lamkat

This past summer, a distinctly elegant mural surfaced on the streets of Williamsburg by Brooklyn-based artist LAMKAT. Last week, I had the opportunity to meet up with the talented artist and find out a bit about her.

When did you first share your vision in a public space?

The very first time I painted outdoors was this past June in Krakow, Poland.  It was in collaboration with Marcin Kowalik and sponsored by Galeria Dystans.  I loved the experience, and was instantly inspired to continue painting outdoors.

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 Were you always conscious of street art? Have you any favorite street artists?

Yes! I was always aware of it and I’ve always loved it! Among my favorite street artists are Bogota-based Gauche — whom I met in Berlin — and Li-Hill.

Can you tell us something about your particular aesthetic? What inspires it?

My father’s black and white photography has been a huge inspiration. He’s the one that taught me the importance of perspective and depth, both visually and as a way of observing life.  And I’m inspired by math.

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Are there any particular cultures that have influenced it?

My Chinese heritage plays a role, and growing up in Texas, I was influenced by Mexican culture.

Do you prefer working alone or collaborating with others?

Both! I like working alone, and I love collaborating. This summer I collaborated with One Thousand Birds, a commercial sound studio. We created interactive sound murals that were featured at Likeminds Camp, a creative and tech conference set in the middle of the woods in Beacon, NY.

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Have you a formal art education?

I started with Fine Arts, but I then studied Advertising and Art Direction at The University of Texas at Austin. And I earned a degree in Communication Design from The University of North Texas.

Do you feel that your formal education benefited you?

It did when I worked in advertising. It taught me about the relationship between art and business…how to turn art into a business.

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Now that you are now longer focused primarily on advertising, what is the main source of your income? 

My art still is — through commissions — in such venues as restaurants — and also through my work as an illustrator.

Your illustrations — as evident in the gate you recently painted for the 100 Gates Project — certainly exude a different feeling than your huge abstract murals!

Yes! I’ve always loved drawing birds, robots and goofy characters!

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 Do you work with a sketch in hand or do you just let it flow?

I do have an initial sketch.

How do you generally feel when your piece is finished?

I feel happy and sad at the same time! I’m happy, of course, that it’s completed, but I love painting so much that I feel sad that it’s over!

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What do you see as the role of the artist in society?

It is to bring a sense of vibrancy to our environment.

What’s ahead?

The interactive sound mural from Beacon will be at the Art Mart, 395 Johnson Avenue, at Bushwick Open Studios (ed.note: beginning today through Sunday); I will also be selling my smaller-scale works there. On October 20th, I will be participating in a skate deck show at Fillin Global, 160 Bowery. I’m also scheduled to paint next month up in the Bronx at the BMX Park. And in late October, I’m heading to Austin.

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It sounds great! Good luck with it all!

Photo credits: 1 Tara Murray; 2-8 courtesy of the artist; interview conducted and edited by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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This past Saturday, Paint for Pink brought over two dozen artists and scores of folks of all ages to Abington Ave & 4th Street in Newark, New Jersey.  Here’s what Ironbound founder Gary Bloore and Newark-based Reme3 — his partner in this project, along with Torch Fuego — had to say about the event when I caught up with them on Sunday:

This is the second annual Paint for Pink here in Newark. What initially inspired this project?

We wanted to do something positive for my Lisa who is battling breast cancer.  And so we came up with the idea of painting names of people dear to us who have been affected by the disease.

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What — would you say — is the main mission of this project?

It is to educate and create awareness of breast cancer.

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How does this year’s Paint for Pink differ from last year’s event?  I notice that the location is far more accessible.

Yes. We chose a more visible site for it. And we added an educational and health element to it.

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You seem to have partnered with quite a few resources.

Yes! Newark Tech High School was engaged with the project through Ironbound, and Rutgers School of Nursing (RSN) brought their Children’s Health Project mobile unit to the event. Dozens of folks in the community who don’t have insurance were able to get general health examinations and breast cancer screenings.

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That’s quite impressive! And you seem to have engaged folks of all ages.

Yes. Many children joined in the fun, as well!

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What were some of the challenges presented by Paint for Pink?

Waiting for the permit! And successfully infusing the health and educational elements into it was also a challenge.

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To what do you attribute the obvious success of this year’s Paint for Pink?

That we connected to people who could make things happen!

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And thank you for making such an inspiring project happen!

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Images

1. Mr Cee, Seoz & Chubby Womak

2. Reme3 for Lisa

3. Mocks for his aunt, Tina

4. Ram, Ziren and Chek

5. Twerk for his brother, Alex, and for 17-year-old YaYi

6. Neighborhood kids against backdrop of artist to be identified and Spidee for his high school art teacher

7. Goomba, close-up, for his aunt

8. Torch Fuego and Elrizl

9. Reme3 and Ironbound founder Gary Bloore against backdrop by RamZiren and Chek

Photo credits:  3, 4, 6 & 7 Tara Murray; 1, 2, 5, 8 & 9 Lois Stavsky; interview conducted and edited by Lois Stavsky

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A fantastical wonderland, Bairro Padre Cruz is testament to the power of urban art to transform and beautify an everyday neighborhood. This past spring, the Muro Urban Art Festival, organized in partnership with Galeria de Arte Urbana, graced the district with dozens of huge magical murals, along with smaller artworks, by both local and international artists. Pictured above is by Miguel RAM. Here are several more images I captured:

Borondo

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TelmoMiel

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Mr Dheo

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Spok Brillor

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André NADA

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Daniel Eime

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2CarryOn

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 Photos by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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A charming, vibrant coastal city north of Lisbon, Porto boasts a dizzying array of enchanting street art, including many relatively small-scale works. Pictured above is by Porto-based duo Chei Krew. Here are several more:

Hazul

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Costah

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 Hugo Sousa

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Godmess

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David Pintor

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Brooklyn native Justin Phame & Rio de Janeiro native Bella Amaral, currently based in Porto

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Photo credits: 1-6 Lois Stavsky, 7 courtesy Justin Phame

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Situated in Sacavém, Loures, Quinta do Mocho is home to an urban social project from the municipality of Loures. This project started with the festival o bairro I o munro and has since graced dozens of stark buildings with stunning murals by both local and international artists. Pictured above is the work of Brazilian artist L7m. Here are several more images captured:

Odeith

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Vhils

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Nomen

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Ricardo Romero

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Oze Arv

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Violant

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Photos by Lois Stavsky

Note: Hailed in a range of media from the Huffington Post to the New York Times, our Street Art NYC App is now available for Android devices here.

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Facilitated by the Galeria de Arte Urbana, or Gallery of Urban Art, a long wall surrounding Lisbon’s Julio de Matos Psychiatric Hospital has evolved into an intriguing open-air gallery, showcasing a range of expressive faces.  Pictured above is by Portugese artist Drawing Jesus. Here are several more images captured from this wall that stretches over half a mile:

Also by Drawing Jesus

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Francisco Camilo

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 Trafic

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 Ayako

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Robo

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Brazilian artist Vanessa Rosa

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Photo credits: 1 – 4, 6 & 7 Lois Stavsky; 5 Sara C Mozeson

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A renovated industrial complex that how houses some of Lisbon’s coolest shops, design firms and restaurants, the FX Factory is also home to an eclectic collection of first-rate street art. Pictured above is a bee fashioned by Bordalo II from discarded objects. Bordalo II has the following to say about his work: …I belong to a generation that is extremely consumerist, materialist and greedy. With the production of things at its highest, the production of “waste” and unused objects is also at its highest. “Waste” is quoted because of its abstract definition: “one man’s trash is another man’s treasure”.  I create, recreate, assemble and develop ideas with end-of-life material and try to relate it to sustainability, ecological and social awareness.

Here are several other artworks I saw last week while visiting the FX Factory:

Miguel RAM

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French artists Noty & Aroz

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Mário Belém, close-up from huge mural

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Mariana Dias Coutinho, close-up

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MaisMenos, one of his “streetments”

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Photos by Lois Stavsky

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While attending the Street Art Expo NYC this past May in Elmhurst, I met the legendary Queens graffiti writer Alski. Struck by his passion and devotion to the graffiti culture, I was delighted to have the opportunity to interview him. We met up late last month at All the Right — a hip-hop clothing and graffiti art store — on the corner of 92nd Street and Corona Avenue in Elmhurst.

When did you first get up?  

It was back in 1979 in Corona. I was in the 6th grade at the time.

What were your main spots?

Street corners and the 7 train.

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What inspired you back then?

It was the incredible pieces I saw on my walks from Roosevelt Avenue to Junction Boulevard – works by Dondi, Fuzz, Flame. I remember being struck by their phenomenal colors. And I liked the idea of becoming popular — of getting known.

Did you paint with any crews back in the day?

I was mostly solo. The kids from school wouldn’t put me down because I was White.

How did your family feel about what you were doing back?

My father couldn’t understand why I was doing what I was doing! He yelled at me, but he was always good to me.

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What were some of the dangers you encountered doing what you were doing?

Running as I was getting chased and dodging bottles that were thrown at me.

Can you tell us something about your name — Alski?

I’ve actually had lots of names. But the Al is my tribute to Raskal; I like his handstyle. And ski signifies homie.

These days — would you rather work alone, or do you prefer to collaborate with others?

I generally like working alone, but collaborating with others allows me to get to know other writers.

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Any thoughts about the graffiti/street art divide? Do you — personally — feel it?

There’s definitely resentment among some graffiti writers towards street artists. Many street artists come from privileged backgrounds, and they’ve gone on to earn degrees in Fine Arts. Most graffiti kids can’t spend money the way many street artists can to promote their careers. The writers also feel that much of street art is a sell-out. But, no, I don’t feel it personally. I’m neutral! I’m open to interviewing street artists for my podcast, as well as graffiti writers.

Have any particular cultures influenced your aesthetic?

The B-Boy culture and hip-hop were my main influences.

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I’ve been checking out The Alski Show. I love it.  It’s so much fun, and I’m learning so much. You’ve interviewed quite a few legends.

Yes. Among them are Ces, Moody Mutz, Fade AA Mobb, DusterDuel, Ket, Giz & Easy

You’ve been doing this weekly now for almost a year. I know that you work full time. That’s a lot of love and a lot of devotion.

It’s my way of giving back, of keeping the culture alive and pushing it forward.

The Alski Show certainly seems to be doing that!

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You can check out Alski’s website, Out to Crashhere.  And you can meet him tomorrow, Sunday, at the Street Art Expo NYC where he will be selling a range of merchandise — from canvases to his  OTCITY Truckbooks — and signing black books.

Photos: 1 Lois Stavsky; 2-4 courtesy the artist. Interview conducted and edited by Lois Stavsky.

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With Lamour Supreme’s completed shutter for the legendary Katz’s Deli, the 100 GATES Project has reached its goal of transforming 100 LES shutters into artworks. Produced by the Lower East Side Partnership, the project has been connecting artists with LES businesses through original murals on roll down security gates since the summer of 2014. Beginning today, September 15 through Sunday the 18th, the 100 GATES Project – in coordination with Tiger Beer –invites us to come out for a self-guided walking tour of the gates while enjoying Tiger Beer specials. Pictured above is Lamour Supreme captured at work by travel and street photographer Karin du Maire.

Another of Lamour Supreme, close-up

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Houston, corner of Ludlow

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And a small sampling of what you will see on your self-guided walking tour:

ASVP, close-up, A. Feibusch Corporation, 27 Allen Street

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Hektad, T shirt-express, 15 Orchard Street

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For specific information, images and a wonderfully comprehensive documentation of it all, check out 100 GATES Project.

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Photo credits: 1-3, Karin du Maire; 4 & 5 Tara Murray

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Under the direction of Centre-fuge Public Art Project co-founder Jonathan Neville, the once drab trailer on the south side of East First Street is continually reinvented. Here are some images from its current transformation:

Staten Island-based Kwue Molly with the Ology Collective — Col, 2ease & Ski

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Brooklyn-based Julia Cocuzza with J Mike Kuhn on her left

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J Mike Kuhn

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Ogie 

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Damien Miksza

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Check here for information on how you can submit a proposal to paint on the East 1st Street Trailer.

Photos by Lois Stavsky

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