle Mastrion and Lexi Bella

5 Jerms

6 Misha T 

7 N Carlos J

Photo credits 1-5 & 7 Karin du Maire and 6 Tara Murray; interview with Bianca Romero conducted by Lois Stavsky

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Writing onthe Walls is an ongoing project launched last year by N Carlos J – noted artist, community revitalizer and founder of Brooklyn Is the Future — for his father, a Brownsville native who had been diagnosed with cancer. This is Part II of our continuing documentation of it:

Danish artist Welin

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Brooklyn-based Ben Angotti

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French artist Zeso, close-up

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Chilean artist Teo Doro

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Long Island-based Phetus

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And you can find out here how you can help support this wonderfully transformative project.

Note: The first image is by Joel Bergner aka Joel Artista.

Photo credits: 1, 2, 4-6 Tara Murray; 3 Lois Stavsky

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Conceived and facilitated by N Carlos J — noted artist, community revitalizer and founder of Brooklyn Is the Future — Writing on the Walls is a Brownsville-based mural arts initiative. Inspired to launch this project for his father, a Brownsville native who was diagnosed with cancer last year, N. Carlos’s Jay has engaged over a dozen artists in transforming his dad’s former stomping grounds into a vibrant outdoor canvas.

Another close-up from Werc and El Nino de las Pinturas

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Eelco, close-up

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BK Foxx based on photo by Bytegirl

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Lexi Bella

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Fumero

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N Carlos J

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Note: This blog will be on vacation through mid-September. You can follow us on Instagram and on our Facebook page. Part II of Writing on the Walls to be featured on our return.

Photo credits: 1, 4 & 6 Tara Murray; 2, 3, 5 & 7 Lois Stavsky

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On view at the Judith Charles Gallery though tomorrow — Sunday — is a selection of new works, along with salvaged ones, by many of the artists who had participated in last year’s landmark 21st Precinct Exhibit. Here is a sampling:

Alice Mizrachi

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Ghost and Giz, fragment salvaged from last year’s installation

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Chris Soria and Misha Tyutyunik

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Pesu 

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Lorenzo Masnah. fragment

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Ben Angotti. close-up

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Bad Pedestrian

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N Carlos J

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Presented by Outlaw Arts, the exhibit remains on view 1-9pm today, Saturday, and tomorrow.

Photos of artworks by Lois Stavsky 

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Exuding beauty, decay and fear, the extraordinarily atmospheric The Beautiful Decay of Fear opens Friday at 12pm. We visited yesterday evening and got a glimpse of the installation in progress. Here are a few close-ups:

Another image by curator N Carlos J

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Kirby Santos, close-up

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Justin Carty, close-up

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Danielle Mastrion at work

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The site of the exhibit is 225 Starr Street, where you will be greeted by a masterful outdoor mural by the wonderfully talented Ben Angotti.

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 Photos: 1 & 2 City-As-School intern Diana Davidova; 3-5 Lois Stavsky

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Featuring an awesome array of outdoor and indoor murals, along with a range of smaller works in different media, Brooklyn is the Future opens this evening at the Vazquez at 93 Forrest Street in Bushwick. Here is a small sampling of what I saw when I stopped by yesterday.

Brooklyn is the Future curator, N Carlos J at work.

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Chris Soria at work 

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 Eelco at work

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Marc Evan at work

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Savior Elmundo, close-up

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Ben Angotti, close-up

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Rob Plater

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The two-weekend long exhibit and charity event opens this evening at 6pm.

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Photos by Lois Stavsky; the first photo features LMNOPI

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Fusing elements of graffiti, painting, drawing and graphic design, N Carlos J creates masterful, atmospheric works both on and off the streets. He is particularly interested in the unconscious as it reflects our inmost emotions. We recently met up with the Brooklyn-based artist and had the opportunity to speak to him.

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You have quite a presence in Bushwick and beyond these days — painting murals, organizing projects and now curating. Can you tell us something about your background?

I attended Art & Design in the 80’s, and I was around graff heads all the time back then. Like just about everyone else there, I got up when I could.

Do any early graffiti-related memories stand out?

The first time I tried to spray my name, I ended up covering my entire hand with Krylon paint. It was impossible for me to wash it off, and I knew I had better before my mother would see it.

I suppose your mom wasn’t too happy about what you were doing!

She wasn’t. She thought I was crazy!

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Did you continue to study art in a formal setting?

Yes. I attended F.I.T., where I earned a Bachelors Degree in Fine Arts.  But soon after, I took a 15-year break from art.

Why was that?

I was married, and I felt pressured to earn money.

But these days you are back into it.

Yes, 100% of my time now is devoted to art.  When I’m not doing my own art, I am organizing projects, working on commissions or teaching art. And I am busy now curating an exhibit to open next Friday.

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Now that art is playing such a central role in your life, do you feel that your formal art education was worthwhile?

Absolutely. It taught me discipline, and it helped me master technique and color theory.

Any thoughts on the graffiti/ street art divide?

I feel that they must coexist. It is a conversation that we must have.

What do you see as the future of street art?

Street artists are going to continue to treat themselves more like businessmen.

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Yes, I can see that happening. But that’s a whole other conversation! How do you feel about the movement of graffiti and street art into galleries?

I love it!

Have you shown in galleries?

I’ve participated in many group shows and I’m working on two solo exhibitions for fall, 2015.

What about the corporate world’s engagement with graffiti and street art? How do you feel about that?

If it pays well enough, I have no problem with it.

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What about the role of the Internet in this scene?

It is a blessing and a curse.  It gives us exposure, and that is, of course, a good thing. But it makes it too easy for others to steal styles and ideas from us.

How would you describe your ideal working environment?

Painting outside on a summer day with hip-hop music blasting.

What inspires you these days?

Listening to music by Kendrick Lamar or CyHi the Prynce inspires me. And reading excerpts from books like A Tale of Two Cities or The House of Rothschild gets me in the right space.

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Are there any particular cultures that you feel have influenced your aesthetic?

American pop culture, but Renaissance and post-impressionist painting have also influenced me.

What about artists? Who are some of your favorite artists?

Among those I particularly love are: Borondo, Connor Harrington and Alexis Diaz

Do you work with a sketch in your hand or do you let it flow?

Sometimes I work with a sketch, and sometimes I don’t.

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Are you generally satisfied with your work?

No! I am a perfectionist.

How has your work evolved in the past few years?

I tend to more freely fuse figurative and expressionistic elements.

What do you see as the role of the artist in society?

The artist is the keeper of the flame. We are what moves this planet.

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What’s ahead?

I’m currently curating, Brooklyn is the Future, a huge, two-weekend long exhibit and charity event to open next Friday, April 17, at the Vazquez at 93 Forrest Street in Bushwick.  Among the three dozen participating artists are: Damien Mitchell, Eelco, Ghost, Li-Hill, Mr. Prvrt, Rocko and Rubin. The artists are asked to envision the future of Brooklyn metaphorically or literally.  I am also curating a show called Good Times Bushwick for Bushwick Open Studios opening on Friday, June 5 at Express Yourself Barista. It will include a gallery show, outdoor murals, along with a day party and a barbecue.

Wow! It sounds great! Good luck with it all!

Interview by Lois Stavsky with Houda Lazrak

Photos: 1 and 3 (close-up of panel for Brooklyn is the Future) courtesy of the artist; 2, 7 & 8 Lois Stavsky; 4 & 5 Dani Reyes Mozeson and 6 Tara Murray

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Speaking with Rocko

February 26, 2015

"Rocko calligraffiti"

Fusing ancient Arabic scripts with modern Western strokes, Moroccan native Rocko has fashioned a distinct aesthetic that has been increasingly making its way onto NYC walls. We were delighted to have the chance to meet up with him this past weekend.

When did you first get up?

Back in Morocco in 1997. I was the first one to bomb in Meknès.  It was something that I had always wanted to do. I was a b-boy, and graffiti was always an essential aspect of that culture. I’d also painted for the pioneering hip-hop crew, Dogs, known these days as H-Kayne.

What about here in NYC?

Here in NYC I only work on legal spaces. There’s too much at risk here!

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What was your first piece here?

Three years ago I did my first piece for the Pita Palace on Montrose and Bushwick.

What was the experience like?

I loved it. I particularly love the interaction with the passersby as I’m painting.

What kinds of surfaces do you prefer?

As I generally paint with brushes, I need smooth surfaces. I also look for spots with no trees of cars blocking the view.

How have folks responded to your particular aesthetic – a fusion of Arabic calligraphy and graffiti?

The response was been overwhelmingly enthusiastic. I am constantly asked to design tattoos featuring my particular calligraffiti.

Rocko

How does your family feel about what you are doing?

They love it. Everyone is supportive.

What percentage of your day is devoted to your art?

About 40%.

What is your main source of income?

I work as a director of a senior center in Bushwick.

What are some of your other interests?

Cycling. I race for the Brooklyn Arches.

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Any thoughts on the graffiti/ street art divide?

I feel that it’s reached a turning point in recent weeks. I expect there will be less of a division from now on.

How do you feel about the movement of graffiti and street art into galleries? Have you shown your work in galleries?

I’m fine with it. It’s just a different context. Yes, I’ve shown my work in a number of spaces in Brooklyn.

What about the corporate world? Any thoughts about that?

I don’t mess with it!

Do you prefer working alone or collaborating with others?

I often work alone, but I’ve collaborated with a number of artists including Zimer, Eelco and N Carlos J.

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Is there anyone in particular you would like to collaborate with?

I love what Sek3 is doing. I would like to collaborate with him.

When I first saw your work, I confused you with Retna. Does that happen often?

Yes! But I’ve been doing it for 34 years. It’s my culture!

How do you feel about the role of the Internet in this scene?

I think it’s very important. It introduces us to so much.

Do you have a formal arts education?

No, I never went to art school. I’m self-taught. I began doing Arabic calligraphy when I was four years old with a wooden pencil!

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How would you describe your ideal working environment?

Just me in my studio. But working on public walls is more fun!

What inspires you these days?

Everything I see around me!

Are there any particular cultures you feel influenced your aesthetic?

Arabic.

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Do you work with a sketch in your hand or do you let it flow?

Never!  I freestyle.

How has your work evolved in the past few years?

It’s gotten better. Sharing my work in public spaces pushes me to work harder at my craft.

What do you see as the role of the artist in society?

The artist has a huge responsibility to his or her community – to enhance it in a respectful manner.

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How do you feel about the photographers and bloggers in this scene?

They are very important!

What do you see as the future of street art?

It will just keep on growing and evolving.

And what about you? What’s ahead?

More walls, more collabs and more exhibits. I will also continue to curate the Dodworth Mural Project that I launched last year.

That sounds wonderful! We are looking forward! 

Interview by Lois Stavsky with Houda Lazrak; first photo courtesy of the artist; all others by Lois Stavsky; photo 2 is a collaborative with Zimer; 5 with Eelco and Vera Times; 6 with N Carlos J and 7 with Eelco

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Also occupying NYC streets is an intriguing array of skulls, skeletons and assorted eerie creatures, Here’s a sampling:

Vexta in the East Village

"Vexta street art"

N Carlos J in Bushwick

"N Carlos J"

Damien Mitchell in the Bronx for Tag Public Arts Project

"Damien Mitchell"

Nicole Salgar & Chuck Berrett in Bushwick for JMZ Walls

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Steiner in Bushwick

Steiner

Bishop203 in Bushwick

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Epic Uno in Bushwick for the Tag Public Arts Project

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 Photos: 1 & 6 by Dani Reyes Mozeson; 2, 4, 5 & 7 by Lois Stavsky; 3 by Tara Murray

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