Street Art NYC

The wonderfully talented Menace Two and Resa Piece have merged their sensibilities and skills to fashion a captivatingly stunning array of murals that have made their way not only throughout NYC, but across the country. I was delighted to have the opportunity meet up with them in their Bushwick home that they’ve aptly titled “Street Art Sanctuary ” — a spacious  graffiti/street art haven that Menace and Resa also host as an Airbnb. 

When and where did you first get up? And what inspired you to do so?

Resa: I started in 2015. The first wall I ever did was in the Bronx, but I painted mostly in Brooklyn at the time – often in Bushwick. What inspired me to? While I was living in Flushing, I used to regularly ride past 5Pointz on the 7 train. I thought it was all so amazing. I remember thinking, “Why would someone do this?” But it was awhile before I actually did it!   The sense that I had something to prove – that a female could create artwork on the same level as any established male artist — also drove me.

Menace: I was in the 7th grade in a local Queens public school. I was always drawing on my desk — anime at the time. One of the kids sitting next to me said I’d be good at graffiti. He introduced me to graffiti, encouraged me and invited me to join his crew, BTC. That was the beginning. I was 12 years old.

You’ve both painted in both illegal and in sanctioned places. Which do you prefer?

Illegal. Painting “without permission” is far more validating!

Have you exhibited your work in gallery settings?

The streets are our gallery.

What about the increasing engagement of street artists and graffiti writers with the corporate world? Would you consider such a collaboration?

It depends. No one can dictate to us what can or cannot do.

Have you any thoughts about the graffiti/street art divide?

Our job is to bridge it! It’s all about respect.

What is your main source of income?

Painting commissions.

Did you have you a formal art education?

Resa: I did not attend a specialized art college, but at Binghamton, I majored in both Art History and Studio Art. I will always remain grateful to the late Professor George Dugan for his support and encouragement.

Menace: I studied Graphic Design in college, but I never graduated.

How does your family feel about your passion for art?

Resa: My mom initially fostered it. She enrolled me in art classes when I was eight years old. But then when I wanted to go to an art college, her response was, “You’re too smart to be an artist.” And so she encouraged me to go into the art business. But after interning at Christy’s and working for a collector, I came to understand that the art market is driven by billionaires. I know now that I want to focus on creating my own art and not marketing other artists to the richest 1 per cent. And at this point, my mom understands and respects what I’m doing.

Menace: They intensely disliked my passion for graffiti. I was often getting into graffiti-related trouble in school, and any time my parents saw me writing graffiti, they’d scream at me.  They couldn’t understand why I wouldn’t just “draw something pretty.” My father and I fought just about every day. But my parents have since come to accept me. It helped that in honor of our mothers we painted a mural featuring a tiger mom embracing her cub for the Boogie Down event at the Bronx Zoo for Mothers Day, 2018.

When you paint in public spaces, do you work with a sketch-in-hand or just let it flow?

We generally work with Photoshop mock-ups.

Are you generally satisfied with your finished piece? 

Generally, we are.

What percentage of your time is devoted to art?

100 %.

Have you any other interests or passions?

Resa: Not many.

Menace: Video games.

Are there any particular cultures that have inspired your aesthetic?

Hip-hop and New York flavor, in general.

Who are some of your favorite artists? Artists who have inspired you?

Resa: There are so many – BK Foxx, Royyal Dog, El Mac, Meres, Jerms, Topaz, Seen, Skeme

Menace:Reach Eight, Glossblack, Revok, Saber, MSK

How has your work evolved in recent years?

It’s gotten much better. While touring the country, we felt we had to prove something at each stop!

In your cross-country venture — #paintloveacrossamerica — you hit several key cities from Philly to LA painting a range of spectacular murals — some with permission and others without. Does any particular memory stand out?

When we had reached LA, we asked an established street art organization to help us find a legal wall. When assistance didn’t come our way, we found — on our own — one of the largest walls in the heart of the LA  arts district. When the cops rolled up, we didn’t know what to expect, but they expressed appreciation for our work. And when the owner came by, we convinced him that we are in the process of beautifying his property. The final mural — one of our favorite ones — is a visual representation of our collective prayers.

No doubt that what hat you painted was a gift  — however ephemeral — to the city!  What’s ahead?

More painting, of course! And our ultimate goal is to create a community center that serves as a base for us to teach painting and mural-making skills to others.

That sounds wonderful! And thanks for sharing your talents and visions with so many of us.

Images:

1 “Madonna Menace” in Bushwick, JMZ Walls

2 Close-up of Resa and Menace captured at work in Bushwick, JMZ Walls

3 “What a Wonderful World,” portrait of Louis Armstrong, in Esst Harlem, GrandScale Mural Project

4 “When the whole world is silent/Even one voice becomes powerful,” portrait of Malala in Bushwick

5 “Believe in the Reality of Your Dreams,” in Bushwick

6 “Real Eyes Realize Real Lies,” portrait of Tupac in Wynwood

7 “Protect,” Unsanctioned mural in LA’s arts district

Interview conducted and edited by Lois Stavsky

Photo credits: 1-3 Lois Stavsky; 4 & 5 Ana Candelaria; 6 & 7 Courtesy of  Menace and Resa

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This is the 15th in a series of occasional posts featuring the range of faces that have surfaced in NYC open spaces. The image above featuring Lauryn Hill was painted by the Brooklyn-based “dynamic duo,” Menace Two and Resa Piece with JMZ Walls.  Several more images of captivating faces that I’ve come upon in my relatively recent meanderings follow:

San Juan, Puerto Rico-based Son Coro in Bushwick

Mexican-born, NYC-based Maria De Los Angeles, painted on glass at Pratt Institute on West 14th Street

Netherlands-based Michel Velt at the Bushwick Collective

Asian-Canadian multi-media artist Jess X Snow, curated for Art in Ad Places by Dusty Rebel in the Village

Sicilian duo Rosk & Loste at the Bushwick Collective

UK-based Dreph at the GrandScale Mural Project in East Harlem

Photos by Lois Stavsky

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I first met and interviewed Lily Luciole back in 2014 when she came to NYC to share her distinct vision on our streets . Active throughout the globe, but particularly in Montreal and Paris, Lily fashions alluring mixed media images — largely inspired by her African heritage and her quest to reclaim her identity. The artist was back here this past month for a brief visit, and we had a chance to catch up a bit.

The last time we met up you were living in Montreal. Where are you based these days?

I now consider Paris my home.

What motivated you to return to Paris?

My mother is not in good health. She needs my support, and I want to look after her. I, also, feel that seeing new art in a different setting inspires me and stimulates my creativity.

How has your vision changed or evolved within the past few years?

While living in Montreal, my main focus had been street art. But my most recent project, Sortir Les Femmes De L’Ombre (Taking Women Out of the Shadows), engages women in a range of artistic ventures from the visual arts to dance to poetry. Ten women are currently involved, and plans are now underway for a performance and discussion as to the particular challenges faced by Muslim women in the arts.

How would you, then, define the mission of Sortir Les Femmes De L’Ombre?

Its mission is to give underrepresented women opportunities to share their talent, as well as to discover other talented women out there.

What about your own art? In what ways may that have evolved?

My technique is more complex and time-consuming, as I incorporate more embroidery. But it always centers on the representation of women.

What’s ahead?

Raising more funds to further develop Sortir Les Femmes De L’Ombre and working on my own project. I’m, also, interested in becoming involved in exhibitions and events in the northern French city, Lille.

It sounds great. Be sure to keep us posted! 

Interview conducted and edited by Lois Stavsky

Photo credits:  1-3, Ana Candelaria; 4  Hervé Sarrazin

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The following guest poet is by Lower East Side-based photographer Ana Candelaria

Born and raised in Brooklyn, Baston714 has been making his mark on our streets these past few years with his uniquely intriguing wheatpastes, paste-ups and stickers. By chance, I came upon him while he was painting a mural outside the Second Avenue subway station — one of our favorite street art spots. Soon afterwards, I had the opportunity to interview him:

When did you first discover your love for art?

Both my parents were artists and Pratt graduates. My father was a furniture designer and my mom a shoe designer. So art was always a part of my life. I was always creative and I was always drawing, but I majored in television broadcasting and worked largely in network news as an editor.

Do any early art-related memories stand out? Particularly those that may involve your parents?

One particular memory stands out. When I was five years old, after seeing the movie A Red Balloon, I started drawing red balloons all over my walls at home. My mother didn’t appreciate my efforts and made me wash them all off.  I remember, also, my father drawing characters and having me identify them. I’d guess who each one was. My father might have been a fantastic fine artist, but because he had a family to take care of, he never pursued that venue.

What motivated you to hit the streets with your distinct vision?

I didn’t expect to. I had no plans of being a street artist. But once I began to photograph street art, I was hooked. I started creating little drawings and sending them out to the street artists I’d met to get some feedback. The feedback was positive – and, like the street artists I’d befriended, I, too, wanted to share them in a public space. I started putting up stickers about three years ago.

Are there any street artists out there who particularly inspired you when you began to get your work up in public spaces?

Among those who inspired me were: Who is Dirk?, Fumero, Denton Borrows, Phetus 88. and Jeff Henriquez.. I started shooting videos with Who is Dirk?, at night. I loved the idea of being in Chinatown at 3 AM in the morning!

What about your name? How did you come up with Baston714 ?

I lived in the jungle for over five years in Iquitos, Peru — one of the most isolated cities in the world.  One of the Shamans — healers — gave me the nickname Baston which means walking stick in Spanish. And I always liked the number combination 714!

Can you tell us something about your now-iconic face?

The face was influenced by other artists and the experiences I had with Shamans while living in the jungle. Painting comes from a very personal space. I had an idea and started fooling around. I like my colors to pop.

Are you generally satisfied with your artwork?

I hate my work until I’m about midway through creating it. About 56% in, I say to myself, “There’s something here.” And then the work starts to talk to me, “Do this! Put something here.” It comes to life.

I first met you while you were working on a wall on Houston Street and 2nd Avenue. Was this your first mural?

No, I’ve painted about five or six walls. Kon Air  gave me my first wall in Barcelona. It took me six hours to finish painting it. Fumero, gave me a wall at Art Basel 2018. Spray painting is extremely challenging. I like the challenge, and I would like to paint more walls.

Have you collaborated with any other artists?

Yes, I’ve collaborated with Zimad on stickers. I have also worked with Sinclair the VandalWho is Dirk? and Doodlehedz.

Are there any artists out there with whom you’d like to collaborate?

Among those I’d like to collaborate with are: Ratanic, Antennae and Fluidtoons.

Whats ahead?

More wheatpastes and I’d like to work on more walls.

Interview conducted by Ana Candelaria and edited for clarity and brevity by Ana and Lois.

Photo credits: 1, 2 & 5 Ana Candelaria; 3, 4 & 6 Lois Stavsky

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During the past several weeks, over a dozen intriguing murals have surfaced at First Street Green Art Park. Fashioned by local, national and international artists, they reflect a huge range of styles and sensibilities, The now-iconic image featured above is the work of the nomadic Nite Owl. Several more recent additions to First Street Green Art Park follow:

Brazilian artist Panmela Castro at work

NYC-based Marzipan Physics

Brooklyn-based K-NOR 

Cram Concepts and Ratchi NYC

Brazilian artist Binho

Madrid-based Ramón Amorós

First Street Green Art Park is located at 33 East 1st Street, where the Lower East Side meets the East Village.

Photo credits: 1, 3-7 Lois Stavsky; 2 Ana Candelaria

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Earlier this month, Brazilian artist Marcelo Ment returned briefly to NYC, gracing a huge corner at JMZ Walls on Myrtle and Broadway in Bushwick. For three days, he worked approximately eights hours each day, interacting with local folks from the neighborhood and walking away with a strong sense of the place and the people who call it home. He described the time he spent there as “one of the most intense experiences of this life.” Featured above is one segment of the mural. Following are several more photos we captured on Marcelo Ment‘s final day of painting:

The artist in action

The Light: One Love, Respect and Loyalty

And the mural continues with a tribute to Biggie and Brooklyn

Biggie Smalls, closer up

Photo credits: 1, 4 & 6  Lois Stavsky; 2, 3 & 5 Ana Candelaria

Note: Hailed in a range of media from WideWalls to the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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This past Thursday, Tats Cru members BG 183, Bio and Nicer — along with CrashNick Walker and Daze — once again transformed their wall at East Harlem’s Graffiti Hall of Fame. Featured above are BG 183 and UK native Nick Walker at work. What follows are several more photos of the artists in action– all captured Thursday by travel and street photographer Karin du Maire aka Street Art Nomad.

BG 183

Crash

Nick Walker 

Daze

Bio

Nicer

The artists — Nick WalkerDaze, BG 183, Crash, Bio and Nicer

And the wall

Photos by Karin du Maire aka Street Art Nomad

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The following guest poet is by Lower East Side-based photographer Ana Candelaria

As I was heading home this past Saturday after three hours of photographing street art on the Lower East Side — with my camera battery down to 10 percent — I unexpectedly ran into an artist whose work was unfamiliar to me. Impressed with what I saw, I introduced myself and found out that I had come upon Thailand-based artist MUEBON. Then the following day, on Sunday, I unexpectedly came upon him at work at JMZ Walls In Bushwick. What were the odds? Call it street art karma!

Pictured above is the artist at work on the Lower East Side. Several more photos I captured this past weekend follow:

Earlier on  — on the LES

At work at JMZ Walls in Bushwick

Another character at JMZ Walls

With Ana Candelaria at JMZ Walls

Photo credits: 1-5 Ana Candelaria 6. Alberto, JMZ Walls

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Curated by Bianca Romero, the new Lombardy Walls is a delightful addition to East Williamsburg’s visual landscape, bringing color and charisma to what was once a banal North Brooklyn block. The huge mural featured above was painted by Brooklyn-based Bianca Romero in what has become her distinctly infectious signature style. What follows are several more artworks that surfaced this summer for the first edition of Lombardy Walls.

Brooklyn-based Dain on door

Street art veteran and Robots Will Kill founder Chris RWK

Harlem-based Marthalicia Matarrita

Chicago-based Czr Prz

  Filipino artist Jappy Lemon, currently based in NYC, does Spiderman

Will Power and Albertus Joseph do OlDirty Bastard

Lombardy Walls is located at Lombardy Street and Porter Avenue.

Photos by Lois Stavsky

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Tucked into a narrow passageway off Rivington Street east of the Bowery is the ever-evolving Freeman Alley. Even as the street art scene becomes increasingly corporate and commercial, Freeman Alley continues to remain a treasure trove of unsanctioned artwork. While some works can last for months, many are quite ephemeral. Featured above is “No Child Is Illegal” by Lmnopi. The following images were captured during these past two months.

Sara Lynne Leo, “It Wasn’t Supposed to End This Way”

 Dylan Egon, “Saint America,” with Sara Erenthal to his left

The Postman does Robert Smith of the English rock band, The Cure (Be sure to look up for this one!)

UK-based Coloquix

City Kitty and friends

10-year-old Ethan Armen with Thomas Allen

Captain Eyeliner, Who’s Dirk and friends

Photo credits: 1, 2, 4-8 Ana Candelaria; 3 Lois Stavsky

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